Aqeel Malcolm is a New York based
artist focusing on today's defintion of «masculinity.»
Not exact matches
Today's playlist
focuses mainly
on artists from two record labels: Dirtybird and This Ain't Bristol.
Today, NISL trains school leaders to become turnaround
artists focused on improving student achievement or to take «good» schools to «great,» rather than as mere building managers responsible for delivering a curriculum.
The Laguna Art Museum
focuses on displaying and preserving the art of California
artists from 19th century to
today.
The exhibition Hier, Oggi is structured as a retrospective — deliberately incomplete and fragmentary — where the
artist has selected a number of works from different periods of career,
focusing on the period that goes from 1983 to
today.
The establishment of a gallery
focused solely
on 21st century art will allow the Museum to expand and enhance its contemporary arts educational activities and present our visitors with a wide range of powerful and intriguing art from
today's finest
artists.
Focusing on the relationship with his friend and fellow
artist Marcel Broodthaers, as well as
artists ranging from George Condo, Gavin Turk and David Altmejd, the exhibition explores the way Magritte set into motion the concept of the «trashing of painting by painting itself», an idea still wilfully prevalent in art
today.
Today we
focus on three exhibits by three living
artists: Xu Bing, Tom Phillips, and Jason Middlebrook.
Drawn largely from the Guggenheim Museum's permanent collections, Moving Pictures
focuses on the variety of approaches utilized by
artists working with film, video, and photography
today.
Buck, Luisa, «The Satellite Fair Comes of Age,» The Art Newspaper, Dec. 2005 Workman, Michael, «Border Patrol,» New City Chicago, 2005 Fontana, Lilia, «About Collections and Collectors,» Arte al Dia, 2004 Babcock, Mark, «Delinquent Boys,» Glasstire, Oct. 2004 Moreno, Gean, «If You Believe Hard Enough,» Art US, Oct. 2004 Martin, Marisol, «Art Chicago,» Art Nexus, Oct. 2004 Sommereys, Omar, «Electric Kool - Aid Overload,» The Street, April 2004 Suarez de Jesus, Carlos, «Art Capsules,» The New Times, March 2004 Turner, Elisa, «Way Outside the Galleries,» The Miami Herald, Feb. 2004 Sirgado, Miguel, «Edge Zones,» El Nuevo Herald, Feb. 2004 Feinstein, Roni, «Expanding Horizons,» Art in America, Dec. 2003 Sirgado, M., «Muestras Paralelas de Downtown a Wynwood,» El Nuevo Herald, Dec. 2003 Hernandez, Amber, «Dark Days,» The Miami Hurricane, Dec. 2003 Triff, Alfredo, «Mortality Rules,» The New Times, Dec. 2003 Bayer, Brian, «South Florida
Today,» PBS, Sept. 2003 Ocaňa, Damarys, «Cheeky Showing,» The Street, Aug. 2003 Turner, Elisa, «Galleries Put
Focus On Home Grown Art,» The Miami Herald, Aug. 2003 Turner, E., «City Focus: Miami - A Dramatic Reinvention,» ARTnews, Feb. 2003 Ales, Reynaldo, «Arte y Aparte,» Travel and Leisure, Jan. 2003 Cotzee, Mark, Where Art is Happening, 2002 Ocaňa, Damarys, «Art Guide 2002,» The Street, Oct. 2002 Sultry, Lynn, «Newly Juried Artists,» Art on the Road, Summer 2000 Turner, Elisa, «As Reality Art, Tent Survives Camp Of Live - in Artist,» The Miami Herald, Sept. 20
On Home Grown Art,» The Miami Herald, Aug. 2003 Turner, E., «City
Focus: Miami - A Dramatic Reinvention,» ARTnews, Feb. 2003 Ales, Reynaldo, «Arte y Aparte,» Travel and Leisure, Jan. 2003 Cotzee, Mark, Where Art is Happening, 2002 Ocaňa, Damarys, «Art Guide 2002,» The Street, Oct. 2002 Sultry, Lynn, «Newly Juried
Artists,» Art
on the Road, Summer 2000 Turner, Elisa, «As Reality Art, Tent Survives Camp Of Live - in Artist,» The Miami Herald, Sept. 20
on the Road, Summer 2000 Turner, Elisa, «As Reality Art, Tent Survives Camp Of Live - in
Artist,» The Miami Herald, Sept. 2001
This juxtaposition of historic and contemporary work brings into critical
focus the tremendous role Schapiro's femmages played in the reframing of craft and decoration, while shining a light
on the way
artists today, both distinguished and emerging, continue to approach the decorative as a language of abstraction tied to the personal and the political.
From the renowned Performa Commissions program — with ambitious new work by Paweł Althamer, Rosa Barba, Boris Charmatz, Raqs Media Collective, Subodh Gupta, Florian Hecker, Rashid Johnson, Joan Jonas, Ryan McNamara, Eddie Peake, Alexandre Singh, Marianne Vitale, and Tori Wraanes — to the inaugural Pavilions Without Walls, in which the biennial explored the character of contemporary art in Norway and Poland, and including special thematic
focuses on ideas of Citizenship, the Voice, and the historic anchor of Surrealism, Performa 13 is an exhilarating look at the state of
artists» performance
today.
This event will be a unique opportunity to
focus on a cross-cultural dialogue between the participating
artists and the sociopolitical context informing art
today.
Today she's an independent curator, writer and Phd candidate at NYU, with a research
focus on bringing work by black Brazilian
artists to a wider audience.
Today, the McMichaels» collecting and exhibiting activities continue to
focus on the achievements of the Group of Seven, their contemporaries and Aboriginal, Inuit and Métis
artists.
Tania Bruguera and Mierle Laderman Ukeles, two of the most important
artists working in America
today in this field, then describe their work,
focusing on a single project.
Born in 1901, he had taken classes in his student years, but he had
focused until 1942
on earning a living, like many an aspiring
artist today.
By
focusing on the accomplishments of 24 international
artists born in the years following 1960 (Ghada Amer, Cecily Brown, Tracy Emin, Katarzyna Kozyra, Wangechi Mutu, Mika Rottenberg, Janine Antoni, Cao Fei, Nathalie Djurberg, Pipilotti Rist, Jane and Louise Wilson, Lisa Yuskavage, Kate Gilmore, Justine Kurland, Klara Lidén, Liza Lou, Catherine Opie, Andrea Zittel, Yael Bartana, Tania Bruguera, Sharon Hayes, Teresa Margolles, Julie Mehretu, and Kara Walker), this book is an indispensible study of important art in
today's visual culture, especially in a global context, and necessarily made more visible.
At No. 3 is Donna Haraway, the distinguished American professor emerita whose writing is central to debates
on identity, feminism and ecology and other inclusions are French philosopher, sociologist and anthropologist Bruno Latour (9) and the writers Judith Butler (48) and Chris Krauss, (77) both of whom have been a key influence
on the
focus of so many of
today's
artists on issues of gender and sexuality.
With a particular
focus on their parallel biographies, Beuys Kantor examines the major 20th - century events and the complex relations among Germans, Poles, and Jews that altered the world view of that time and shaped the individual histories of these two renowned
artists — and that reveal
today issues of myth, memory, conflict, and war addressed directly and indirectly by each of them in their work.
Following Plate Paintings 1978 - 1986, the
artist's solo exhibition at the Aspen Art Museum that
focused on his early plate paintings, this refreshing exhibition demonstrates the influential
artist's ability to find endure rapid transformations in
today's art.
Koons emerges from this volume as a charmingly open and very
focused artist, with strong views
on the purposes of art
today, and advice for practitioners: «See everything as an opportunity.
Collaborating with some of the most innovative
artists and musicians
today, The Vinyl Factory is premiering works at its curated space, Store Studios, 180 The Strand, with an initial
focus on Ryoji Ikeda's test pattern [N ̊12]-- the latest iteration of his test pattern project, begun in 2006, in which he converts data (from music, text, photo and video) into monochrome binary patterns.
Artists: Becky Beasley, Paul Caffell, Attila Csörgő, Michael Dean, Liz Deschenes, Raphael Hefti, Corin Hewitt, Ode de Kort, Laura Lamiel, Oliver Laric, Marie Lund, Justin Matherly, Fabio Sandri, Luca Trevisani, Viola Yeşiltaç, and a selection of early publications on the work of Medardo Rosso Exhibition title: The Camera's Blind Spot II Curated by: Simone Menegoi Venue: Extra City Kunsthal, Antwerp, Belgium Date: March 28 — July 19, 2015 Photography: © We Document Art and © Fabio Sandri, images courtesy of the artists and Extra City Kunsthal «The Camera's Blind Spot II» focuses on the relationship between sculpture and photography
Artists: Becky Beasley, Paul Caffell, Attila Csörgő, Michael Dean, Liz Deschenes, Raphael Hefti, Corin Hewitt, Ode de Kort, Laura Lamiel, Oliver Laric, Marie Lund, Justin Matherly, Fabio Sandri, Luca Trevisani, Viola Yeşiltaç, and a selection of early publications
on the work of Medardo Rosso Exhibition title: The Camera's Blind Spot II Curated by: Simone Menegoi Venue: Extra City Kunsthal, Antwerp, Belgium Date: March 28 — July 19, 2015 Photography: © We Document Art and © Fabio Sandri, images courtesy of the
artists and Extra City Kunsthal «The Camera's Blind Spot II» focuses on the relationship between sculpture and photography
artists and Extra City Kunsthal «The Camera's Blind Spot II»
focuses on the relationship between sculpture and photography
today.
In
today's Exclusive Eli Sudbrack and Christophe Hamaide - Pierson, principal members of the
artist collective assume vivid astro
focus, discuss their first paintings
on canvas.
Today's essay
focuses on Mbovu Malinga, an arts - and - development consultant and free - lance
artist, and his work with a variety of Cape Town NGO's.
The exhibition reflected a collecting strategy with a
focus on artists who are living and working
today, and may be emerging or unexpected.
The
artist's new exhibition, Everywhere, Nowhere
focuses on boundaries that become increasingly blurry and meaningless, people's voluntary and involuntary movements under
today's socio - political conditions and the consequences of this situation.
Once an encyclopedic show, the new LA Art Show is
focused on the immediate past as well as
today's and tomorrow's contemporary trends, honed and edited to showcase top caliber galleries featuring modern and contemporary works by established and emerging
artists.
Today, the Nasher Museum's growing permanent collection includes some of today's best contemporary art, with a focus on work by artists of African des
Today, the Nasher Museum's growing permanent collection includes some of
today's best contemporary art, with a focus on work by artists of African des
today's best contemporary art, with a
focus on work by
artists of African descent.
With
today's increased
focus on the art market,
Artists Equity aims to provide a space
focused on process, where entrepreneurial spirit and the
artist as creative provocateur are celebrated.
The CAFA Museum will present the works of 17
artists in the most extensive display in the group; the Red Brick Art Museum will
focus on abstract art from the Germany's post-war era; the Minsheng Art Museum will host German contemporary photography,
focusing on works from the Becher School in Dusseldorf, but also by Katharina Sieverding and Andreas Mühe; the
Today Art Museum will present video and media art; the White Box Art Center will show select examples of very recent art; and the Yuan Art Museum will juxtapose works by teachers with those of their art students.
Selected by Iniva's curator Cylena Simonds and prominent Cuban curator Gerardo Mosquera, the group show
focuses on six
artists living and working in Cuba
today.
The Group's
focus today is
on self - generated exhibitions curated and managed by its
artist members.
Some
artists in the exhibition
focus on the interplay between natural resources, capitalism and colonialism, and their impact
on life in Africa
today.
Today, Ms. Nedvetskaia is a partner at Khora Contemporary, the first production company to
focus on creating works in virtual reality with contemporary
artists.
Phenomenal: California Light and Space Phenomenal
focuses on the movement that began in Los Angeles and Southern California in the 1960s, fomenting many of the most vanguard practices engaging young
artists today.
This exhibition
focuses on the artworks Schwitters made in the eight years he lived in Britain and reveals how this extraordinary visionary continues to influence
artists today.
True to its original vocation to support the French art scene, the Fair will be juxtaposing the subjective, historical and critical perspective of a Curator, with a selection of specific projects
focusing on artists in France who, both in the past and
today, have managed to preserve their independence from dominant trends, or were situated
on the margin of mainstream art history.
Focusing on the female gaze in erotic art, the exhibit brings together legendary feminist
artists like Betty Tompkins and Joan Semmel, with some of
today's most exciting names, including BULLETT favorites Kelsey Bennett, Kat Toronto and Signe Pierce.
The Contemporary Art Department at Sotheby's
focuses on a diverse range of
artists and schools from early Abstract Expressionism through
today.
The Zabludowicz Collection is delighted to present The Shape We're In, a series of three exhibitions
focussing on recent sculpture and installation by 22 emerging and established contemporary
artists, including some of the most original
artists making work
today.
Markopoulos» area of interest is broadly
focused on the activities and networks of
artists and dealers in the 60s and 70s, as well as
artists who continue to employ strategies from that period in their art - making
today.
While the association with Skowhegan is the common factor among the
artists, the conversations are not intended to
focus on the
artists» respective experiences at Skowhegan, but rather to address subjects of broader interest, including the participating
artists» current and past work and the challenges and opportunities that are characteristic of working as an
artist today.
Summer School explores the artistic practice of both Magritte and the Surrealists,
focussing on popular culture, pattern, display and artifice, and the movement's wide - ranging influences
on artists practising
today.
This exhibition, the first major museum show to
focus on the
artist's most profoundly inventive and experimental years, features over 100 paintings, collages, drawings, and objects, along with a selection of photographs, periodicals, and early commercial work, that trace the birth of the themes and strategies Magritte would go
on to use throughout his long, productive career — and which make his paintings so unforgettable
today.