Three leading ladies, two underwater cities and one troubled
artist take centre stage this summer.
Not exact matches
The son of exiled Chinese nationalists, Tseng Kwong Chi was part of an intimate circle of
artists, Keith Haring, Kenny Scharf, and Cindy Sherman among them, who
took the
centre stage of the New York art world during the 1980s.
While the northeast London Miro space has been
taken over by iconic Japanese
artist Yayoi Kusama's immersive mirrored rooms, here it's her colourful, abstract paintings that
take centre stage.
One of the most important paintings by a British
artist of the last century will
take centre stage at a forthcoming exhibition in Cockermoth.
Although art from the region is often overlooked because of the tense political situation, the former advertising mogul, who was born in Baghdad, said: «The work is breathtaking — new Arabian
artists are about to
take centre stage in the art world.»
In the seminal exhibition of British painting of the 1980s: The New British Painting2 (1988), selected to tour the US, the works that
took centre stage were the large landscapes of Christopher Le Brun and Thérèse Oulton, the narrative works of the Glaswegian
artists Peter Howson, Steven Campbell, Adrian Wiszniewski and Ken Currie, and the personal mythologies of Eileen Cooper, Paula Rego and Andrzej Jackowski.