Sentences with phrase «artist personal archive»

The pair of Untitled portraits are a first - printing of reworked older images from the artist personal archive.

Not exact matches

About half of this 26 - work exhibition comes from those series, particularly «Unbranded: A Century of White Women, 1915 - 2015,» alongside real ads from the artist's personal archives.

Ranging from contemporary works by artists Frank Stella and Thomas Hirschhorn, to Israeli designer Dan Reisinger's personal archive, the recent acquisitions reflect a diversity of genres, mediums, and perspectives from Israel and around the globe.

Her three - dimensional forms, at once poetic and quirky, are translated from the artist's personal archive of found images, their sources ranging from details of architectural ornamentation — whether an Art Deco wall sconce or vintage wallpaper — to articles of clothing.

In the final years of his life, Chamberlain used Photoshop to created vibrant digital collages from his personal archive of snapshots of the artist's family, friends, and favorite places.

Swiss Institute and ARTBOOK invite you to join us for the launch of Imponderable: The Archives of Tony Oursler, Since the late 1990s, artist Tony Oursler has amassed a vast personal archive of objects and ephemera relating to magic, the paranormal, film, television, phantasmagoria, pseudoscience and technology.

Her paintings and drawings, often devoted to depictions of the human form, are typically culled from a vast archive of images collected by the artist, including art historical materials, mass media sources, and personal snapshots of friends and family.

Shown for the first time, this exhibition of thirty - four chromogenic prints selected from the artist's personal archive of 35 mm Ektachrome color reversal slides represents a unique document of ephemeral moments and emblematic figures shot in the 1980s and 1990s against a backdrop of seismic shifts in the art world, the emergence of multiculturalism, the second wave of AIDS activism, and incipient globalization.

For his first artist book — published to coincide with the exhibition The Los Angeles Project at Ullens Center for Contemporary Art, Beijing, in 2014 — Trecartin compiled over one hundred composited images he created by mining his personal Instagram and Snapchat feeds, screenshots, and photos, all captured and archived in his phone.

Count among these offerings Joseph Grigley's «The Gregory Battcock Archive» (2009 - 14) a selection of personal ephemera from the late art historian and critic; Julie Ault's selection of works by the late - artist Martin Wong and her screening of filmmaker James Benning's Easy Rider (1969); and the late Tony Greene's paintings curated by Catherine Opie and Richard Hawkins.

Described as the artist's own personal archive, this provides an insight into how Marshall sees popular culture: an aspirational world in which the revered are always white.

Here, gelatin silver photographs and photograms — taken from the artist's personal archive made over the years and used both altered or unmodified — are layered into compositions, along with pieces of sheer black or tan fabric that allude to women's hosiery.

Now, 35 years later, many of those same artists are delving into their personal archives to recreate the show at the James Fuentes Gallery, located just five blocks from the spot where the dramatic events unfolded.

Rarely seen photographs and primary source materials including letters, artists» handwritten notes, and personal effects from the Smithsonian's Archives of American Art are featured in this -LSB-...]

The Gordon Matta - Clark Archive is held at the Canadian Centre for Architecture in Montreal, and includes the artist's personal correspondence, notebooks, drawings, photographs, slides, films, as well as other archival material documenting his life and work.

The Archives contain the institutional archives for the Center for Curatorial Studies and the Hessel Museum of Art as well as the organizational archives of select galleries, artist - run spaces and initiatives, and the personal papers of select curators and Archives contain the institutional archives for the Center for Curatorial Studies and the Hessel Museum of Art as well as the organizational archives of select galleries, artist - run spaces and initiatives, and the personal papers of select curators and archives for the Center for Curatorial Studies and the Hessel Museum of Art as well as the organizational archives of select galleries, artist - run spaces and initiatives, and the personal papers of select curators and archives of select galleries, artist - run spaces and initiatives, and the personal papers of select curators and artists.

Other collections include the organizational archives of select galleries such as the Virginia Dwan Gallery Archives, and the personal papers of select curators, artists, and artist - run spaces and initarchives of select galleries such as the Virginia Dwan Gallery Archives, and the personal papers of select curators, artists, and artist - run spaces and initArchives, and the personal papers of select curators, artists, and artist - run spaces and initiatives.

After each exhibition closes, it will remain in Fusion Art's Archive for 3 years to be viewed by website visitors and be available to be promoted by the artist through their personal art portfolio.

Also housing Bourgeois» archive for her work in paper (close to 1,200 works), the museum approaches the artist's meditative works on paper both with academic angle and personal touch, orchestrating connections between seminal moments and creative stimuli behind the works on view for the audience.

The volume also includes interviews between Atlas and a number of writers and collaborators who have played a critical role in the development and reception of his oeuvre, as well as an array of fascinating ephemera from the artist's personal archives.

Some of these images are from the artist's archive of personal snapshots, magazines and advertisements, while others are sourced from the internet.

When Marina Abramović Dies draws on Westcott's personal observations of Abramović, his unprecedented access to her archive, and hundreds of hours of interviews he conducted with the artist and the people closest to her.

His practice mainly consists of drawings that hearken back to a personal archive of photographs derived from vulgarizing scientific magazines such as National Geographic, from biographies of artists and scientists... Lately, he often re-enacts found footage or even stages non-existent scenes in photographs, which he then uses as source material.

Edited by Cay Sophie Rabinowitz with texts by Nana Adusei - Poka and others, and designed by Garrick Gott, with color reproductions and in - depth critical essays, this book offers rare insights into the artist's extensive personal archive of images, concepts and ideas.

In 2013, the Harry Ransom Center acquired a Ruscha archive comprising five personal journals filled with preliminary sketches and notes; materials related to the making of his artist's book On The Road (2010); notes, photographs, correspondence and contact sheets relating to the creation and publication of his many other artist's books; and materials relating to his short films Miracle (1975) and Premium (1971); his portfolios; and several art commissions.

This artist - designed exhibition catalogue features more than 60 works in various media, illuminating the artist's process with selections from his personal archive of clippings and ephemera, as well as raw sketches for his projects.

The Archives comprise the institutional archives of CCS Bard and the Hessel Museum of Art, the archives of select galleries, artist - run spaces, the personal papers of select curators and artists, as well as a collection of artist files for artists represented in the Hessel Museum ColArchives comprise the institutional archives of CCS Bard and the Hessel Museum of Art, the archives of select galleries, artist - run spaces, the personal papers of select curators and artists, as well as a collection of artist files for artists represented in the Hessel Museum Colarchives of CCS Bard and the Hessel Museum of Art, the archives of select galleries, artist - run spaces, the personal papers of select curators and artists, as well as a collection of artist files for artists represented in the Hessel Museum Colarchives of select galleries, artist - run spaces, the personal papers of select curators and artists, as well as a collection of artist files for artists represented in the Hessel Museum Collection.

The donation builds upon CCS Bard's commitment to acquire, preserve, and present the personal papers and archives of influential and innovative curators, art spaces, commercial galleries, and artists» collectives and initiatives.

The A.F.A / Pat Hearn Gallery archives includes full documentation of the exhibition history for both galleries, correspondence with artists and their representatives, extensive documentation of de Land's courses for art collectors, personal manuscripts, journals, and memorabilia.

On the first level, visitors can enjoy one experience by watching the short videos on two «storyviewers,» use our interactive timeline to situate Still's life and art amidst pop culture, art history, and historical events and examine the archives displays to discover more about the artist and the man from his own personal effects.

Other artworks to keep an eye out for are less political in nature, including 3 - D paper sculptures by Bodys Isek Kingelez at the Museum of Modern Art; Andy Warhol's «Green Coca - Cola Bottles» at the Whitney Museum of American Art; a personal archive of 400 objects belonging to David Bowie, including his costumes and lyrics sheets, at the Brooklyn Museum; and an exhibit of photography by younger artists at MoMA.

A survey text and narrative chronology by Kelly expert Tricia Y Paik features new insights from the artist following in - depth interviews, as well as never - before - published images, sketches and other material from his personal archives.

When Magliozzi visited Burton's personal archive in London last year, he «went in thinking Tim was this gothic artist, and that he was heavily influenced by Expressionism.»

Biography Tobias Buche (Berlin, 1978) Berlin - based artist Tobias Buche creates rough works comprised of collaged imagery meticulously mined from his personal archive.

They decided that in lieu of a survey of his work, McCarthy would present a kind of artistic memoir, drawing upon his personal archive and on the work of other artists.

The volume also includes conversations between Atlas and a number of writers and collaborators who have played a critical role in the development and reception of his oeuvre, as well as an array of fascinating ephemera from the artist's personal archives.

Also being presented are rarely seen photographs and documents from Hodgkin's personal archive including material relating to his 1992 British Council commission in New Delhi with the architect Charles Correa, as well as journals kept by the artist documenting his journeys in India, to be displayed publicly for the first time.

The sound artist and sound archivist Jacob Kirkegaard have said yes to play «show me your sound archieve «with us and share stories and sound bites from his personal sound archive, which not only extends far...

Notes from the Christian - Palestinian Archive includes a 1:1 scan of the artist's personal notebook, where he keeps vital information about the different images within this archive, as a part of his research and categorizing Archive includes a 1:1 scan of the artist's personal notebook, where he keeps vital information about the different images within this archive, as a part of his research and categorizing archive, as a part of his research and categorizing system.

Martha Wilson Sourcebook is the first in an ICI publication series that offers a fresh perspective on social, political, and cultural issues impacting and inspiring artists» practices, comprised of materials that the artist selects from their own archive and annotates with personal commentaries.

-- Allen Ruppersberg, BOMB, 109, Fall 2009 About the Sourcebook Series Each book in the Independent Curators International (ICI) Sourcebook Series is edited by a single artist, includes a collection of primary research materials and influences, such as rare archival documents, artwork studies, and excerpts of landmark publications, selected from the artist's own archive and annotated with personal commentary.

Martha Wilson Sourcebook is the first in a new ICI publication series that offers a fresh perspective on social, political, and cultural issues impacting and inspiring artists» practices, comprised of materials that the artist selects from their own archive and annotates with personal commentaries.

The exhibition will survey the past 11 years of work by the noted photographer in over 20 photographs and one new video installation selected from his work in the fashion industry, as well as from the artist's personal archive.

The Cloud of Misreading show brings together around four hundred works, including ephemera and materials from the personal archive of the artist.

Inspired by a diversity of sources — including historical and literary imagery and Bitzer's own dreams and fictional imaginings — and culled from an ongoing archive created over two decades, the iconography presented within these installations is particularly personal to the artist.

The personal connections and relationships that developed between these artistic and social circles are illustrated using photographs, artists» letters, and exhibition announcements from the archives of the Wadsworth Atheneum and the archives of the Julien Levy Gallery.

Marsden Hartley's personal archive at the Bates College Museum of Art not only provides a wealth of information about the artist's life, relationships, and interests, but demonstrates his attempt to construct both a personal history and a public identity.

In addition to the artworks, the museum will also house the artist's archives of letters, sketchbooks, manuscripts, photo albums and personal effects, most of which has never been seen by the public.

Our most important archive materials include original copies of personal diaries and letters; original clippings, exhibition announcements, and catalogues; many personal and rare photographs from artists» and friends» estates; and a series of taped interviews recorded in the 1970s.

Late in his life, the artist began experimenting with digital photography, using Photoshop to manipulate his personal archive.