Sentences with phrase «artist stained some sheets»

The artist stained some sheets in multicolored all - over patterns.

Not exact matches

HELEN FRANKENTHALER Grey Fireworks screenprint in colors, 2000, on wove paper, signed in pencil, numbered 94/108 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, old hinge remains in places on the reverse, a pale stain at the reverse upper margin edge, otherwise in very good condition S. 26 x 46 1/8 in.

HELEN FRANKENTHALER Plaza Real (H. 139) soft - ground etching and aquatint, 1987, on Rives BFK, signed and dated in pencil, numbered 59/60 (there were also 12 artist's proofs), published by Ediciones Polígrafa, S.A., the full sheet, the palest mat staining, very minor soiling showing only in the margins and on the reverse, otherwise in good condition, framed P. 20 x 26 1/2 in.

S.» and numbered 28/75 (there were also 24 artist's proofs), published by Multiples Inc., New York, the full sheet, pale time staining, otherwise in good condition, framed S. 38 1/2 x 26 1/8 in.

HELEN FRANKENTHALER (B. 1928) A Little Zen, from Four Pochoirs (Harrison 29) pochoir and screenprint in colors, 1970, on Arches Imperial Rough, signed and dated in pencil, numbered 9/50 (there were also 7 artist's proofs), published by Abrams Original Editions, New York, the full sheet, the paper slightly toned, soft rippling throughout, a few small stains in places, pale time staining, otherwise in very good condition, framed S. 22 x 30 1/2 in.

In 1999, artist Tracey Emin was shortlisted for her work My Bed, which featured an unmade bed complete with stained sheets.

On the walls, he re-creates Ruscha's Stains, which was just that: The artist blotting square sheets of paper with household materials like Drano, mustard, red wine and tea.

Referred to by the artist as an unconventional and uncompromising self - portrait through objects, it features the artist's own bed covered in stained sheets, discarded condoms, blood - stained underwear and empty bottles of alcohol.

S.» and numbered 1/75 (there were also 24 artist's proofs), published by Multiples Inc., New York, the full sheet, pale time staining along the left sheet edge, otherwise in very good condition, framed S. 38 1/2 x 26 1/8 in.

HELEN FRANKENTHALER (B. 1928) Cedar Hill (Harrison 121) woodcut in colors, 1983, on handmade Mingei Momo, signed and dated in pencil, numbered 43/75 (there were also 18 artist's proofs), published by Crown Point Press, Oakland, the full sheet, the colors very slightly attenuated, the palest light - staining, otherwise in very good condition, framed S. 20 1/4 x 24 3/4 in.

HELEN FRANKENTHALER (B. 1928) What Red Lines Can Do (Harrison 22 - 26) the complete set of five signed and dated screenprints in colors, 1970, on Arches handmade, each numbered 45/75 (there were also 24 artist's proofs), published by Multiples, Inc., New York, the full sheets, occasional minute foxmarks, pale time staining, otherwise in good condition, each framed, lacking the original Plexiglas box, title page and justification Each S. 38 1/2 x 26 1/8 in.

HELEN FRANKENTHALER (B. 1928) Pranzo Italiano (Harrison 44) etching and aquatint in colors, 1973, on White Fabriano, signed and dated in pencil, numbered 34/43 (there were also 3 artist's proofs), published by 2RC Edizioni d'Arte, Rome, with full margins, two pale foxmarks in the lower margin, moisture staining at the lower sheet edge (associated pale foxing, primarily visible on the reverse), occasional pale surface soiling in the margins, otherwise in good condition P. 8 1/2 x 7 7/8 in.

AFTER HELEN FRANKENTHALER Heavenly Twins (not in Harrison) offset lithograph in colors, 1959, on wove paper, signed in red crayon, numbered 5/100 (there were also an unknown number of artist's proofs), the full sheet, light - and time staining, the colors slightly attenuated, pale surface soiling, mat staining on the reverse, slight rippling, occasional handling creases, framed S. 28 1/8 x 22 in.