Sentences with phrase «artist in need of work»

-- Sandler met Mark di Suvero in 1959 when he was looking for an artist in need of work to paint his apartment.

Not exact matches

In the in - depth piece she enumerates a long list of innovators — from Ernest Hemingway to Steve Wozniak — who felt solitude was central to their work, before going on to argue that it's not just artists and inventors who need to carve out more time alonIn the in - depth piece she enumerates a long list of innovators — from Ernest Hemingway to Steve Wozniak — who felt solitude was central to their work, before going on to argue that it's not just artists and inventors who need to carve out more time alonin - depth piece she enumerates a long list of innovators — from Ernest Hemingway to Steve Wozniak — who felt solitude was central to their work, before going on to argue that it's not just artists and inventors who need to carve out more time alone.

This website builder is put together for photographers, artists, writers, videographers, bloggers, musicians, wedding and event planners, and anybody else who needs to display an attractive portfolio of work in one place.

It's a polite way of warning the government that the UK urgently need to ensure the Digital Single Market works for us in Europe, and be wary of putting our artists and creators at the mercy of developing ones.

«Who wants to tell the 80 % of music businesses that employ fewer than five people, and the thousands of artists who self - finance the production of their own albums, that to enjoy the protection of the law, all they need now is to have millions of pounds and spend years in court to protect their work?»

back staging it on pop fashion and art food,, cold play and you being almost as funkadleic as,, kl f our totnes pop band the west country bring out comicness and fun with bil lbalies as standup comedy, but the uncanny, comic connections,, and ideologies,, divine intervention etc has to be confronted,, in this instance,, there, writer,, everything went,, lahlah lah when i found out1999 my first son was deaf,,,, your film baby driver now he is 21 effected,, very deeply as a deaf man him and he would love to meet you,, and help you do baby driver two accompanied rap back, on his life in the deaf community London as an artists and lover of fast cars,, and anti war gang block buster, he has all the locations and sights he just needs u when u next in London,, he is Leonardo Patterson on Facebook but as his mum - an interpreter,, i have to translate he wants to take u top the 32 floor of the shade, an ask u how come sign language music blips u got him quite emotional echoes his child hood with his Jamaican father,,,, he just wants the anti war second mix,, none violent comedy,, with bil bailey unit as a mixed race teenager growing up in south London, he has seen the,, how gangs nonviolence,, have ruined it,, for, cant give any more away he cant work out how to meet your pr,, as he is dyslexic,, soi he is getting me to write this,, Lamborghini,, s are his love,, its cosmic,, could u make a,, deaf teeagers dream come true,, we could meet you clpahm picture house where wesaw bay driver with subitles at thier subtitles for deaf club every Thursday,, can you messge me onfacebook messgenr,, thanks his deaf club,, eevry wed,, would also love avisit,, deaf club central, reards su and,,, leonardo patterson,,,

In order to create an animated work, you need a studio environment, and you need hundreds of artists.

And one needn't take a stand on the validity of auteurism as a framework for discussing movies to acknowledge the way it continues to dominate discussions of current works of international art cinema; those of us invested in movies as art continue to latch on to the director as artist.

We know that the work of Teaching Artists in collaboration with arts and non-arts classroom teachers is critical to making this happen, and we know the need for experienced teaching artists to do this work is expanding as a building body of research identifies positive school - wide effects of arts integArtists in collaboration with arts and non-arts classroom teachers is critical to making this happen, and we know the need for experienced teaching artists to do this work is expanding as a building body of research identifies positive school - wide effects of arts integartists to do this work is expanding as a building body of research identifies positive school - wide effects of arts integration.

In other words, companies need to employ at least a certain minimum number of editors in order to continue doing business, but freelance editors who actually create a work along with an artist are very importanIn other words, companies need to employ at least a certain minimum number of editors in order to continue doing business, but freelance editors who actually create a work along with an artist are very importanin order to continue doing business, but freelance editors who actually create a work along with an artist are very important.

HostBaby will work in the same way as the other widely popular models of its company, which is to say it simply provides artists and authors the tools they need to design the best product they can for themselves.

She speaks without hyperbole and has an essential grasp of what defines the needs of the artists she works with in her own publishing house and elsewhere.

Those are often the artists that end up in Starbucks working away at the computer, because they need that buzz of the noise and the people around them.

The article is directed at artists and it states, «A creator, such as an artist, musician... or author — in other words, anyone producing works of art — needs to acquire only 1,000 true fans to make a living.»

There is a need for political will from the government of Buleleng and Bali, the house of representative of Buleleng and Bali, government as well as private institutions, artists, culture connoisseurs and public in general to work hand in hand in preserving North Balinese culture.

«We got out of the gate quickly without a lot of disruption, which enabled us to focus on the other fundamental pieces we needed to build, while leaving the artists to work in their world undisturbed.»

Each of the game's six story chapters tasks players with searching the grounds of a seemingly haunted mansion that's constantly changing as they work discover the next tool needed to complete the artist's warped work - in - progress.

Do you know of an easy way to identify artists in need the way that Kiva works with everyone else?

Gynaecological instruments superimposed on the surface of the works disrupt traditional Romantic readings and imply a desire for human intervention in the timeless cycles of birth and death... [Kiefer] has been criticised for being theatrical... Yet in this increasingly frightening and unfettered world we need artists like Kiefer... who are prepared to face what is tragic rather than endlessly celebrating what is glib, slick and ephemeral.»

Now, in preparation for the opening of a museum dedicated to the artist, experts can finally see how the works have held up and what kind of treatment they need.

All products for sale on the site — cellphone cases, water bottles, T - shirts — feature designs by working artists, and every sale provides an entire year of access to safe water for an individual in need, thanks to the store's partnership with the nonprofit Water.org.

Born in Alabama, Roger Brown first came to prominence as an artist when his work was included in the 1969 exhibition, «Don Baum Says: Chicago Needs Famous Artists,» at Chicago's Museum of Contemporary Art.

Cynically we might say that it's because the museums have turned artists into celebrities and profit from their marketing, but I still believe that it's the unique power of those paintings, the color, the vision of the artist worked out in the physical material of the painting that fills a spiritual hunger that's as real, and as important as the body's need for food.

Work needs to be delivered in person either by artist or friend of artist.

This event was one of a series hosted in partnership with VoCA to highlight the innovative CALL initiative while also underscoring the crucial need for dialogue with artists around the production, presentation, and preservation of their work.

This event was one of a series hosted in partnership with the Joan Mitchell Foundation's Creating a Living Legacy (CALL) Program highlighting the innovative CALL initiative while also underscoring the crucial need for dialogue with artists around the production, presentation, and preservation of their work.

Name, address and contact details of painter - Where you heard about Beep2016 (name of magazine, website, etc.)- A submission of up to TWO paintings (high quality JPEGS) with title / s, dimensions in cm, medium, year - 250 words maximum statement (Word document or in an email) on the submitted paintings relating to the theme and a brief artist biography (this will be used for the online catalogue)- link / s to website or recent works (this will only be used by exhibition judges if needing additional information picking a winner)

Just about everything you need to know about Dennis Oppenheim and his work is expressed in the touching video piece Star Exchange (1970) on view in the indoor gallery at Storm King — part of the expansive indoor and outdoor exhibition of the artist's work, Terrestrial Studio.

Fried explicitly outlined «the need to defeat theatre,» calling for an end to Judd-esque approaches (in «Primary Structures,» the artist had shown two works, both a series of connected metallic boxes).

Tibbits is complaining that they don't show enough work by Houston artists from the juried shows of yesteryear and / or the Fresh Paint era, and that's a proposition that needs to be evaluated in the context of how those museums present historical and modern American art in general.

This event is the last in a series of four that VoCA is hosting this fall in partnership with the Joan Mitchell Foundation's Creating a Living Legacy (CALL) Program highlighting the innovative CALL initiative while also underscoring the crucial need for dialogue with artists around the production, presentation, and preservation of their work.

But an even grayer area of this equation is in the emerging market, where artists who are just getting their first few solo shows need to figure out how to price their work before there is a demand for it.

On the hypocritical advice some established artists give aspiring young artists «I am sick of hearing artists tell other young artists not to finish art school, take your money and invest it in what you need to do for your work and all this other BS.

Artists in both groups strove to place abstraction at the center of modern art, and both grew out of the needs of individuals who had been working with abstract art long before either group was established.

NEW COMMISSIONS PROGRAM Since its launch in 2005, the New Commissions Program has formed the core of Art in General's programming, and was designed in direct response to feedback from artists who expressed a need for more in - depth support for the production of new work.

Additional programs undertaken by the Foundation include free art classes for New York City youth, grants to MFA graduates to aid in their transition from academic to professional studio work, grants to arts organizations, and grants to artists and arts communities in need of emergency support after a disaster.

Working with thousands of children and young people annually, leading artists collaborate with those who have the greatest need for opportunity, and their art is celebrated through exhibitions in galleries 5 & 6, which are dedicated to education projects.

This event is the third in a series of four that VoCA is hosting this fall in partnership with the Joan Mitchell Foundation's Creating a Living Legacy (CALL) Program highlighting the innovative CALL initiative while also underscoring the crucial need for dialogue with artists around the production, presentation, and preservation of their work.

Prince's rephotography uses appropriation as its own goal — the artist simply needed the works of others in order to choose a departure point for his own art.

Combining the acquisition of the small sculpture with two drawings establishes a wider context of Barlow's work within the collection, these drawings succeed in telling, in two dimensions, all you need to know about the artist's way of seeing and recording the world in three dimensions.

To ensure that this work is guided as best as possible by the needs of artists, the Foundation requires that one third of our Board be working artists in addition to members from other fields.

In a world where we have become used to having to decode the artist's intentions, Altmejd presents work so filled with content and embedded with meaning that it allows the viewer to bypass the need for a simple intellectual explanation and allows him or her to instead become a visceral participant in the construction of worlds that much like our own are forever a mystery, infinite in their ability to change, generous in meaning - a world of glittering growth and sublime decay, of heart rending pain and ravishing desirIn a world where we have become used to having to decode the artist's intentions, Altmejd presents work so filled with content and embedded with meaning that it allows the viewer to bypass the need for a simple intellectual explanation and allows him or her to instead become a visceral participant in the construction of worlds that much like our own are forever a mystery, infinite in their ability to change, generous in meaning - a world of glittering growth and sublime decay, of heart rending pain and ravishing desirin the construction of worlds that much like our own are forever a mystery, infinite in their ability to change, generous in meaning - a world of glittering growth and sublime decay, of heart rending pain and ravishing desirin their ability to change, generous in meaning - a world of glittering growth and sublime decay, of heart rending pain and ravishing desirin meaning - a world of glittering growth and sublime decay, of heart rending pain and ravishing desire.

[citation needed] Also in 2007, Axial Age (2005 — 2007), a monumental cycle of paintings, was shown for the first time at the 2007 Venice Biennale, with the wish explicitly expressed by the artist that the work should remain on display in Venice.

Since its launch in 2005, the New Commissions Program has formed the core of Art in General's programming, and was designed in direct response to feedback from artists who expressed a need for more in - depth support for the production of new work.

The House Management department at the Wexner Center for the Arts is currently in need of an outstanding Artist Services Assistant (Federal Work - Study Job ID: 4896) who is willing to be as flexible with their time as our world - class performing arts programming requires, which often includes evening and weekend hours.

By some fortuitous coincidence just a few steps separate «Joan Mitchell: The Last Paintings» at Cheim & Read from «Matta: A Centennial Celebration» at Pace Gallery and each show explosively refutes any notion of youthfulness being the province of the young while giving new life to the phenomenon known as «old age style» — used to distinguish formal characteristic of late works by Titian, Rembrandt, or Cézanne, where the artist just wants to get to the heart of the matter and sloughs off all the fine finish he had needed to impress his audience in earlier years.

Ranging from photography to drawing to installation, the more than four dozen works in the exhibition include: critically acclaimed videos by Marilyn Minter (Green Pink Caviar, 2009) and Kate Gilmore (Between a Hard Place, 2008), who credits Minter for teaching her to «be bold, honest and to never, ever relax»; a new large - scale sculpture by Marianne Vitale (Double Decker Outhouse, 2011), who says seeing Hungarian flimmaker Bela Tarr's 7 - hour epic Sátántángó confirmed her need to be an artist early in her career; and the latest project from Lisa Kirk (Backyard Adversaries (Ashes to Ashes), 2011), who sees a «sublime level of alchemy, the act of making work that is not only inspiring, but is revolutionary» in David Hammons» Fly Jar (1996).

The gallery does not keep a permanent space, instead it arranges pop - up exhibitions in order to tailor the experience to the individual needs of the artist and the work.

His true breakthrough was in the year of 1935 when Willem was chosen to be the official artist of the federal art project for the WPA (Works Progress Administration) that needed him to paint a number of murals and other similar wWorks Progress Administration) that needed him to paint a number of murals and other similar worksworks.

It changes in response to the needs of artists and informs and engages the public about their work.