Sentences with phrase «artist wanted it moved»

The statue was intended to draw attention to women in corporate leadership, but the «Charging Bull» artist wanted it moved, claiming it distorted the meaning of his work.

Not exact matches

We were there as they were being shaped into real artists and we had the power to choose who we wanted to see move further in the competition and ultimately rise to super stardom.

Scam artists commonly try to shift the relationship into intimacy really quickly, because they want things to get moving (namely, your money and assets).

A portrait of the short - lived artist that will move fans while letting the uninitiated witness enough onstage highlights to leave them wanting more.

So it comes as quite a surprise that Bright Sunshine In (Un beau soleil interieur), which stars a moody and moving Juliette Binoche as a 50 - something artist and divorced mother who has an extremely hard time getting — let alone knowing — what she wants, can be funny, rather light on its feet, yet incredibly perceptive about the very complicated lives and relationships we lead, especially when they involve members of the opposite sex.

«What's moving to me about the story is that at the start it's this guy who just wants someone to pick up after him,» says Ethan Hawke of his cantankerous Everett character in Maudie, which also stars Sally Hawkins as legendary real - life folk artist Maud Lewis.

The last movie I want to mention before I hand off the mic to Amy is James Franco's The Disaster Artist, another film that performed the generous service of allowing me to forget everything else for a funny, moving, technically impressive two hours.

As the century closed out, Mizuguchi wanted to move in a new direction and formed United Game Artists in 2000.

You don't need an education to be a game tester, but if you're planning on moving up the ranks and becoming an artist, programmer, or designer, you may want to get an education.

the interview was very informative and it makes good sense to approach selling art with a good business mind, I felt relief as I enjoy both the arts and commerce skills and see that selling is an art and an artist should not have trouble in designing a path that will work out sales special interest groups in other social networks this is just another journey a new color on the canvas I can do this thanks Cory your channel has been an inspiration I printed and sold 6 prints the first time I pitched I was selling prints of my work all with in a week end among friends I have now professionally digitized my work for reproduction online and want to offer a nice web gallery and this is where it's scary I'm an artist not enjoying computer mode I moved from an area with an art culture in Cincinnati to rural where artist is odd man in town so this is nice chatting with creative people thank you to Melissa for her uplifting input as well blessings to all

That's what the artist Ada Horn did when she wanted to move away from her home in Hawaii.

Both shows open this week, but what one curator a few months ago called an art - world «battle royale» — the two megadealers competing over the work of a super-profitable artist — has settled into something else, and just maybe what Koons wanted all along: the beginning of a Year of Koons, culminating in summer 2014's full - career retrospective at the Whitney Museum — its last exhibition in its Madison Avenue headquarters before moving to the bottom of the High Line.

But even before they moved to New York City, the Buffalo contingent started knocking on the door at Artists Space, which Longo has said was the place every young artist wanted to show.

Paradise Works has been a lifeline for artists wanting to retain some proximity to Manchester's city centre, providing space for those displaced by Rogue's move, as well as various other closures such as The Penthouse, the ongoing project of Roseanne Robertson and Debbie Sharp.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

I left at 5 because I wanted to get home to write about the exhibition of Josef Albers Paintings on Paper, an exhibition at the Morgan Library closing this weekend — in that decision were multiple ironies, that I was leaving a fashionable art event inimical to painting in order to write about an artist who in fact I had always seen as didactic in a way that could be seen as part of the repressive politics of high modernism which contributed to my move towards feminism as a young artist.

We too want to share it with you, our extended community of artists, partners, and friends, with whom we will continue to move forward together.

Ultimately, I find it very rewarding to look at, because it privileges the freedom of the viewer to seamlessly move anywhere at any time, in any direction, rather than the freedom of the artist to do whatever s / he wants, which is an overrated freedom often culminating in tropes, a fall - back alternative to the tyranny of «infinite choice».

Peep - Hole wants to encourage people to take a closer look at artistic practice through an agile program that moves between the format of exhibitions, publications, lectures and conversations, always intended to foreground the artists.

Over the telephone from his East London studio, the 53 - year - old artist, who has partial paralysis from a spinal inflammation when he was a teenager and uses a wheelchair, tells The Straits Times: «I wanted to move away from the kind of global trauma that is happening at the moment.

He liked my work, and he said «You know, you should move to New York and go to The Studio School,» which I did but soon dropped out of, partly because I wanted to hang out at Max's Kansas City and meet artists.

The gallery has turned its attention to fairs outside of Los Angeles, and with Moving Image, they wanted to trumpet their roster's five video artists, something that can't be done at just any brightly - lit, noisy fair.

His childhood friend and fellow artist Tony Smith later recalled the reason for Pollock's move: «He had wanted to become a great sculptor like Michelangelo.»

In 1981, first drawn East by an invitation to teach at the Skowhegan School of Painting and Sculpture, she moved permanently to New York City, wanting to be closer to the artists and art that she liked.

Richter moved here from a former factory building in Cologne, where many artists live, partly because he wanted to get away from other artists.

Translation: «The Godfather of scams has moved on to the Snake Oil Exchange, where his skills as one of the most wanted con artists will be used to hype more imaginary get - rich - quick schemes.

If you ever want artists to start moving into your neighborhood, that's the pitch.