Sentences with phrase «artist practices a style»

The Korean artist practices a style of night break in the same pattern: the moon provides the base light for these painted snap shots.

Not exact matches

- Students will practice their portrait - drawing skills and independently create a self - portrait working in the style of a chosen artist.

He was among the first wave of South Korean artists to move to New York (his home since 1977) where he developed his signature process and style using ballpoint pen, a medium important to his practice over the decades.

None of the artists chosen were printmakers, they were identified based on a combination of factors including the style of their existing art practice and whether the content or imagery would lend itself to being developed as a print.

Born and raised in South Korea, Il Lee has spent most of his adult life as an artist in New York City — his home since 1977 and where he developed his signature process and style using ballpoint pen, a medium important to his practice over the decades.

In practice, the term abstract expressionism is applied to any number of artists working (mostly) in New York who had quite different styles, and even applied to work which is not especially abstract nor expressionist.

This show consists of gallery artists and a few guest artists who, while using a variety of sizes in their practice, also create small versions of their signature styles.

By her acts of remaking, she thought through the processes and experiences of the artists who made these works before her, demystifying «genius» into a collection of styles and techniques; a catalog of contemporary practices that mirrored the distance and intellect of her own.

This roundtable of visual artists, including Dawn Clements, Gregory Crewdson, and Eric Fischl, will investigate Edward Hopper's style and his lasting legacy on the work and practice of today's artists.

Décio Vieira's Untitled (ca. 1950s) shows a different approach to the geometric style practiced by the other artists through the use of a softer, less saturated color palette.

«Cross Country» will bring together works by more than 80 artists to explore the impact of the American countryside on their artistic practice and how they adapted the modernist style to express their sense of place.

Since the 1950s, artist Maria Lassnig has incorporated painting techniques from various art - historical periods into her practice — realism, surrealism, and expressionism alike — in an effort to develop a distinct style of painting that blends figuration with abstraction.

The Museum - organized companion exhibition Rebecca Warren: The Main Feeling will focus on the period of Warren's sculptures from 2003 to present day, a pivotal transitional phase in the artist's practice characterized by the emergence of an increasingly abstract style in her work.

Germano Celant's text further explores the influence this 16th - century style had on Mapplethorpe's artistic practice and sensibility, illuminating the artist's interest in the study of pure form as well as allegorical imagery.

This myopia could be attributed in part to the artist's refusal to adhere to a single signature style throughout his four decade - long practice.

As an artist, Richter represents a practice of making art that is both remarkably consistent, even within his varying styles, and the result of deep thinking on the implications of making images.

Before you think you've seen these works before: what's remarkable about this show is the fact that a number of works on view do not adhere to the trademark styles often associated with these artists, nodding to the idiosyncrasy of collecting practices, and shedding light on the diversity of these artists» careers.

Symbolism and irony are present in the work of some contemporary Chinese artists, particularly in those who practice the highly satirical Political Pop style, but what is striking about the four artists in Transformations is an earnest attitude, almost with no hint of irony.

At first glance the projects seem different than the artists» current practice; yet, they play as indicators to either style, content or medium choices made in the following years.

There are only few art styles continued even throughout the period of the war, and those were withheld by individual practices of influential artists from pre-war era such as Pablo Picasso, Salvador Dali, Max Ernst, Marcel Duchamp.

Gallery Director Sam Rhodes said «Our annual summer group show is always an interesting exhibition, showcasing many talented contemporary artists, each with their own signature style and differing medium and practices.

For 25 years, the artist Jeff Wall, who practices a «near - documentary» style of photography, has been represented by Marian Goodman.

Hear the artist discuss the influences on his wide - ranging practice and the evolution of his subject matter, style, and materials throughout his two - decade long career.

Conner's style of sympathetic magic makes a metaphorical voodoo doll of artist - attributed prnts, ultimately inflicting pain on those who trade on the conventional practice of the lower - right - hand corner signature.

Packed with drawings in pencil, ink, watercolor, charcoal and crayon, this publication dives into the world of drawing, looking not only at the medium itself but also into the artists individual styles, approach and narratives found within the works... An absolute must for any art students and practicing artists!

Influenced throughout her career by various artists who practiced a range of modernist styles from different art movements, much of her work from the»80s and»90s was «a melding and fusion of the past into the present,» the release continues.

Artists were selected to represent a diversity of artistic styles and practices, who show a passion for New Orleans and a strong commitment to their own communities, as well as to the contemporary arts scene in the city.

In her introduction to the catalogue, Chanzit explains the specific goals for this project: to broaden the history of Abstract Expressionism so that it includes women artists as key progenitors of the style and to expand the definition so that it incorporates those creative practices in which women artists specialized.

He spent most of his adult life as an artist in New York City — his home since 1977 — where he developed his signature process and style using ballpoint pen, a medium important to his practice over the decades.

People tend to think of it now as a very muscular style practiced by macho artists like Julian Schnabel and romantics like Francesco Clemente.

This distinctive, seminar - style program is uniquely designed to support artists in developing their studio and exhibition practice by giving them access to needed resources and tools, as well as rigorous critique of their work.

Wenda Gu is one of China's most influential and daring contemporary artists that revitalizes and reinterprets ancient Chinese practices and symbols entangling them with currently present meaning and style.

The subject matter and style of each artist ranges from documentary to conceptual, and explores the fact that these two media, photography and video, often help an artist develop their wider practice and bodies of work, as well as offer a glimpse into the versatility that many artists possess.

By referring to the most diverse of artists from widely varying eras and styles of the 20th century, he brings out individual positions that were arguably of unparalleled relevance to artistic practice in subsequent decades, while at the same time he links periods and ideologies that were often mutually contradictory.»

On occasion his permanent exhibition The Day to Day Accumulation of Hope, Failure and Ecstasy, the artist and Senior Curator Heather Pesanti will talk about Gander's work, his evasion of visual style, and his voracious practice ranging across styles and forms.

Mendieta's diverse approach often brings to question the artist's practice and style: was she an earth artist, a conceptual artist, a performance artist, a filmmaker, a photographer, or a sculptor?

I am happy to present this exceptionally generous, talented and kind artist couple as they interview one another about their ideas and process that are so vastly different in style and approach and yet are equally committed to a very solid painting practice.

Each artist's distinctive style is linked through their meditative studio practice, a welcome respite from the frenetic pace of mass image consumption.

Some went back to the exploration of perceptual stimulation after working in others (if related) styles... And succeeding generations of artists — notably but not exclusively painters, and notably but not exclusively Americans — have referred to op mannerisms or even return to op practices, interested all over again in what can be done to stimulate the eye beyond the expected, beyond the quotidian, beyond the prosaic.

Trained as a fine artist, his deliberately crude graphic style gives his work an immediate and accessible appeal, while simultaneously offering insightful commentary on the absurdities of human relationships.This exhibition, his first major survey show in London, will cover the full range of Shrigley's diverse practice.

His cauldron of references contains essences of, among others, Cecily Brown, Karen Kilimnik, Richard Prince, and Sue Williams, but though Whitmore exploits recognizable images and styles, he also claims to embrace a degree of ambiguity not always associated with the practice, and to want viewers to question both what they see and the sincerity of the artist.

Caravaggio's practice of painting from life and his use of chiaroscuro (strongly contrasted lighting effects) were quickly emulated, but artists did not simply replicate his style; taking Caravaggio's works as their starting point, they responded to different aspects of his art and developed their own individual approaches.

Yet, due to the visual superimpositions of present times, artists have started to shy away from the rigid limitations of - isms related to the «non-objective» or «reductive» and have embedded existing ideas, confluence of styles and approaches into the contemporary world, the here and now, mingling with popular culture as well as branching out of the studio practice inherent in painting as we know it and as the majority still likes to understand it.

To pursue his artistic vision Li had to leave Taiwan: engaging with the practices of western artists in both Italy and England, he developed a unique style combining traditional Chinese calligraphy with abstraction.

The exhibition marks a growth for the artist as curator and presents viewers a more sophisticated range of styles for understanding the subcultures which dominate so many artists» practices.

In stark contrast to his kinetic stage persona, Pop methodically posed nude on a different kind of stage, whilst the participating artists — representing New York's diverse community and ranging from 19 to 70 years of age — depicted his body in the wide - ranging styles expected from a mix of students, practicing artists and retirees.

A major new exhibition presented by Tate Liverpool in summer 2011 will reveal the inspiration behind the artist's unique style, highlighting how his practice continues to influence later generations of artists, resonating beyond Surrealism to inform the language of pop and conceptual art.

The style was popularised in the 1960s when artists began creating Assemblages and Happenings as a rejection of traditional, commodified art practice, and continues to be explored by contemporary artists working today.

Many artists followed no movement and practiced styles that were uniquely their own.

This art - as - social - practice project by artist Jody Wood is related to her staging of two events in Kingston, New York, in the winter of 2016: One, Beauty in Transition, provided beauty services, including a hair wash, cut, color and / or style, to the homeless in the area; the other, Choreographing Care, consisted of a series of workshops and performances that addressed issues of compassion fatigue and secondhand trauma affecting caregivers and social workers.