So we also want to answer the question: What is
an artist thinking about today?
Not exact matches
For example
today I wrote
about multi-Platinum recording
artist Meredith Brooks, but I didn't
think of it till...
today.
This Summer Session we're
thinking about celebrity, and
today we bring you an interview from the podcast Bad at Sports with
artist Kehinde Wiley, courtesy of our sister publication Art Practical.
Although
today's general audiences may carry romanticized and somewhat outdated myths
about what
artists are like in their studios, I
think they may ultimately be unsympathetic to or even bored by the intellectual and emotional fierceness exemplified in this superb play.
It's difficult
today to defend making monochrome paintings, but there was a time, in the 1960s in Paris, when me and the other members of BMPT — Daniel Buren, Michel Parmentier, and Niele Toroni — were
thinking about how the Russian
artists had painted black paintings in 1915, and then two years later there was a revolution, and we wanted to incite revolution ourselves.
Currently one of the 14 women
artists in the Saatchi Gallery's first all - women exhibition, Champagne Life, Ittah spoke to Studio International
about her technique, her current collaboration with her partner, Kai Yoda, and her
thoughts on the status of female
artists today.
Female
artists today are more likely to be able to say things out loud, but perhaps still run similar risks in the media and popular conceptions — being pinned down by categorical
thinking about gender and identity.
From
thought - provoking sculptures to a haunting video to a photographic installation, each of the chosen works engages with contemporary culture, reflecting the
artist's looking at and
thinking about life
today.
Today,
artists are more likely to be
thinking about our complex relationship with food itself — how we produce it, distribute it and consume it.
To find out more
about the
thinking behind the editions, Artspace editor - in - chief Andrew M. Goldstein spoke to Anita Zabludowicz
about her approach to collecting, and which emerging
artists she is excited
about today.
Today We Should Be Thinking About Jo Baer, Thomas Baylre, Jimmie Durham, Robert Filliou, Haim Steinbach, and Rosemarie Trockel compiles these reflections and documents the legacies and contemporary conversations that surround these artists t
Today We Should Be
Thinking About Jo Baer, Thomas Baylre, Jimmie Durham, Robert Filliou, Haim Steinbach, and Rosemarie Trockel compiles these reflections and documents the legacies and contemporary conversations that surround these
artists todaytoday.
Art21 is a nonprofit organization dedicated to engaging audiences with contemporary visual art, inspiring creative
thinking, and educating a new generation
about artists working
today.
We are
thinking about Jimmie Durham as one of the most inventive American
artists working
today who has for the past forty years created work that considers and critiques the complexities of historical narratives and notions of authenticity.»
Today his work is as relevant as ever while he inspires another generation of young
artists to
think differently
about their own art practice and the parameters of commodity.
He said: «It reflects well on the motivation for lifting it which is an increasing sense that the work of older
artists has been making considerable impact on what we're looking at and how we're
thinking about art
today.
«I want to
think deeply
about the force of change in contemporary art
today, where the art market, the global art world, is forced to recognize the creative output of African
artists,» says Smooth, who is also a curator at the Hood Museum of Art, Darthmouth College and curated the 11th Dak» Art Biennale.
It's another one of those didactic anthology shows purporting to bring some issue that
artists think regular folk have either
thought about incorrectly, or have repressed entirely, out into the open and, in the patois of
today's art world, «address,» «confront,» «deconstruct,» «unpack,» and «interrogate» the hell out of it.