Sentences with phrase «artist varies the colors»

The basic forms are often identical, but in each piece the artist varies the colors.

Not exact matches

The latest product in question is Kardashian's palette in collab with her longtime makeup artist Mario Dedivanovic, which has nine varying neutral shades and one bright royal blue color called Libra.

Though the mileage on its provocation will vary, he's not wrong, even if it feels like artists of color are in a unique position (if by no means must they bear the responsibility) to create reflexive portraits of the way in which their work has been absorbed and commoditized by the white mainstream.

2009 Video animation, 22 min (loop), color, sound Dimensions vary with installation Courtesy the artist, David Zwirner, New York and Sadie Coles HQ, London

In the artist's hands, color assumes a tactile quality, appearing almost material: Frecon develops her own color palette derived from pigments ground in oil, altering the quantities in order to obtain varying degrees of matte and sheen, surface and depth.

Bartlett's color choices channel colors found in California's»... varied and bold flora and brings to light the artist's appreciation for the ocean,» states the gallery.

Both the success of the exhibit series, and the challenge to participating artists, lies in channeling the varied meanings of a color like RED.

Respond to the varying demands of audience, task, purpose, and discipline Students deconstruct how artists use color, line, and symbolic imagery to convey meaning and impact the viewer.

Los Angeles based artist Laura Owens synthesizes influences as varied as Color Field painting, Baroque art, and textile art in her large and unabashedly painterly canvases.

Arranged in snugly painted linear strips, one alongside the next, Number 4 - 32 is distinguished by its wide range of commingled stripes — one of the artist's more complex and varied arrangements — containing no less than ten different colors.

Anyone who identifies him exclusively with his later color studies will find an unexpectedly varied artist here: a photographer of Aztec ruins (the Alberses adored Mexico, making more than a dozen trips), a furniture designer, a carver of bouncy curlicue - patterned woodcuts, and a collagist who could infuse the lift of devotional art into an arrangement of dried leaves.

His art has provided a liberating model for American artists» varied explorations of vibrant color, strong, fluid lines, and clear compositional structures in their pursuits of self - expression.

The current exhibition groups paintings of varying shape and scale, emphasizing the artist's continual consideration of surface, color, environment, and repetition...

All of these artists embrace formal issues of color, shape and line — allowing for a broad and richly varied interpretation of individual inspiration, references and affinities.

The porcelain containers encased in a variety of horizontal and vertical vitrines, such as in the series «Just Lately» (2007 - 2008), vary subtly in size and color and bear the marks of the artist's labor, with their arrangements variously evoking musical rhythms and the sense of presentation inherent in a china cabinet.

At the same time, the calm - spirited curiosity with which Chamberlain explored metals of varying colors, textures, and malleabilities echoed the priorities of Minimal artists like Carl Andre and Donald Judd.

Her ideas about surface, scale, and color are not only daring; they presaged the work of artists as varied as Barnett Newman, Milton Avery, Mark Rothko, Morris Louis, and Mary Heilmann, as well as Color Field painting, Lyrical Abstraction, and contemporary postmodern abstraccolor are not only daring; they presaged the work of artists as varied as Barnett Newman, Milton Avery, Mark Rothko, Morris Louis, and Mary Heilmann, as well as Color Field painting, Lyrical Abstraction, and contemporary postmodern abstracColor Field painting, Lyrical Abstraction, and contemporary postmodern abstraction.

The artist's varied oeuvre encompassed a wide variety of media, usually focusing on geometry, color and architecture.

Swoon - Braddock Tiles Designed by popular artist Swoon, these tiles are handmade in Braddock, Pennsylvania, each one a unique piece varying slightly in color, shape, and size.

Rehistoricizing.org presents the work of women artists and artists of color from varied ethnic and cultural backgrounds who worked in a «pre post — race» environment, an era in which the artist hero was almost always a white male, in particular among abstract expressionists.

The Rehistoricizing Exhibition at the Luggage Store gallery presented the work of women artists and artists of color from varied ethnic and cultural backgrounds who worked in a» pre post — race» environment, an era in which the artist hero was almost always a white male, in particular among abstract expressionists.

Their «New Sculpture» pushed beyond Minimalism and called all previous conceptions of the art form into question by employing unusual materials that had never before been used.Throughout his career, Sonnier has experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video.In 1968, the artist began working with neon, which quickly became a defining element of his work.The linear quality of neon allows Sonnier to draw in space with light and color, while the diffuseness of the light enables his work to interact on various architectural planes.Sonnier's architectural neon installations in public spaces have earned him wide acclaim in an international context.

In an effort to combine her varied experiences within the art world and beyond, Alexandra founded Oyster Knife, a global arts consultancy firm specializing in promoting and nurturing the careers of artists of color.

Terry Leness — Artist Statement My work is all about sunlight, the play of light on objects, the varying degrees of contrast between light and shadow, and deep, saturated color.

The Egyptian levels of optical clarity, blocky shapes, and opaque color have helped form contemporary artists as varied as Gary Hume, Wangechi Mutu, Huma Bhabha, and Joe Bradley.

Nine vessels created by artists from cultures throughout Africa stand on pedestals of varying height, a design choice that highlights the wares» individuality — their differing sizes, shapes, colors, and textures.

The artist carefully applies and reapplies paint to build and vary the depth of color.

Both artists» work incorporate broad and gestural strokes and plots of color varying in depth and texture.

Al Loving was an artist who drew on sources as varied as free jazz, his family's quilting traditions and the history of Modern painting when creating abstracted works that riffed on color, form and flatness.

To varying degrees, most Washington Color School artists enjoyed a major first wave of success, too.

But plenty of artists» works vary in market value, based on such mundane attributes as color, size, and material.

This distinct oeuvre, though varied, is united by the artist's sense of rhythm, of an all over unity of surface and by a dynamic sense of color and light.

Stella is the artist who launched 10,000 careers; artists as varied as Peter Halley, Sarah Morris, Ugo Rondinone, Matthew Ritchie, and Thomas Scheibitz, who have used Stella's structures, compositional strategies, and specific colors, to Isa Genzken, Mark Grotjahn, Jessica Stockholder, Katharina Grosse, Steven Parrino, and countless others who've followed Stella into the expanded fields of painting.

From Maurice Prendergast and Stuart Davis to Andy Warhol and Faith Ringgold, generations of artists have taken cues from Matisse to experiment with wild colors, fluid lines, strong structural components and varied subjects, as manifested in this exhibition of 19 works by Matisse and 44 by Americans.

Using his trademark dots, lines, and a few bright primary colors, the artist created hundreds of prints with subjects varying from the seemingly mundane to what I would describe as startling in their edginess.

For the show — the museum's first monographic exhibition of a single artist at the sculpture park, and this artist's first exhibition in Austin in 10 years — Bove «interprets a classical sculpture garden, reinventing it in a multitude of abstract forms in varying shapes, colors, and scales.»

Ranging in length from 16 to 32 pages, saddle - stitched and printed on varying color stock, the Great Bear pamphlets showcased the work of some of the most innovative writers and artists across the twentieth century: the likes of Jackson Mac Low, Oyvind Fahlstrom, Robert Filliou, Robert Watts, Emmett Williams, Dieter Roth, David Antin and Claes Oldenburg appeared alongside predecessors such as the Italian Futurist composer Luigi Russolo and John Cage's seminal Diary: How to Improve the World (You Will Only Make Matters Worse).

The fascination with the mirror has lasted for years, and with it the artist has produced dozens of pieces with the most varied colors, inks, formats and techniques.

S. E. Fenson, «A Whole Man's Life: MoMA Mounts a de Kooning Show as Vast and Varied as the Artist's Career,» Art & Antiques, November 2011, p. 56 (another example illustrated in color).

Recent major projects include Painting Air, an installation made for the artist's 2012 survey at the RISD Museum of Art, in which more than 100 panels of suspended glass of varying reflectivity refract and distort an abstract mural inspired by the colors of Claude Monet's garden at Giverny.