Sentences with phrase «artist placed an emphasis»

This arose when the artist placed an emphasis on the texture, tactile quality or other evocative powers of the paint or other materials (often unusual ones).

Not exact matches

Christ and Creation Aquinas emphasised the material and formal causes in creation, but Scotus placed his emphasis on the final cause as determining the work of the artist.

Emphasis is placed on observational studies, analysis of the work of artists and crafts - people, exploration of materials and processes and the development of ideas through informed decision making and making links between areas of research.

Up and coming entrepreneur Isadora Baum advocates for embracing failure, and building solid relationships and life - long learning, while Broadway producer James Kernochan recommends that patrons behind the arts «place emphasis on and resources behind programs that give artists structure and a meaningful social milieu when they are done with school.»

Spearheaded by Mrs. Pamela Ewing, Regional Marketing Executive for the Tourist Board (New York Office) and Mr. Oehleo Higgs, Senior Public Relations Officer (Providenciales Office), the stunning series of in - flight videos shot last week, will include in - depth interviews about the destination with several local tourism ambassadors, including the native - born, international artist Bradley Theodore Harvey and will bring great exposure to the sister islands, with great emphasis placed on the activities and offerings of North Caicos, Middle Caicos, Grand Turk and Gibbs Cay, in addition to the award - winning features, new developments, and vibrant scenes of Providenciales.

The book, which places strong emphasis on the written word, contains newly commissioned texts by Robert Storr and Miwon Kwon, an introduction by Susan Cahill and an extended conversation with fellow artist Tim Rollins, as well as significant critical essays, exhibition statements, transcripts from lectures, personal correspondence, and writings that influenced Gonzalez - Torres and his work.

However, by bringing in the work of artists from across the world, with a particular emphasis on the Global South, Prospect 4 reproduces the conditions which made New Orleans such fertile ground for creativity in the first place; a port city where paths converge, creating a hub of indissoluble hybridity.

The term came to refer to the work of artists who playfully flirted with Op art, Minimalism, and geometric abstraction with an emphasis on transcendentalist levity, boundary - dissolving luminescence, and — in place of New York Minimalism's hard - edged industrial materials — an embrace of cutting - edge space - age fabrication methods.

Taking into consideration the 300th anniversary of New Orleans's founding and the city's strategic location on the Gulf of Mexico, P. 4 will direct its focus southward, placing greater emphasis on art and artists that engage the Global South, specifically from North America, Latin America, the Caribbean, Africa, and the European powers that colonized this region.

In selecting artists to receive the prize, emphasis is placed on individuals whose original work reflects the Lawrences» concern for artistic excellence, education, mentorship, and scholarship within the cultural contexts and value systems that informed their work and the work of other artists of color.

«Current Locations» also speaks to these artists» affinity with creating a sense of place (or places): painter Barbara Marks creates voluminous pictorial & interior spaces with her deeply saturated color palette; Elise Church paints intimate environments based on her travels in space in time; Colombian artist, Esperanza Cortés incorporates natural resources and folklore motifs from her homeland as a means of exploring personal identity; Kyle Vu - Dunn sculpts warped «natural» environments to harbor the self; and Viviane Rombaldi Seppey blends world maps (with emphasis on places she's lived) with morbid imagery from traditional medical textbooks.

Kasper Bosmans (b. 1990) is a Belgian artist who continuously works on unique symbolist imagery, placing equal emphasis on form, content and colour.

In the artists» film strand, Margaret Salmon, Basma Alsharif and Martine Syms showed a strong emphasis on people, place and storytelling

Emphasis is placed on individual development of writing skills including the creation of professional documents such as resumes, artist statements, web presence and image portfolios.

It also features photographs, letters, and memorabilia that shed light on the artist's process, with an emphasis on the meaning of the place and its impact on her development as a painter.

Presenting a survey of Cho Yong - Ik's works from the 70s, 80s and 90s, the exhibition explores how he both championed the movement's key tenets — repetition, meditation and tranquility through placing the «act of making» at the heart of creation — yet differentiated himself from other Dansaekhwa artists by placing a further emphasis on energetic materiality.

James is an arts writer and a practising artist whose work places emphasis on painting, drawing and printmedia.

The inspiration: Visionary communities and artist colonies such as the MacDowell Colony and Black Mountain College, with their emphasis on quiet independent retreat balanced with communal living, and the value placed on the individual's role in shaping the experience.

Through organisations such as the Helsinki International Artist Programme, which hosts artist residencies on the fortress island of Suomenlinna, and Frame, which promotes Finnish art abroad, Helsinki is placing increasing emphasis on international cultural dialogue and excArtist Programme, which hosts artist residencies on the fortress island of Suomenlinna, and Frame, which promotes Finnish art abroad, Helsinki is placing increasing emphasis on international cultural dialogue and excartist residencies on the fortress island of Suomenlinna, and Frame, which promotes Finnish art abroad, Helsinki is placing increasing emphasis on international cultural dialogue and exchange.

The exhibition brings together more than 100 works created by more than 20 artists from France, Spain, Belgium, Switzerland, Germany, Great Britain and the United States from the «20s to the «50s, rebalancing the traditional views about Surrealist sculpture by placing equal emphasis on organic abstraction which originated in the whimsical reliefs of Jean Arp, and the of found - object assemblage, which originated in the Assisted Readymades of Marcel Duchamp and became a surrealist passion.

Particular emphasis is placed on dialogue, not only between the visitor and the works of art but also between visitors of all generations, artists and scientists.

We place great emphasis on the commissioning process, working with the artist and fabricators to help realise the artist's vision.

At a time when so much emphasis is placed on the exhibition as an event, it is refreshing to encounter an artist who has no delusions as to the significance of such an event on their artistic progression.

That show marked a shift from the idea of a constructivist, analytical and technological Colombo, attributed to him over the years by various Italian critics, to one that placed more emphasis on his dadaist - surrealist links, which were formulated by the artist himself as a part of a thesis on Max Ernst and Dadaism, completed as part of his diploma at Milan's Accademia di Brera in 1959.

Inspired by popular culture in all its forms, Sidoli places a special emphasis on Bowie as a pop icon, crediting the release of his 1971 album «Hunky Dory» as a defining moment in his development as an artist.

Furthermore, emphasis will be placed on the potentialities at play within Oiticica's artworks, realms of possibility which the artist triggered through his spectator - activated installations, sculptures, paintings and wearable «Parangolés».

Last year, a minor feminist art revolution took place in Paris as the Pompidou Centre rehung its collection with an emphasis on women artists.

However, we place special emphasis on the areas of the Canadian avant - garde of the 1960s and 1970s, the international network developed at the time and its role in the art of today; emerging artists; Vancouver's post-war art history; practices and projects that challenge the status quo including exhibition concepts initiated by artists.

GROUNDWORK May 5 - Sep 30, 2018 With a focus on place and an emphasis on moving image, sound and performance, Groundwork is a season of contemporary work by internationally acclaimed artists, organised by CAST.

When selecting the works on view, emphasis is placed on the quality of work, rather than the artist's prior exhibition history.

Looking at Forbes selection — 4 parts male, 4 parts painter, 3 parts Cooper Union BFA, 2 parts OHWOW Gallery, and 1 part GIRLS — our back - of - the - napkin tally suggests the artists were evaluated on a mixture of gender and medium with a suspiciously strong emphasis placed on graduation from a selective arts college in Manhattan.

The film's narrative questions the supposed singularity of artists working within the Romantic tradition, placing emphasis upon relationships between painters and political thinkers.

The artist places a strong emphasis on craftsmanship, sculpting his own works in traditional fashion and from natural materials.

Indeed, it could be argued that neo-liberal feminism operating within today's model of capitalism privileges the individual over the collective, and is disenfranchising women artists by placing too much emphasis on autonomous agency rather than political agency as a group.

The exhibition places special emphasis on his artist's books, the work for which he is best known.

Art Brussels continues to place emphasis on the individual presentation of artists, with 15 galleries each presenting a single artist in the SOLO section.

This year, the museum is asking social media users to place a special emphasis on sharing the stories of women artists of color who often face discrimination based on both race and gender.

With a constant emphasis being placed on the performative aspect of his work, Pistoletto's art is concerned with the active relationship between artwork and spectator — a bond the artist achieves by creating a virtual space in which art and life seamlessly interact with each other.

Friedman's exhibition at VSOP Projects places an emphasis on the varied processes the artist favors in his practice.

As young men and women, many of them worked on the Federal Art Project, although between 1942 and 1949 all the major artists of the New York School except Hofmann transcended their early influences to achieve a distinctive personal style, and all placed paramount emphasis on content or meaningful subject matter in their art, which was predominantly abstract.

Ran by conceptual artist and curator Julian A. Jimarez Howard, Sunset Surf Club seems to be placing the main emphasis on the concept and the idea behind the gallery as such.

Its sixth edition continues to place an emphasis on commissioning new work from leading and emerging international artists.

The French Dada artist Marcel Duchamp is often cited as the first Conceptual artist, who placed an emphasis on ideas over skill, rarity, style or beauty.

The emphasis this film places on the seemingly mundane ritual of cleaning shoes transforms the artist's own footwear into another contemporary object of worship deserving of meticulous attention and care, the modern equivalent to the traditional artistic «attribute» (an object conventionally associated with a particular figure from classical mythology or Christian hagiography): the social signifier.

Initially built around artists who place an emphasis upon figurative concerns, the gallery program continues to expand, embracing unparalleled craft, counter trend experimentation, New Media, and deviations into abstraction, installation - forward, and object - based works to expand the greater initiative of the program.

Happenings multiplied through the 1960s but gave way in the early 1970s to Performance art in which greater emphasis was placed on the consciously dramatic actions of the artist.

Arranging four panels together on a wall in Long Chart, Large Chart (1977 - 1978), Steir explored the role of artist as creator, activating the negative space of the wall and placing as much emphasis on the relationships between the objects as on the objects themselves.

Prospect 4 is taking place on the tricentennial of the founding of the Big Easy, organizers noted in a press release, adding that the show will «direct its focus southward, placing greater emphasis on art and artists that engage the Global South, specifically from North America, Latin America, the Caribbean, Africa, and the European powers that colonized this region.»

These changes are marked «NEW» in this prospectus and reflect our desire to place the emphasis of our event on the art and our artists.