Sentences with phrase «artist painting dots»

These performances, which involved the artist painting dots directly onto animals, people, and her environment, were motivated by the anti-War movement that became a hallmark of youth culture in the later 1960s.

Not exact matches

Inspired by dot paintings of Australian Aboriginal artists, many of Hatchuel - Becker's three - dimensional oil paintings focus on symmetry, alignment and colour to create simple structures.

The actual plastic supports are relatively thick, and in keeping with the earlier work, on each of their sides the artist has painted a row of thick black dots, suggestive of nails holding down canvas that has been stretched over the frame.

International Pop: Origins Lichtenstein was the first of the three artists to employ the dot in 1961, appropriating imagery from bubble gum wrappers and children's books, incorporating cartoon characters such as Donald Duck and Mickey Mouse into his paintings.

In Pointillism, the artist uses small dots or strokes of paint to make up the pictures.

«Polka dots would cover my fingertips to the top of my head, expanding to the window and finally covering up the whole room,» says the artist, 84, whose latest solo show of new paintings and installations, «I Who Have Arrived in Heaven,» is on view at David Zwirner in New York through December 21.

Artist Laurie Nye's other - worldly paintings filled with omnipotent female cyborgs and organic geometric shapes feature at the current group show at The Dot Project in London.

The Brazilian - born artist works with photography and painting to make mixed - media artworks that take cues from John Baldessari's renowned dot works by painting circles and geometric lines over black - and - white photographs of landscapes.

Look Mickey is notable for its ironic humor and aesthetic value as well as being the first example of the artist's employment of speech balloons, comic imagery and Ben - Day dots — a system used in mass - circulation printed sources such as comics, newspapers, and billboards — as a source for a painting.

An introduction to the Californian Conceptual artist's witty work, from his wry text paintings to his colorfully dotted film stills.

The artist, born in Japan in 1929, started painting with polka dots and nets as motifs around the age of ten.

The painting, a series of vertical red and blue lines subtly graduated in width, went to a private American collector for # 2,561,250 ($ 5.1 million), almost double the record established at Christie's London earlier that year by the artist's dotted canvas Static 2, 1966, which brought # 1,476,500 ($ 2.9 million), far exceeding its # 900,000 ($ 1.8 million) high estimate.

The most Picabiaesque work by Rauch on view was Die Wahl (1998), with its figure of the two - headed, almost Siamese - twin artist going about the act of painting a huge polka - dotted abstraction (or is it a depiction of a head?).

image size is the painting itself, but it is framed and final size is actually 19 x 25 please use google dot es Spanish language for accurate artistic career search of this artist.

image size is the painting itself, but it is framed and final size is actually 19 x 25 please use google (dot es) Spanish language for accurate artistic career search of this artist.

The large paintings, a continuation of the artist's latest «Wrestler» series, feature muscular male figures in acrobatic stances against bright backdrops dotted with a curious dog here or an ominous swarm of black birds there.

Although the Japanise artist Yayoi Kusama creates in a diverse field that consists of everything from painting to sculpture, every single piece she ever produced has one same motif all over it — endless dots.

There was also increased recognition for significant artists whose importance might have been overshadowed previously, such as 84 - year - old Sam Gilliam, whose abstract «color field» painting at New York's Mnuchin gallery sported a red dot sticker — meaning it was sold — early on.

Step into her infinity mirror rooms, explore the development of her intricate nets, dots and pumpkin motifs, and encounter new paintings in which the artist continues to push artistic boundaries.

Featuring internationally recognized artists such as Pablo Picasso, Frida Kahlo, Andy Warhol, Ai Wei Wei, Jean - Michel Basquiat, Lyle's paintings unfold as such; recognizable subject, recognizable composition, laugh, debate narrative, repeat... The narrative, of course, as seen through the lens of a full - time painter and part - time «jack of all trades» who must take whatever job he can get in order to connect the dots and survive.

Hilariously gorgeous, even garish, these colorful, highly tactile works combine oil and enamel, are dense with dots, patterns and sartorial finery and suggest an artist thrilled to be painting again.

New Work: Ross Bleckner, the New York - based artist's first solo museum exhibition, features 19 recent oil paintings and works on paper from three concurrent series — his «stripe paintings,» «dot paintings,» and «emblem paintings.»

The four emerging and established artists that dot the globe for «Voluntary Sculptures,» relish the discarded and everyday, building upon traditions from 16th century still life painting to Dada and the readymade.

The artist transports the viewer to this holistic in - between - stage by reformulating the constituents of painting as similar quintessential dualities: flat surface versus deep space, precision versus ambiguity, material versus ethereal, the grid - like composition of brightly colored dots versus animated, formative fields of homochromatic hues.

Artist innovative and pioneering, surprised us by creating an entirely personal artistic style, with richly paintings combining rippling dots of paint, drifts of glitter, collaged images and elephant dung — varnished, often studded with map pins and applied to the picture surface as well as supporting the canvas — a combination of physical elevation and symbolic link to the earth.

This month explore brush strokes, blots, and dots to learn how artists make their mark in different ways in the exhibitions Fast Forward: Painting from the 1980s and Human Interest: Portraits from the Whitney's Collection.

Agnes Martin taught Poons how to use acrylic paints, and artist Ray Johnson was instrumental in encouraging Poons to pursue his «Dot» paintings.

By the turn of the 20th century, Henri began painting in the Pointillist style — a method of painting in which an artist uses small dots of color rather than full brushstrokes.

Among the works that did well were Lot 16, a charming small sculpture, one of three examples down in 1945 - 6, by David Smith, shown above, that sold for $ 220,000 (not including the buyer's premium) and had had a high estimate of $ 150,000; Lot 5, «Atantolone,» a gloss household paint on canvas of colored dots on a white field that sold for $ 170,000 (not including the buyer's premium), well over its high estimate of $ 120,000; Lot 14, a large 1943 painted wood and wire sculpture, «Constellation,» by Alexander Calder (1898 - 1976) that sold for $ 1,982,500 (including the buyer's premium), more than double its high estimate, and Lot 24, a larger Calder sculpture, «Trepied,» that sold near its low estimate for $ 1,542,500 (including the buyer's premium); Lot 20, a large and very interesting and abstract but not very colorful 1953 Francis Bacon (1909 - 1992), «Two Figures at a Window,» that sold above its $ 1.2 million high estimate for $ 1,542,500 (including the buyer's premium); Lot 27, «Tour III» by Brice Marden (b. 1938) that sold within its estimates for $ 1,487,500 (including the buyer's premium), tying the artist's record; Lot 41, «Grillo,» by Jean - Michel Basquiat (1960 - 1988) that sold for $ 1,102,500 (including the buyer's premium), also within its pre-sale estimates; and Lot 31, «Vierwaldstätte See,» a large black and white 1969 landscape by Gerhard Richter (b. 1932) that sold for $ 1,047,500 near its low estimate of $ 1 million.

This example moves us quite far away from the understanding of the traditional idea of line art but it showcases that any mark the artist makes is an element of his art and that a line can be a grouping of dots, strokes, or paints.

With these signature dots, the New York — based artist flouts the stringent orthodoxies of vanguard painting that dominated art schools when she was a student at Yale University in the late 1960s, opting instead for an unapologetically unconventional mode that also includes glam sprays of glitter, exuberant color, and labyrinthine passages of stitching.

From Jim Nutt's cigar - chomping, amputated women to Christina Ramberg's studies of corsetry and bondage; from Barbara Rossi's bejeweled dot paintings to Roger Brown's secretive, silhouetted figures in windows; Chicago's diverse artists followed no trend, preferring a path they ferociously cleared for themselves.

Red Dot is an original, one - of - a-kind abstract painting signed by artist Pol Ledent.

The artist creates maps, cosmos, webs, funnels and more through her process of random backround pours of paint with an ordered labor - intensive process to create her signature vocabulary of dots and splashes to create portals to the unknown in vivid shimmery hues.

Having studied the works of the original Pointillist masters, such as Georges Seurat and Henri Edmond - Cross, as well as pop artists Roy Lichtenstein and Keith Haring, Likissas gives us a fresh interpretation on the usage of dots in painting.

A self - described «obsessional artist,» Kusama is known for compulsively painting nets and dots.

As was the case for many Korean abstract artists, his technique was painstaking: he painted on stretched cotton rather than canvas and allowed dots of color to spread out, which he then surrounded with squares.

One of the most prolific and dedicated - to - painting artists of recent memory (Mr. Poons has made no diversions into sculpture, video or anything else), he has soldiered on: His «dots» grew into large lozenges (which were often painted on another surface before being transferred, with a rougher texture, onto the main canvas), and the lozenges in turn matured into overall cascades of murkily pastel paint (pictures often referred to as the «elephant skin» paintings).

Purple Dot is an original, one - of - a-kind abstract painting signed by artist Pol Ledent.

At the same time, the artist's frame is joyously decorated with all over yellow polka dots imbuing the entire object with a sense of levity and turning an otherwise two - dimensional painting into a near - three - dimensional tableau.

The Artist's meditative, ritualistic paintings and digital images are inspired by universal symbols such as the bindu, a Sanskrit term for a central dot which represents consciousness, being and the sacred point of origin and return.

For the past five years, Atlanta artist Don Cooper has painted concentric circles radiating from a tiny red dot called the bindu.

Famous late works, such as Claude Monet's late water lily paintings or Willem de Kooning's canvases of the 1980s are just as much central to this concept as are surprising «late works» such as Francis Picabia's radically reduced «Dot Paintings», created in 1949, or the «Sky and Cloud Paintings» by Georgia O'Keeffe, which were painted in the 1960s, when the artist was nearly eighty, and depict what was for her the new experience opaintings or Willem de Kooning's canvases of the 1980s are just as much central to this concept as are surprising «late works» such as Francis Picabia's radically reduced «Dot Paintings», created in 1949, or the «Sky and Cloud Paintings» by Georgia O'Keeffe, which were painted in the 1960s, when the artist was nearly eighty, and depict what was for her the new experience oPaintings», created in 1949, or the «Sky and Cloud Paintings» by Georgia O'Keeffe, which were painted in the 1960s, when the artist was nearly eighty, and depict what was for her the new experience oPaintings» by Georgia O'Keeffe, which were painted in the 1960s, when the artist was nearly eighty, and depict what was for her the new experience of flying.

His paintings are marked by a broad range of influences and borrowings - from Yoruba and Australian Aboriginal dot paintings from 1970s black funk style from the collaged collisions and drooling resin layerings of German artist Sigmar Polke from the elephants at London, Whipsnade and Berlin zoos whose dung is Ofili's calling - card.

In his 59th solo exhibition, Paul Kolker will present «The Dot is in the Sky» at the gallery's West 25th Street space, featuring the artist's sky paintings, which experiment with testing indirect perception.

Created in celebration of Singapore's Golden Jubilee, 50 editions of Chinese artist Nan Qi's iconic ink painting Nan Qi's Dot, 2011 have been individually signed by the artist, and are now availabel for acquisition from the gallery.

In discussing Hofmann's remarkable use of paint, Elaine de Kooning wrote in 1950, «There is perhaps no other living artist who can give a dab of paint the special, haphazard intensity of expression that he can; and the splotches, streaks and dots, apparently so wildly splashed on, are always under perfect control.»

The show brings together over 100 paintings, drawings and sculptures by the pop artist, who's best - known for his works based on comic strips and advertising imagery, colored with his signature hand - painted dots.

The artist tarted to paint using polka dots and nets as motifs at around age ten and created fantastic paintings in watercolors, pastels and oils.

Horowitz's new project, titled 160 Dots, is comprised of a 50 ft. bolt of fabric on which 160 participants will each paint a dot following specifications outlined by the artist.