Not exact matches
The key
features of James Martini cinematogrpahy that most cetainly would appeal to a client whether an
artist or production company is that not only will their
film / video shine with the aid of a very creative artistic direction, story boarding and editing, but there is a highly professional full
film making experience & service.
One of our favourite movies of the latter part of this year in the upcoming The Disaster
Artist, James Franco's
feature that looks into the
making of the cult
film The Room, one that is heralded as being the Citizen Kane of bad movies.
Featuring a career -
making portrayal by Forest Whitaker, it was a
film that beautifully captured the world of jazz and the
artists that create this music.
Extras: New 4K scan from the original
film elements; new audio commentary with writer - director Albert Pyun; new «A Ravaged Future — The
Making of Cyborg»
featuring interviews with Pyun, actors Vincent Klyn, Deborah Richter and Terrie Batson, director of photography Philip Alan Waters and editor Rozanne Zingal; new «Shoestring Fantasy - The Effects of Cyborg»
featuring interviews with visual effects supervisor Gene Warren Jr., Go - Motion technician Christopher Warren and rotoscope
artist Bret Mixon; extended interviews from Mark Hartley's documentary «Electric Boogaloo: The Wild, Untold Story Of Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallery.
Of the six
features on this set, all but Playtime
make their respective American Blu - ray debuts and two appear on disc for the first time in the U.S.. From his debut
feature Jour de Fête (1949) to the birth of both M. Hulot and the distinctive Tati directorial approach in his brilliant and loving Monsieur Hulot's Holiday (1953) through the sublime Playtime (1967) to his post-script
feature Parade (1974), this set presents the development of an
artist who took comedy seriously and sculpted his
films like works of kinetic art driven by eccentric engines of personality.
Special
Features: • Brand new 2K transfer from the original camera negative • High Definition Blu - ray (1080p) and Standard Definition DVD presentations • Optional English SDH subtitles for the deaf and hard of hearing • Audio commentary with co-writer and producer Mardi Rustam,
make - up
artist Craig Reardon and stars Roberta Collins, William Finley and Kyle Richards • New introduction to the
film by director Tobe Hooper • Brand new interview with Hooper • My Name is Buck: Star Robert Englund discusses his acting career • The Butcher of Elmendorf: The Legend of Joe Ball — The story of the South Texas bar owner on whom Eaten Alive is loosely based • 5ive Minutes with Marilyn Burns — The star of The Texas Chain Saw Massacre talks about working on Eaten Alive • The Gator Creator: archival interview with Hooper • Original theatrical trailers for the
film under its various titles Eaten Alive, Death Trap, Starlight Slaughter and Horror Hotel • US TV and Radio Spots • Alternate credits sequence • Reversible sleeve
featuring original and newly commissioned artwork by Gary Pullin • Collector's booklet
featuring new writing on the
film, illustrated with original archive stills and posters
I am sure I am not alone in that I spend far more time watching abstract
films and short experimental videos than I do watching
feature films; in part because I
make experimental
films, and in part because, to my mind, the most risk - taking visual
artists don't necessarily work in
feature films; but instead work in video art and experimental filmmaking and newly emerging filmic art forms, such as gifs.
That title might even be a stretch, since the titular vehicle doesn't
make much of an impact in the
film besides serving as a shiny prop for the laid - back soundtrack
featuring blues, R&B, and old - school hip - hop from
artists including Bobby «Blue» Bland, Erick Sermon, and Marlena Shaw.
But that's what Franco's latest
feature, «The Disaster
Artist,» is, and unlike the picture it's about, the new
film is receiving rave reviews, as is Franco for his portrayal of the totally bizarre character who
made and starred in the 2003 calamity - turned - cult - hit, Tommy Wiseau.
These
artists discuss how they
made their first
features, how they transitioned to studio
films or television, how they balance a demanding directing career with family, and the challenges and joys along the way.
«Birdman,» «The Grand Budapest Hotel» and «Guardians of the Galaxy» were the
feature film winners at the
Make - Up
Artists & Hair Stylist Guild Awards Saturday evening at the Paramount Studios Theatre.
NEW Sounds from the Cold — interviews with supervising sound editor David Lewis Yewdall and special sound effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the
making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby
making of THE THING
featuring interviews with John Carpenter, Kurt Russell, special effects
make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby ca
make - up designer Rob Bottin, legendary matte
artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit
featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The
Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby
Making of a Chilling Tale and The
Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby
Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the
film with additional footage not in the
film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special
Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby ca
Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)
The four minute short
film is intended to be released online, free to the public and
features beautiful cinematography from DP EVAN PESSES, and bloody special FX from
make up FX
artist and FACE OFF!
This double
feature of pre-World War II Ozu is a beautiful match - set of dramas in duty and sacrifice, but the five years between 1936 and 1941
make all the difference in the world, for both Ozu the
artist stretching himself into the sound era and Ozu the director doing his duty in the Japanese
film industry.
Since then, they've
made three more
films together and along the way won plenty of awards for their 2011 silent black - and - white The
Artist — including Oscars for Best
Feature and Best Director for Michel.
These tracks sound similar to these ears: deep, clean, with fastidious distinctions
made between the diegetic and non-diegetic sounds, which is of paramount importance to a
film that so precisely deconstructs itself,
featuring a killer who provides her own soundtracks for her murders, suggesting an
artist in her own right.
This was followed by
Made To Order by David Downton — a
film featuring the fashion
artist.
The key
features of James Martini cinematogrpahy that most cetainly would appeal to a client whether an
artist or production company is that not only will their
film / video shine with the aid of a very creative artistic direction, story boarding and editing, but there is a highly professional full
film making experience & service.
While
artists shouldn't expect to
make a mint solely by renting out their artwork, any amount of money earned is no bad thing, and the benefits of having a piece of your art
featured in a
film or TV show go beyond just the financial.
Featuring nearly one hundred drawings spanning the
artist's career to date, the exhibition will include Barney's earliest drawings
made in the late 1980s, drawings created in conjunction with the CREMASTER
film cycle (1994 — 2002), and those related to his current project RIVER OF FUNDAMENT.
Making its U.S. debut, this exhibition presents the latest in African design,
featuring more than 120
artists working across photography,
film, sculpture, fashion, furniture, apps, digital comics, and beyond.
2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international
artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish
artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding,
Making architecture TEACHING 2015 Visiting
Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish
Artists, Bergen Academy of Art and Design Norway Visiting
Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish
Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015
Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education
Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's
feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish
Featuring paintings, sculpture,
films, and drawings by a wide range of
artists, this exhibition retrieves Dwan's singular contributions and reexamines the important history she
made, highlighting in particular the increasing mobility of the art world during the late 1950s.
The exhibition
features a new installation referencing the changing environment of Samb's atelier as well as showing archival materials and
films made during his unique collaboration with French
artist / director Jean Michel Bruyère.
All the shows and record companies and skateboard graphics, ad campaigns, t - shirt brands, music projects,
feature and documentary
films these
artists have produced now blur together into a indecipherable glob of creative output that I can barely
make any sense of.
The White Review No. 14
features interviews with the art critic, historian and October journal editor Hal Foster; British
artist Mark Leckey, whose hugely influential
film «Fiorucci
Made Me Hardcore» was memorably described by Ed Atkins as «better than art»; and the novelist Rachel Cusk, who talks about her commitment to «writing sentences that aren't the product of sentences written by other people.»
These days, the
artist, who uses her married name to differentiate her
feature films from her artwork,
makes Internet - wired virtual robots and digitally
made movies that riff on the search for self in the age of cybersex and genetic cloning.
Rashid Johnson to
make feature film debut Conceptual
artist and photographer Rashid Johnson is to
make his
feature -
film debut, it has been announced.
From April to June, the Pompidou Museum becomes alive with public screenings
featuring hundreds of
films made in collaboration between choreographers, dancers,
film makers and video
artists.
Spanning the two Lower East Side venues that
make up Downs & Ross (formerly Tomorrow Gallery and Hester, respectively), Crespo's solo exhibition explores the
artist's unique, deep - seated relationship to these conjoined twins with a
feature - length autobiographical
film, prints on stretched satin, and translucent window - hung pieces
featuring naturalistic digital renderings of the Hensels that the
artist drew using a tablet.
Fujiwara's
film was paired with the exhibition «Feminist Avant - Garde of the 1970s: Works from the Verbund Collection,»
featuring artists like Marcella Campagnano, Alexis Hunter, Suzy Lake, Cindy Sherman, and Martha Wilson — all of whom started
making art about identity 40 years ago.
Now, the
artist's latest project has been to extrapolate his early career -
making photographs into a new form: a three - part
feature film about his childhood titled Ray & Liz.
In 2011, Sarah founded Cornerhouse
Artist Film, the UK's only specialist distrubutor of artist feature film, starting with the UK and Ireland theatrical release of Self Made, the directorial debut of Turner Prize winning artist Gillian We
Artist Film, the UK's only specialist distrubutor of
artist feature film, starting with the UK and Ireland theatrical release of Self Made, the directorial debut of Turner Prize winning artist Gillian We
artist feature film, starting with the UK and Ireland theatrical release of Self
Made, the directorial debut of Turner Prize winning
artist Gillian We
artist Gillian Wearing.
Film festivals and art fairs have been having «art +
film» matchmaking sessions, curators have been
making more cinema references in their exhibitions,
artists dream of
making feature films,
feature filmmakers
make paintings and drawings.
The
film featured the
artist sailing vessel
made of bark collected from the forest floor in Finland, across the Baltic Sea.
Increasingly, contemporary
artists work with cinema's scale and distribution formats: collaborating with Hollywood actors, as
artist Candice Breitz has done, or
making mainstream
feature films themselves (such as Omer Fast's Remainder, 2016).
To illustrate this aspect of his artistic practice, The Production Line of Happiness
features a series of rarely shown short
films shot on a Super-8 camera,
made while he was a student, and also
features a series of experimental short
films curated by the
artist.
Two recent New York Close Up
films featuring artists Liz Magic Laser and David Brooks exemplify how the
film series «can
make strong interdisciplinary connections.»
While
artists like Steve McQueen and Matthew Barney have
made stand - alone,
feature - length
films, Herzog appears to have entered the art world with reservations.
She began her career as an
artist making video, performance and multimedia performance and went on to train as a
feature film director and writer at the Canadian
Film Centre.
1/125 of a Second»
features a selection of Byrne's most acclaimed photographic and
film works of the past fifteen years alongside the world - premiere of a
film made by the
artist in 2015 and commissioned by the Mead Gallery with Monash University Museum of Art, Melbourne, and Moderna Museet, Stockholm.
Whitstable Biennale 2016 was the 8th edition of the festival,
featuring new works
made especially for Whitstable from some of the UK's most exciting
artists, together with live performances,
films, talks, workshops, walks and events.
Alongside the three
films, Wael Shawky showcased a selection of flags and drawings, many of them new works, and presented a display of ceramic marionettes
made by the
artist, that
feature in his
film The Path to Cairo.
«WILLIAM POPE.L: Desert» @ Steve Turner Contemporary Los Angeles A «visual and performance - theater
artist and educator who
makes culture out of contraries,» William Pope.L is presenting sculpture, drawings, new photographs and a new
film featuring Joe Gans, the first African American World Boxing champion.
A large projection presented in a black box space, Bully stems from the
artist's highly acclaimed
feature length
film Self
Made, 2010, and confronts the viewer with an individual's catharsis.
The museum will celebrate the opening of Philodendron with special programming including a Takeover Tour led by
featured artist Edouard Duval Carrié; an adults - only Craft + Craft art -
making workshop; a book talk; and a free family day and
film screening.
Hammer Projects: Andra Ursuta opens March 7, 2014 February 26, 2014 Sabrosonico: All - ages courtyard concert
featuring Toy Selectah, Sonidero Travesura, DJ Chucuchu & More February 25, 2014 Hammer Museum Announces
Made in L.A. 2014
Artists February 19, 2014 Hammer Museum Will Present Three Awards in Conjunction with
Made in L.A. 2014 January 30, 2014 Curator Aram Moshayedi Receives Grant from The Andy Warhol Foundation for the Visual Arts January 22, 2014 Terry Riley: In C, a Performance Installation by The Industry January 16, 2014 Take It or Leave It: Institution, Image, Ideology January 8, 2014 Hammer Projects: Nathaniel Mellors December 16, 2013 Tea and Morphine: Women in Paris, 1880 to 1914 Opens January 26, 2014 December 11, 2013 Opening Soon: JG, a
film by Tacita Dean & Kelly Nipper: Black Forest December 9, 2013 A Trip to Japan in Sixteen Minutes, Revisited November 18, 2013
ARTISTS: Tony Conrad, Jutta Koether, and John Miller (sometimes
featuring Greg Parma Smith) SOUND: Distorted, at times minimal instrumental music fusing Conrad's violin with Koether's Euro - inflected synths and Miller's looping guitar WHAT THEY DO: A real thinking man's art supergroup, XXX Macarena unites three artistic visionaries who each come from a different corner of the art world — Conrad is a legend in avant - garde video and sound art (he
made the landmark, epilepsy - inducing
film The Flicker in 1966), Koether is a hypercerebral painter, and Miller is a multitalented
artist and critic who teaches at Columbia.
The key
features of James Martini cinematogrpahy that most cetainly would appeal to a client whether an
artist or production company is that not only will their
film / video shine with the aid of a very creative artistic direction, story boarding and editing, but there is a highly professional full
film making experience & service.
The key
features of James Martini cinematogrpahy that most cetainly would appeal to a client whether an
artist or production company is that not only will their
film / video shine with the aid of a very creative artistic direction, story boarding and editing, but there is a highly professional full
film making experience & service.