Sentences with phrase «artist in a dark world»

Not exact matches

At that time I felt like there weren't a lot of makeup options for darker skin tones available, and the makeup artists at the department store counters seemed to think that loading up the darkest shades of shadow, blush, and lipstick was the only way to go --(this is before YouTube changed the world of makeup for women of color)-- that's when I decided to take matters in to my own hands and I became sort of obsessed with playing with makeup.

Tags 2018 oscar predictions 2018 oscars all the money in the world blade runner 2049 call me by your name darkest hour downsizing dunkirk faces places get out i tonya icarus jane lady bird mudbound oscars 2018 phantom thread strong island the big sick the disaster artist the florida project the lost city of z the post the shape of water three billboards victoria and abdul

On this list I would include Gary Oldman in Darkest Hour, Richard Gere in one of the best roles of his career as Norman, Diane Kruger magnificent in In the Fade, Annette Bening and Jamie Bell equally great in for Film Stars Don't Die In Liverpool, as are both Michelle Williams and Christopher Plummer (in a last - minute miracle of a save) in All The Money In The World, Timothee Chalamet in Call Me By Your Name, James Franco directing himself to a career best in The Disaster Artist, Margot Robbie and Allison Janney in I, Tonya, and Daniel Day - Lewis in what he says is his farewell in The Phantom Thread (say it ain't soin Darkest Hour, Richard Gere in one of the best roles of his career as Norman, Diane Kruger magnificent in In the Fade, Annette Bening and Jamie Bell equally great in for Film Stars Don't Die In Liverpool, as are both Michelle Williams and Christopher Plummer (in a last - minute miracle of a save) in All The Money In The World, Timothee Chalamet in Call Me By Your Name, James Franco directing himself to a career best in The Disaster Artist, Margot Robbie and Allison Janney in I, Tonya, and Daniel Day - Lewis in what he says is his farewell in The Phantom Thread (say it ain't soin one of the best roles of his career as Norman, Diane Kruger magnificent in In the Fade, Annette Bening and Jamie Bell equally great in for Film Stars Don't Die In Liverpool, as are both Michelle Williams and Christopher Plummer (in a last - minute miracle of a save) in All The Money In The World, Timothee Chalamet in Call Me By Your Name, James Franco directing himself to a career best in The Disaster Artist, Margot Robbie and Allison Janney in I, Tonya, and Daniel Day - Lewis in what he says is his farewell in The Phantom Thread (say it ain't soin In the Fade, Annette Bening and Jamie Bell equally great in for Film Stars Don't Die In Liverpool, as are both Michelle Williams and Christopher Plummer (in a last - minute miracle of a save) in All The Money In The World, Timothee Chalamet in Call Me By Your Name, James Franco directing himself to a career best in The Disaster Artist, Margot Robbie and Allison Janney in I, Tonya, and Daniel Day - Lewis in what he says is his farewell in The Phantom Thread (say it ain't soIn the Fade, Annette Bening and Jamie Bell equally great in for Film Stars Don't Die In Liverpool, as are both Michelle Williams and Christopher Plummer (in a last - minute miracle of a save) in All The Money In The World, Timothee Chalamet in Call Me By Your Name, James Franco directing himself to a career best in The Disaster Artist, Margot Robbie and Allison Janney in I, Tonya, and Daniel Day - Lewis in what he says is his farewell in The Phantom Thread (say it ain't soin for Film Stars Don't Die In Liverpool, as are both Michelle Williams and Christopher Plummer (in a last - minute miracle of a save) in All The Money In The World, Timothee Chalamet in Call Me By Your Name, James Franco directing himself to a career best in The Disaster Artist, Margot Robbie and Allison Janney in I, Tonya, and Daniel Day - Lewis in what he says is his farewell in The Phantom Thread (say it ain't soIn Liverpool, as are both Michelle Williams and Christopher Plummer (in a last - minute miracle of a save) in All The Money In The World, Timothee Chalamet in Call Me By Your Name, James Franco directing himself to a career best in The Disaster Artist, Margot Robbie and Allison Janney in I, Tonya, and Daniel Day - Lewis in what he says is his farewell in The Phantom Thread (say it ain't soin a last - minute miracle of a save) in All The Money In The World, Timothee Chalamet in Call Me By Your Name, James Franco directing himself to a career best in The Disaster Artist, Margot Robbie and Allison Janney in I, Tonya, and Daniel Day - Lewis in what he says is his farewell in The Phantom Thread (say it ain't soin All The Money In The World, Timothee Chalamet in Call Me By Your Name, James Franco directing himself to a career best in The Disaster Artist, Margot Robbie and Allison Janney in I, Tonya, and Daniel Day - Lewis in what he says is his farewell in The Phantom Thread (say it ain't soIn The World, Timothee Chalamet in Call Me By Your Name, James Franco directing himself to a career best in The Disaster Artist, Margot Robbie and Allison Janney in I, Tonya, and Daniel Day - Lewis in what he says is his farewell in The Phantom Thread (say it ain't soin Call Me By Your Name, James Franco directing himself to a career best in The Disaster Artist, Margot Robbie and Allison Janney in I, Tonya, and Daniel Day - Lewis in what he says is his farewell in The Phantom Thread (say it ain't soin The Disaster Artist, Margot Robbie and Allison Janney in I, Tonya, and Daniel Day - Lewis in what he says is his farewell in The Phantom Thread (say it ain't soin I, Tonya, and Daniel Day - Lewis in what he says is his farewell in The Phantom Thread (say it ain't soin what he says is his farewell in The Phantom Thread (say it ain't soin The Phantom Thread (say it ain't so).

Among the leading actor Globe contenders who may go on to earn SAG and Oscar recognition are drama nominees Hawkins, Jessica Chastain of «Molly's Game,» Frances McDormand of «Three Billboards,» Michelle Williams of «All the Money in the World,» Meryl Streep and Tom Hanks of «The Post,» Timothée Chalamet of «Call Me By Your Name,» Daniel Day - Lewis of «Phantom Thread,» Gary Oldman of «Darkest Hour,» and Denzel Washington of «Roman J. Israel, Esq.» Heading up the musical or comedy categories are Judi Dench of «Victoria & Abdul,» Helen Mirren of «The Leisure Seeker,» Margot Robbie of «I, Tonya,» Saoirse Ronan of «Lady Bird,» Emma Stone and Steve Carell of «Battle of the Sexes,» Ansel Elgort of «Baby Driver,» James Franco of «The Disaster Artist,» Hugh Jackman of «The Greatest Showman,» and Daniel Kaluuya of «Get Out.»

It shows you how artists have developed a window on a flat space through first of all basic means of overlapping, placement, symmetry and story telling and how this changed with Giotto and Masaccio (use of light and dark shading) and how Brunelleschi brought the grid and camera obscura to develop a window to the world in his paintings.

Future Con also takes a fun look at fiction vs. fact in the comics world, with panels like The Technology of Dark Nights: Metal featuring a discussion with «Batman» artist and writer duo Greg Capullo and Scott Snyder about the technology at the iconic character's disposal.

Damien Sparkes is an experienced environment artist who has previously worked on the Banjo - Kazooie, Conker and Perfect Dark franchises, as well as moving into the physical world, crafting Fighting Fantasy miniatures in partnership with Games Workshop co-founder Ian Livingstone.

In Identity Unknown, Donna Seaman brings to life seven forgotten female artists, among the best of their day: Gertrude Abercrombie, with her dark, surreal paintings and friendships with Dizzy Gillespie and Sonny Rollins; Bay Area self - portraitist Joan Brown; Ree Morton, with her witty, oddly beautiful constructions; Loïs Mailou Jones of the Harlem Renaissance; Lenore Tawney, who combined weaving and sculpture when art and craft were considered mutually exclusive; Christina Ramberg, whose unsettling works drew on pop culture and advertising; and Louise Nevelson, an art - world superstar in her heyday but omitted from recent surveys of her erIn Identity Unknown, Donna Seaman brings to life seven forgotten female artists, among the best of their day: Gertrude Abercrombie, with her dark, surreal paintings and friendships with Dizzy Gillespie and Sonny Rollins; Bay Area self - portraitist Joan Brown; Ree Morton, with her witty, oddly beautiful constructions; Loïs Mailou Jones of the Harlem Renaissance; Lenore Tawney, who combined weaving and sculpture when art and craft were considered mutually exclusive; Christina Ramberg, whose unsettling works drew on pop culture and advertising; and Louise Nevelson, an art - world superstar in her heyday but omitted from recent surveys of her erin her heyday but omitted from recent surveys of her era.

Group exhibitions include Out of Line, The High Line, NYC; The World is a Mirror of My Freedom, McColl Center, Charlotte, NC (2017); Wound: Mending Time & Attention, The Cooper Union, NYC; A Dark Matter..., Tarble Arts Center, Eastern Illinois University, Charleston, IL, March Madness, Fort Gansevoort, NYC (2016); superHUMAN, Central Utah Art Center, Ephraim, UT; Greater New York: Five - Year Review, MoMA PS1, Long Island City, NY; Mixed Signals: Artists Consider Masculinity in Sports, Independent Curators International, traveling exhibition; Hard Targets: Masculinity and American Sports, Los Angeles County Museum of Art, Los Angeles, CA; The S - Files, Museo del Barrio, NYC; and Emergency Room, P.S. 1 Contemporary Art Center, Long Island City, NY.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RigArtist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RigArtist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Rigartist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

Referencing both a human figure and «the spirit of a bird,» as the artist says, this dark, abstracted form depicts a bird in the corvid family, which includes grackles, crows, and ravens, common in large cities around the world.

The 34 - year - old Canadian artist, long revered for his Google Street View screengrabs (circa 2009 — ongoing), has explored darker themes in his latest videos and installations — and the art world has taken notice.

Toulouse based artist 100TAUR portrays mythical monsters in a surrealist dark enchanted world with colourful details rich in narrative.

Unseen Warhol, (contributor), Rizzoli, 1996 Rizzi, John Szoke 1997 Glamour, Style, Fashion: The Warhol Look, Andy Warhol Museum, 1997 Blank Generation Reviseted: Early Days of Punk Rock, Schirmer, 1997 SOAPBOX: Essays Diatribes Homilies and Screeds 1980 - 1997, Imschoot, 1998 Artist / Author: Contemporary Artists Books, (contributor), DAP, 1998 Basquiat, Tony Shafrazi Gallery, 1999 The Style Guy, Ballantine Books, 2000 Human Nature (dub version), 2001, Greybull Press Anh Duong, Assouline, 2001 People After Dark, Roxane Lowit, (introduction,) Assouline, 2001 New York Beat, Petit Grand, 2001 New York Expression, Bergen Kunstmuseum 2002 Photographs of Ron Gallela, Greybull Press, 2002 Tom Sachs: Nutsy's, Guggenheim Museum, 2003 Shriners, with Lisa Eisner, Greybull Press, 2004 Andy Warhol: The Late Works, (contributor), Prestel Verlag, 2004 Yours In Food, (contributor), John Baldessari, Princeton, 2004 Maripolarama, Powerhouse, 2005 People, Roxane Lowit, Assouline, 2005 Public Access: Ricky Powell Photographs 1985 - 2005, Powerhouse, 2005 Pam: American Icon, Stellan Holm Gallery, 2005 James Nares: New Paintings, Kasmin, 2005 Warhol's World, Steidl, 2006 The Jean - Michel Basquiat Show, Skira, 2006 Katlick School, with Sante D'Orazio, TeNeus, 2006 Jean - Michel Basquiat: 1981, The Studio of the Street, Charta / Deitch 2007 Richard Prince, Guggenheim Museum, 2007 Out of Mind, Shawn Mortensen, Abrams, 2007 Leadbelly: A Life in Pictures, Steidl, 2008 Warhol by Gallela: That's Great, Monacelli, 2008 John Lurie, A Fine Example of Art, Powerhouse, 2008 Acid Candy, Miles Aldridge, Reflex Editions, 2008 Christopher Wool, Taschen, 20In Food, (contributor), John Baldessari, Princeton, 2004 Maripolarama, Powerhouse, 2005 People, Roxane Lowit, Assouline, 2005 Public Access: Ricky Powell Photographs 1985 - 2005, Powerhouse, 2005 Pam: American Icon, Stellan Holm Gallery, 2005 James Nares: New Paintings, Kasmin, 2005 Warhol's World, Steidl, 2006 The Jean - Michel Basquiat Show, Skira, 2006 Katlick School, with Sante D'Orazio, TeNeus, 2006 Jean - Michel Basquiat: 1981, The Studio of the Street, Charta / Deitch 2007 Richard Prince, Guggenheim Museum, 2007 Out of Mind, Shawn Mortensen, Abrams, 2007 Leadbelly: A Life in Pictures, Steidl, 2008 Warhol by Gallela: That's Great, Monacelli, 2008 John Lurie, A Fine Example of Art, Powerhouse, 2008 Acid Candy, Miles Aldridge, Reflex Editions, 2008 Christopher Wool, Taschen, 20in Pictures, Steidl, 2008 Warhol by Gallela: That's Great, Monacelli, 2008 John Lurie, A Fine Example of Art, Powerhouse, 2008 Acid Candy, Miles Aldridge, Reflex Editions, 2008 Christopher Wool, Taschen, 2008

With À la Lumière des Deux Mondes (At the Light of Both Worlds, 2005), a site - specific work created for the Louvre's glass pyramid — the first time a contemporary artist had exhibited in the institution — Tunga used one of the building's columns as a pivot on which various symbolically charged objects were balanced: gold and black skulls and a giant walking stick intertwined with braided hair on one side; a chain of skulls caught in a dark net falling towards a floor littered with golden and black reproductions of heads from the Louvre's classical sculptures on the other.

Later on, its elements could be found in Situationism, the Feminist movement, the hyperrealistic sculptures of Claes Oldenburg, the Chinese Cynical Realism, punk projects and the work of the Young British Artists... Indeed, the Surrealist intent to liberate expressive form, to release the world of the subconscious, of dreams and nightmares, paranoia, suppressed eroticism, and the dark side of the mind, continues to fascinate the world almost a century after it was born, creating an enduring and ever - lasting legacy.

Terence Koh's work (sculptures, installations, performances, and artist books) address the beauty and sublime transcendence of emptiness, the intertwining of all realms of life and death, and the constellations of dark matter that create the isolate worlds in which we live.

«Bjarne Melgaard: A House to Die In» Artforum International; October 1, 2012; Busta, Caroline; 330 words LONDON «BJARNE MELGAARD: A HOUSE TO DIE IN» INSTITUTE OF CONTEMPORARY ARTS * September 25 - November 18 * Curateci by Matt Williams · Psychopathic hackers, HIV bug chasers, murderers, and meth - the excesses of Bjarne Melgaard's terror - world only grow darker when one knows that the artistIn» Artforum International; October 1, 2012; Busta, Caroline; 330 words LONDON «BJARNE MELGAARD: A HOUSE TO DIE IN» INSTITUTE OF CONTEMPORARY ARTS * September 25 - November 18 * Curateci by Matt Williams · Psychopathic hackers, HIV bug chasers, murderers, and meth - the excesses of Bjarne Melgaard's terror - world only grow darker when one knows that the artistIN» INSTITUTE OF CONTEMPORARY ARTS * September 25 - November 18 * Curateci by Matt Williams · Psychopathic hackers, HIV bug chasers, murderers, and meth - the excesses of Bjarne Melgaard's terror - world only grow darker when one knows that the artist's

Interview with Georganne Deen, Summer 2011 Fee, Georgia, Artslant, Interview w / Georganne Deen, Apr 22, 2008 Bors, Chris, Artinfo, Georganne Deen in New York, Apr 3, 2008 Reverend Jen, Artnet, Diary of an Art Star, Mar 31, 2008 Tanner, Matt, Beware the Wild Children, Grand Street News, Mar 2008 Powers, Kevin, Interview with Georganne Deen, Artes & Leiloes (Portugal), Nov, 2007 Behrens, Katja, Verspielter Exorzismus, TAZ nrw, March 20, 2007 Wertheim, Christine, Georganne Deen: Underground Woman, X-TRA, Winter 2006 Harvey, Doug, I Art the 80's, L.A. Weekly, March, 2006 Fahl, David, Text Hook, Houston Press, June 17, 2004 Klaasmeyer, Kelly, Deen's List, Houston Press, Jan. 2, 2003 Lowry, Mark, Artist's Work Hits Close to Home, Fort Worth Star Telegram, Mar. 13, 2002 Mitchell, Charles Dee, Self Examination Turns Disturbing, The Dallas Morning News, Feb. 28, 2002 Deen, Georganne, The Girlfriend and The Devil, Grand Street # 70 Halstrup, Anjee, Georganne Deen: The Secret Storm and the Vogue Book of the Dead, ZERO magazine, July, 2001 Rodriguez, Juan, Georganne Deen at Babilonia 1808, Artweek, June, 2001 McEwam, Ann, 15 Psychic Orgasms, Waitako Times, Mar. 8, 2000 Mutch, Nicola, Ads Undermine American Dream, Otago Daily Times, Oct. 26, 1999 Munro, Bruce, Artist Explores Dream World, The Star, Oct. 27, 1999 Madoff, Steven Henry, Pop Surrealism ARTFORUM, Oct., 1998 Gopnick, Blake, Old Wounds Healed Through Older Art Form, The Globe & Mail, Jul 29, 1998 Hume, Christopher, Allegories of Her Hateful Family Tree The Toronto Star, Jul 11, 1998 Schoenkopf, Rebecca, The Glamour of Ugly, Orange County Weekly, Sept 19, 1997 Curtis, Cathy, Light Images, Dark Truth, Los Angeles Times, Sept 9, 1997 Dambrot, Shana Nys, Georganne Deen, JUXTAPOZ, Fall 1997 Kim, Soo Jin, Georganne Deen, Art Issues, Summer 1997 Kandel, Susan, Fierce: Georganne Deen, Los Angeles Times, Feb 28, 1997 McKenna, Kristine, Los Angeles, Art & Antiques, Summer 1996 Zellen, Jody, The Mother Load, World Art, Summer 1995 Lueck, Brock, Co-Mix Art: Fine Tooning Pop, The New Art Examiner, Mar, 1995 McKenna, Kristine, Coming to Terms With Mom, L.A. Times, Dec 18, 1994 Desmarais, Charles, Georganne Deen, Grand Street # 49, 1994 Dubin, Zan, Experiences of a Girl as Seen by a Woman, L.A. Times, Oct 23, 1993 Rose, Cynthia, Pacific Meltdown, British Vogue, Jul, 1991 Carlin, John, Bad Influences, The Paper, Jun, 1988 Smith, Alton, Reinventing the WheelI, Village Voice, Nov 29, 1988 Tanney, Kathy, Paper Tigers, Plastic Toys, Art Week, Aug 22, 1987 Knight, Christopher, Bad Influences Knocks Popular Culture Wisdom, L.A. Herald Examiner, Aug 4, 1987 Leston, Kimberely, Georganne Deen, the Face, Dec, 1986 Pincus, Robt, Voyage on Sculpture May Make Some Viewers Ill, San Diego Union, Jul 10, 1986 Wilson, William, Social Distortion Exhibition, L.A. Times, Jul 10, 1986 Rugoff, Ralph, Exterminating Angel, Los Angeles Weekly, Oct 11, 1985 Drohojowska, Hunter, The Art World's Biggest Pests, Los Angeles Herald Examiner, Oct 20, 1985