Sentences with phrase «artist modeling a structure»

Damien Meade, born in Ireland, is known for his paintings which are the culmination of a layered studio - based process that begins with the artist modelling a structure from clay in his studio, shaping it and giving it form with his hands.

Damien Meade is known for his paintings which are the culmination of a layered studio - based process that begins with the artist modeling a structure from clay in his studio, shaping it and giving it form with his hands.

Not exact matches

While the basic structure is quite similar to the first trailer for the film, this one gives us a little more of Jena Malone's makeup - artist character, implying that she's involved in the sinister cabal of youth - obsessed vampires (or whatever) that hungers for up - and - coming model Elle Fanning's hot young blood.

In addition, Milestone has used 3D scanning technology to accurately recreate the likeness of every MotoGP rider's face through a structured light 3D scanner that can read the curves and colour of their faces, producing a real - time 3D model that was later refined by artists.

The aspects of the athletes were recreated through a structured light 3D scanner, slightly bigger than a classic DSLR, which reads the curves and color of their faces and gives a real - time 3D model, later refined by the artists.

(Incidentally, this structure mirrors the model of the Renaissance artist's studio, in which numerous assistants made the work, and one artist received the credit.)

The Durden and Ray model expressly overlaps multiple strategies, including the commercial potential and visual I.D. of a gallery, the democratic structure of an artist's group, the potential to create collaborative works of art in the manner of a collective, and the shared fiscal support of its programs by group members and partnering organizations similar to a non-profit.

This sculpture, on display at Matthew Marks's booth, is a greatest - hits encapsulation of the artist's unique preoccupations: structured around the armature of a stool (modeled after the one he uses in his studio, and cast in faux - bois aluminum), it's fronted by a fleshily convincing pair of disembodied breasts (hand - modeled in beeswax) and shelters within a bird's nest (painstakingly built from twigs) holding three blue robin's eggs (resin).

The panel will explore the timeliness of this recent iteration of digital abstraction, with three artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a contemporary image - based culture; whether our digital era truly produces an ahistorical condition in which images and marks have no specific reference and no relevant point of origin; how structures of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity of the screen in all aspects of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus on tromp l'oeil and «topographical» painting.

His art has provided a liberating model for American artists» varied explorations of vibrant color, strong, fluid lines, and clear compositional structures in their pursuits of self - expression.

In 2015, New York - based artist Rachel Rose, created a scale - model of the fair structure, in which lighting and sound design simulated the sonic and visual sense frequencies of animals inhabiting The Regent's Park.

Multimedia artist Doug Aitken and MOCA Director Philippe Vergne will be in conversation tomorrow to explore ideas and new models for working both within and outside of the museum structure.

The Times Square Show Revisited's main contributions, however, are those of the original Colab members, who have been keeping alive the history of those years and working in a similar independent way: the Ahearn brothers, Dickson, Fitzgibbon, Howland, Moore, Otterness, Rupp, and dozens of others for whom, sadly, there is never enough space in articles and reviews, which are published in magazines and journals still structured around an individualistic model and more interested in representative phenomena and their most distinctive features than they are in providing data or offering objective interpretations that also acknowledge artists who never became famous.

The centerpiece of this show, the sculpture park's first devoted to a single artist in its entire history, will be Scapegoat, a 40 - foot - long model of a goat's head attached to a long wood structure.

As Frieze Week sets in, the Zabludowicz Collection in London will be taken over by Huanca's army of nearly - nude, pastel - painted models, who will be enshrined in a three - floor Perspex structure the artist has built.

This has led to new ways of thinking about collecting, recording histories, and producing discourse, as well as extending exhibition models and the involvement of artists in the creation of institutional structures.

Benjamin's method of getting lost while walking and exploring cities, or looking for a system to structure his writings (without ever succeeding), is a model that de Waal embraces for his own practice as an artist.

For The Contemporary Austin, the artist renders a multipart installation for the Jones Center and Laguna Gloria exploring these themes, combining existing work with newly commissioned aspects and including architectural structures, documentary films, and drawings and related models.

The structures these paintings are clearly modeled after buildings, but the viewer faces the artist's intentional obfuscation when determining any information from the initial photograph.

This exhibition features large sculptures by Victoria artist Nick Brdar, involving cut - out and modeled images of bodily segments grafted on to structures and discarded consumer objects.

Do Ho Suh's extraordinary sculptureFallen Star 1/5, which depicts the aftermath of a collision between two buildings, each a one - fifth - scale model of actual structures, is a highlight of the MFAH «sYour Bright Future: 12 Contemporary Artists From Korea — up through Feb. 14.

The very structure of a tree is the focus for many artists: Ward Shelly's Media Role Models, a tree - shaped timeline, charts historical figures and events influenced by the media.

The TFAA artists «believe it's time for the organizational structure and governance model to reconnect with the original marketplace framework,» the plan says.