Sentences with phrase «artist in the exhibition who»

But there are four artists in the exhibition who dealt with with Pussy Riot, including Olivier Mosset, who is a monochrome painter.

Artist, painter and curator Cary Smith opened his show on Saturday, June 7, titled This One's Optimistic: Pincushion, a group show at the New Britain Museum in Connecticut, delivering remarks introducing the several artists in the exhibition who were present, a short exposition about painting in affirmation and ended with a heartfelt tribute to Jennifer Wynne Reeves, an artist beloved by many who was at that moment in hospice care.

Not exact matches

most of them German expressionists, were gathered in a large - scale traveling exhibition designed to illustrate what he termed the «degenerate Jew - boy» tendencies of those so - called «artists» who wished to inflict their «humbug» on the German people.

A group of local artists who formed a collective called «Art as Exchange» (AAEX) are holding their first public exhibition in the Long Walk Shopping Centre next week.

Significant space and priority is given to the professional category of Illustrators, who can find at Bologna Children's Book Fair support and encouragement to develop their work and opportunities to meet with other operators in the publishing market and other sectors: first of all, the annual Illustrators Exhibition, but also the Illustrators Café — a space for conferences and meetings — and the Illustrators Survival Corner, with a rich programme of workshops, portfolio reviews and meetings with international artists.

The Arts Fund 205C Santa Barbara St Exhibition Opening, Artist Reception for South County Sampler, a «taste» of singular portions of the fare of eight accomplished artists who all reside in the small beach community of Carpinteria, CA.

It may be sheer coincidence, but exhibitions at the Brooklyn Museum and the Kunsthalle Vienna this autumn both focus on the women artists who were identified with Pop art, while an exhibition at the Jewish Museum in New York tackles a related subject: painting and feminism (with a bit of Jewishness thrown into the mix).

This would probably work best for an English - speaking artist in North America who is interested in public or commercial gallery exhibition.

For Ms. Winter this overdue exhibition «serves as a tribute to artists who, like Biala, persist in remaining faithful to their personal vision.»»

Baker writes: «Drawing a connection between the redrawing of political borders and the subsequent exchange of ideas among previously alienated artists, the exhibition theorizes that the surge of creativity in the 1920s and 30s could have been a direct response to the mingling of Russian Constructivists (who migrated west due to the increasingly conservative Soviet policies against the avant garde) and the radical Dutch conceptualists they encountered.

And in an exhibition that includes a number of arguably un-Pop artists, where is Yoko Ono, Lee Bontecou, Carolee Schneemann — or even Colette, who knowingly transformed herself into the objectified object of the male gaze?

Talk: «Art and Equity» at Barnard College At this event, Toyin Ojih Odutola — whose solo exhibition at the Whitney Museum is on view through February 25 — will be in conversation with South African artist Mary Sibande, who will discuss questions related to aesthetics, gender, race, justice, and the political role that artists can play.

Alan Solomon, who organized the Cornell show, would go on to curate both precocious artists» solo exhibitions at the Jewish Museum, in 1963 and 1964, respectively.

These issues are hardly confined to race, of course — curators of exhibitions on gender, nationality, and other aspects of identity routinely encounter artists who decline to participate because they don't want to be considered in the context of «women artists,» «Jewish artists,» and so on.

Hi I know an artist who built miniatures that are well known out west president Obama saw his miniatures and loved it it was at an exhibition in Texas.

Earlier in the conversation, Bruguera had asked Ai to address the rumors surrounding Maximo Caminero, the artist who smashed a vase in Ai's exhibition at the Pérez Art Museum Miami in 2014.

In the exhibition, 23 - year - old Chicago artist Darius Airo's bright, poppy paintings will be displayed near classics by the influential painter Ed Paschke, and whimsical semi-figurative works by the recent School of the Art Institute of Chicago M.F.A. graduate Jenn Smith will share space with those of Hairy Who founding member Jim Nutt.

The exhibition which opens during Bushwick Open Studios weekend features a work by 19 international artists who have each selected an artist from Brooklyn to participate in the show.

About the Artist Hank Willis Thomas (American, born 1976), is a conceptual artist who has participated in more than three hundred solo and multi-artist exhibitions and his work has been collected worlArtist Hank Willis Thomas (American, born 1976), is a conceptual artist who has participated in more than three hundred solo and multi-artist exhibitions and his work has been collected worlartist who has participated in more than three hundred solo and multi-artist exhibitions and his work has been collected worlartist exhibitions and his work has been collected worldwide.

Artist Walead Beshty, who authored the essay for the exhibition's illustrated catalogue, explains, «Just as the ritual object accrues meaning incrementally and over time through a repetitive process of investment and stewardship, DeFeo came to favor producing paintings through a process of slow accumulation in lieu of the explosive and loose gestural compositions that were common at the time.»

Curators Patricia Spergel and Shazzi Thomas selected artists for this exhibition who reference garden and landscape in their work in a variety of ways — traditional observational painting, works with subtle satirical and political commentary and paintings that lean towards abstraction.

This exhibition, a survey of Truitt's sculpture, painting, and works on paper from 1961 to 2002, traces the career of an artist who developed her work quietly and independently in the former carriage and row houses of this city.

Dawn DeDeaux and Lonnie Holley: Thumbs Up For the Mothership An exhibition designed to give an extended public forum to two artists who have participated in the Robert Rauschenberg Foundation Artists - in - Residence program in Captiva, Florida, Thumbs up for the Mothership features works by New Orleans conceptual artist Dawn DeDeaux and Atlanta - based sculptor and musician Lonnie artists who have participated in the Robert Rauschenberg Foundation Artists - in - Residence program in Captiva, Florida, Thumbs up for the Mothership features works by New Orleans conceptual artist Dawn DeDeaux and Atlanta - based sculptor and musician Lonnie Artists - in - Residence program in Captiva, Florida, Thumbs up for the Mothership features works by New Orleans conceptual artist Dawn DeDeaux and Atlanta - based sculptor and musician Lonnie Holley.

The FAQ Team is a group of artists and art historians who study each exhibition in order to discuss the work and assist with contextualizing CAMH's dynamic exhibitions for diverse audiences.

The exhibition includes paintings, drawings, installations, sculptures, video works, and photographs by an intergenerational group of artists who are primarily based in the United States.

Opening on February 15, 2007, David Zwirner is pleased to present an exhibition by Belgian artist Francis Alÿs, who lives and works in Mexico City.

This exhibition of paintings, sculptures and drawings marks the London debut of American artist Justin Almquist, who was born in Minneapolis in 1976, received his BFA at Pratt Institute, New York in 1998 and his MFA at the Academy of Fine Arts in Munich in 2010.

Mark Dagley is equally renowned for being a publisher and for playing guitar in the seminal punk bands the Girls and Hi Sheriffs of Blue during the 1970s and»80s, but given the strength of his current exhibition, he should be best known for being a reductive abstractionist — that is, an abstract artist who approaches painting through its most basic means and language.

The idea is to feature every artist who participates in the 2015 exhibition with an image of the work donated and their information.

In this two - venue exhibition, paintings by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be on view here at CSIn this two - venue exhibition, paintings by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be on view here at CSin collaboration with Bradford will be on view here at CSM.

This exhibition puts the Gee's Bend quilts in context by featuring the work of master quilt maker Mary Lee Bendolph and those she influenced, accompanied by the art of artists working in the found - object tradition who are part of her artistic sphere, including Thornton Dial and Lonnie Holley.

The prize is open to women artists living and working in the United Kingdom who have not previously had a major solo survey exhibition.

Finally, to open the door to what followed, and to pay tribute to one of artists who paved the way for American Pop Art, the exhibition will close with an emblematic work by Robert Rauschenberg (1925 - 2008): his Art Car designed in 1986 for BMW.

Welcome to Art Provocateurs Week, in collaboration with Art Alliance, where we interview artists who are a part of the Shepard Fairey - curated «The Provocateurs» exhibition during Lollapalooza.

Artists who produce contemporary art in any media, and who live or work in the Mid-Atlantic region may submit exhibition proposals.

Top image: Philip Guston, Untitled 1971, oil on paper, mounted on canvas, 29 x 40 inches (Private Collection) Bottom Image: Ron Milewicz, Covered Bricks, 2013, oil on linen, 36 x 48 inches Presence of Form Exhibition dates: October 8 — November 10, 2015 In honor of the New York Studio School's 50th anniversary, comes Part II of work by artists who are -LSB-...]

This is a major exhibition of works by a New York artist who died in 1978 at the age of 35; and, literally, made a mark on NYC in the 70s by cutting into — and at times removing — large chunks of buildings.

Those who commit themselves will receive an official I AM NO LONGER AN ARTIST badge designed by Bob and Roberta Smith, and shall be invited to create one final drawing for inclusion in the Art Amnesty gallery exhibition, using materials provided onsite.

Also on view are works by artists who were influenced by Michelangelo that relate to the art on view in the current exhibition.

This exhibition brings together artwork created in the Dieu Donné studio by twenty artists who have participated in the organization's prestigious residency programs.

We are one of the few local institutions that commissions new works by artists, paying particular attention to artists of note who have not had a significant exhibition in the Southeast.

What follows, in the exhibition, are works by artists who have persevered in defiance of portrait fatigue, such as Alex Katz and Chuck Close, and some creative curating that asks us to think of 1970s Body Art, anonymous street photography, and certain still lifes as portraits.

The successive exhibitions feature work by MacConnel, Ned Smyth, Dickie Landry and Tina Girouard, artists from different parts of the country who were making seminal work in the 1970s and»80s, and who are still active.

For the interview published in the May / June 2013 issue of Art New England (available online here) Miler depicts Lemieux in the studio preparing an exhibition of works that homage her artistic heroes — artists who share an approach that Lemieux describes as «the conceptual, the playful, the «why not»?»

The exhibition at the Society Club in Soho features 18 limited edition darkroom prints taken from Griffin's highly sought after out - of - print book, © Brian Griffin 1978, which was created in collaboration with artist Barney Bubbles, who had achieved cult status for his illustrations of punk record sleeves.

Through the friendship and careers of the trio of artists — all who live and work in The Hamptons — the exhibition explored paintings made and the intersections and divergences of each of their art practices during this time period.

The Ecole des Arts de Braine - l'Alleud in Belgium presents the exhibition «Colorific,» featuring the work of almost 20 artists who explore color.

The nine established and emerging artists were picked from a pool of 40 artists who were showing in a group exhibition organized by the AAAL, «Invitational Exhibition of Visual Arts,» which opened in New York earlier texhibition organized by the AAAL, «Invitational Exhibition of Visual Arts,» which opened in New York earlier tExhibition of Visual Arts,» which opened in New York earlier this month.

The Irascibles were a group of American abstract artists who, in 1950, signed an open letter, to the president of The Metropolitan Museum of Art, rejecting the museum's exhibition: American Painting Today — 1950, and boycotting the accompanying competition.

Mr. Lowry and Ms. Heiss, with Tom Finkelpearl (Program Director of P.S. 1), led a team of curators who participated in the selection of artists and organized the exhibition.