Sentences with phrase «artist layered the paint»

The method also was used to determine how the artist layered the paint and to establish the order of the various pigments used in the paintings.

Not exact matches

Different mixed media painting techniques, using glue, string, card, wax, paper to manipulate and to create texture with acrylic paint Looking at famous artists like Jackson Pollock, Frank Auerbach, David Bomberg, John Hoyland and Howard Hodgkin Resources: Acrylic paint, Sponges, sticks, large and small paintbrushes, credit card, string, glue, Punchinella, kebab sticks batik wax, sand, tissue paper, scrap paper and glue guns, Creating a number of different textures with acrylic paint and see what other mixed media layering one can achieve with chalk and oil pastel as well to layer over the acrylic paint.

The Minneapolis - born artist shoots high - resolution black and white images through glass blocks, then adds photograms during the development process and, for the final layer, hand - paints the prints.

Calligraphy, miniature painting, Sufi mysticism, and other traditions are the starting point for a new generation of artists from the Islamic world who are using the language of contemporary art to inflect their work with multiple layers of meaning.

Ambiguous features can morph from immense beauty into utter despair, with hints of the eyes breaking the surface beneath layers of paint, charcoal, turpentine, expressive brush strokes and often physical DNA from the artists» fingertips.

Mixed media artist Hilary Williams layers photos, drawings, paintings and patterns to create screen print impressions of San Francisco and the Bay Area.

Sigmar Polke, an artist of infinite, often ravishing pictorial jest, whose sarcastic and vibrant layering of found images and maverick, chaos - provoking painting processes left an indelible mark on the last four decades of contemporary painting, died yesterday in Cologne, Germany.

«I've always liked the physicality of paint,» says the artist Angel Otero, who transforms liquid material into thick - yet - elegant layers, or «oil skins,» as he calls them.

The artist's paintings inspired by Francis Bacon, created from 2012 through 2016, are dense compositions with recurring motifs, such as eyes and mushrooms, accentuated by multiple layers of color on platinum leaf.

Whereas artists such as Donald Judd (1928 — 1994) and Carl Andre (b. 1935) abandoned the studio and enlisted industrial fabrication and materials, Truitt painted and sanded her wood sculptures by hand in multiple layers.

Upon exploring the stained surfaces of Krone's Screen Paintings, one is made aware of the causality occurring between the artist's systematic layering process and its entirely arbitrary result.

In the paintings of Los Angeles - based artist Patrick Wilson, layered squares of color attain unbelievable levels of transparency and rich density.

The leaping colors and shapes layered in Cecily Brown's paintings are energized by the influence of artists including de Kooning and Rubens, so it's not surprising that there are some intense sketches behind them.

The New York - based artist Isca Greenfield - Sanders transforms old slides by scanning and gridding them, and then applying multiple layers of watercolor, colored pencil, or oil paint.

The paintings included in this exhibition have a darker palette, Ruby's garish colors are covered with layers of black paint, as if the artist were now engaged in defacing his own works.

Like many artists, Rothko also greatly admired Renaissance paintings and their richness of hue and apparent inner glow achieved through the application of multiple layers of thin glazes of color.

Partly a reaction against Abstract Expressionism, best known in the thickly layered paintings of American artists Willem de Kooning and Jackson Pollock, Hard - Edge emphasized angular lines, reduced forms, precise surfaces, and rich colors.

The surfaces of these works are hyper - refined in some passages, offset by several visibly distinct layers of paint, and Reynolds manages to capture the awe - inspiring mountain sky and light with exceptional accuracy, nodding to the Light and Space artists» interest in tempered atmosphere.

Artist Statement Shara Hughes» new paintings present layers of abstracted, actual and pictorial space, all in search of simplicity.

[10] The artist sought to remove any trace of her brush, sanding down each layer of paint between applications and creating perfectly finished planes of colour.

SOLO EXHIBITIONS 2016 «Emma,» Russell Collection, Austin, TX 2009 «Recovery,» Center for Contemporary Arts, Abilene, TX 2008 «Figuratively Speaking,» Amy Graves Ryan Fine Arts, Abilene 2008 «Emblematic Expressions» Falcon Gallery, Del Rio, TX 2007 «Satiated Between the Layers» Center for Contemporary Arts GROUP EXHIBITIONS 2017 Affordable Art Fair New York, NY 2016 Art Hamptons, NY 2016 Artspace Warehouse, Los Angeles, CA 2014 «Beyond Beauty», Russell Collection, Austin, TX 2015 «Mixed Media», Roan and Black, Saugatuck, MI 2012 «Femme», Russell Collection Fine Art, Austin, TX 2011 «Best of Texas», Russell Collection Fine Art, Austin, TX 2010 Samuel Lynne Art Galleries, Dallas, TX 2009 Samuel Lynne Art Galleries, Dallas, TX 2009 Center for Contemporary Arts, Abilene, TX 2008 Center for Contemporary Arts, Abilene, TX 2007 Fairmount Gallery, Dallas, TX 2007 Simply Art Gallery, Galveston, TX AWARDS 2008 Best in Show, McMurry University 2007 - 2008 Outstanding Painter, McMurry University 2005 - 2006 Outstanding Painter, McMurry University 2005 - 2006 Outstanding Sophomore Artist, McMurry University 2004 - 2005 Outstanding Freshman Artist, McMurry University 2004 - 2008 Perry Bentley Scholarship recipient 2007 Best in Painting - Manhattan Arts International 24th Anniversary Competition About the gallery: Artspace Warehouse is one of the world's leading galleries for savvy contemporary art collectors.

Additionally, the work is layered with references to literature, film and other artists, including David Hockney and Derek Jarman, whose paintings also feature in the exhibition.

The Los Angeles - based artist, known for his massive collage works comprising layers of street posters, paint and mixed media.

Hernández's method involves literally digging through layers of paint to the canvas, in a process that the artist associates with sculptural carving.

An intriguing exception, at Context, was a 10 - gallery showcase of South Korean artists, all individually compelling and working in mediums ranging from textured painting to layered glass, though so similar in their subtle sensibility that they struck me as a collective, or even, a genre.

The paintings of Berlin - based artist Clara Brörmann, currently hanging on the walls of Nicelle Beauchene Gallery, reveal an innate sense of clarity, though a direct understanding of each work's process may be lost in the layers.

Masullo — who prefers the term «stuff maker» to artist — asserts that his paintings begin with shapes and develop as would a conversation: the brush communicates with paint as layer upon layer is worked and reworked, until it arrives at a natural point of completion.

But whereas the work of those artists achieves a meaningful dissonance through a sundry aggregation of disjunctive motifs, Picabia's layered images serve to reinforce one another within each painting, coalescing in their signification into a unified expression or theme: in one case it is the seductive menace of his Portrait of Kiki (ca. 1938 - 40), a demimonde figure painted in lurid yellows and greens with a spider form imposed over her face; in another it is the cheesy eroticism of Reve (ca. 1935), an image of a sleeping woman about to be kissed imposed over a nude standing (like Botticelli's Venus, but with arms upraised) on the surface of the waves.

Visiting abstract painter Mike Elsass in his Front Street studio By Bill Franz Photo: Mike Elsass» signature rusted steel paintings hold as many as 40 layers of paint; photos: Bill Franz Mike Elsass may be Dayton's most colorful artist, and he works in what is definitely Dayton's most colorful studio.

Both artists employ Galkyd to layer their paintings, a medium that Abstract Expressionist Jackson Pollock used with oil color to create his famous drip paintings.

Despite layers of pigment and interventions by the artist, the paintings still maintain a feeling of constraint and organization.

Artists were influenced by industrial finishes and spray painting with over - and under - layers of metal flake and pearl developed by custom car builders.

Upon close examination, the pearlescent layers of wax and modeling paste reveal the hand of the artist, who was building up the surface to accept his own version of a new painted language.

These paintings are the product of a labor - intensive process known as frottage, in which paint is first applied to the canvas before the artist methodically alternates between scraping off existing layers and adding fresh coats.

Whereas artists such as Donald Judd (1928 — 1994) and Carl Andre (b. 1935) enlisted industrial fabrication and materials to make their works, Truitt hand - painted her sculptures in multiple layers to create abstract compositions of subtle color in three dimensions.

Likewise, John Baldesssari, a conceptual artist and fellow denizen of Angeleno Americana, is featured in an homage to his home town in National City, in a suite of eight archival photographs, layered over by hand painted acrylic circles.

Damien Meade, born in Ireland, is known for his paintings which are the culmination of a layered studio - based process that begins with the artist modelling a structure from clay in his studio, shaping it and giving it form with his hands.

MARK BRADFORD Los Angeles - based artist Mark Bradford paints beautiful, layered abstract canvases that explore poignant social issues.

They feel stressful and cathartic — it's refreshing to see figurative painting that's smart but doesn't mask the artist's hand in layers of irony.

Transposed into an artist's book, they suggest at least as many layers and diverted streams of information as Wool's word paintings do.

And, entering her seventh decade as a practicing artist, Nashville - native Mildred Jarrett layers and manipulates paint in her canvases, concealing and revealing delicate forms.

Bradford is best known for his collage - layered paintings that express the energy and poetry of life in the city, particularly Los Angeles where the artist lives and works.

The latter is one of the most admirable examples of the way the artist combined hard - edged painting with her spray technique, layering veils of color on the suspended geometry that made Byzantium such gravity - free pleasure.

Nicholas Kersulis: Within Without the Space of a Corner will feature new work by an artist who's intrigued me since Blaffer Art Museum director and chief curator Claudia Schmuckli included his painted discs — and rocks painted with gesso so obsessively layered it begins to dwarf the stones themselves — in the 2008 Houston Area Exhibition.

«By the early 1980s, Brodsky's approach involved an exploration of flattened pictorial space built up from layers of pigment that create an overall surface pattern of light and shade, the whole animated by energetic ribbons of color that dance across the canvas as a record of the artist's spontaneous gesture, attesting to his engagement with the process of painting itself,» wrote Chalif.

The artist then builds the surface through paint and subsequent layers of collage, which are peeled back to reveal earlier incarnations of the work.

The artist's approach, according to his galleries, «involves layering subtly modulated acrylic paint across canvases, repeated polishing with sanders, and veneers of reflective resin which allow light to penetrate the stratum of the picture and reflect back with exceptional illumination.»

The artist's color palette and thickly applied layers of paint compliment the dark - edged, brooding imagery.

Artist Mark Bradford moves past a traditional definition of painting with his palimpsest - like canvases comprising layers of collaged and painted material that the artist sands, slices, and lacArtist Mark Bradford moves past a traditional definition of painting with his palimpsest - like canvases comprising layers of collaged and painted material that the artist sands, slices, and lacartist sands, slices, and lacquers.

Copies of the artist's birth certificate and pages from his address book are physically laid down as a self - described «under surface» of the paintings on which he applies multiple layers of paint stick in vertical and horizontal strokes.