Sentences with phrase «artist works with oil»

The Finnish artist works with oil on canvas to achieve this artistic style.

Not exact matches

The Color of Art: Free Art Books Page, has a large collection of FREE artists reference works on oil painting, watercolor painting and other artist's Free Social Media report «Cliffs Notes for Social Media» comes with short to the point tips to improve your social media presence.

The first «fully painted» feature film took a live - action drama of the days following Vincent van Gogh's untimely death in a small French village and, with the work of more than 125 artists from around the world, converted every frame into an oil painting in the Modernist's style.

Augusta is known primarily as a portrait artist who works with oil paints and pastels in both traditional and impressionistic styles.

The work found (which is purely fictional) is purported to be the artist's copy of an actual oil by Annibale Carracci, entitled Venus with a Satyr and Cupids.

These eighteen, exquisitely painted oil paintings on board encircle the room, enacting a ritual performance with the gallery - goer at its centre (the artist conceives of the series as a single work).

Peter Hoffman is a New Orleans - based artist who primarily works with oil paint on canvas.

Hansa artists» works represented in the Grey show include Jane Wilson's Portrait of Jane Freilicher (1957), an oil on canvas merging abstraction with figuration, and Jean Follett's Many - Headed Creature (1958), a piece that recreates a fragmented body on a wood panel out of junk and found objects — a light switch, socket cooling coils, a window, a screen, nails, a faucet knob, mirror twine, cinders, a caster, springs, and rope.

Sloane Merrill Gallery features living artists who work in oil and bronze with a distinctive personal approach.

Mainly working with oil - based ink on unprimed boards and with no formal concept in mind, the artist works intuitively to produce obscured figures and landscapes that appear like otherworldly phenomena.

The Berlin based artist mainly works with oil on paper or canvas.

A final treat anchored in the corners of the back gallery is a series of oil paintings by Adam Umbach, works that flirt with wistful nostalgia, painted with a technique and luminosity that draws inspiration from such varied artists as Gerhard Richter and Dan Flavin.

The works on paper, made with crayon, marker, oil, and pastel, are a wholly separate practice from the paintings, created in the artist's intimate home space.

In Central Park White Carriage Horse (oil on canvas, 2015) any horizon is completely covered, with the artist using bold gestural brush strokes to create a wall of green that firmly establishes the work's visual boundaries.

The artist is known for her detailed and sensitive oil pastel works on chalkboard, as used for her four large works in The New Four Seasons, but her pictures are what she describes as apparitions, brief moments captured as with her new body of work, where the focus is not the trees or landscape but that moment of a leaf or insect disturbing the surface of the water... full article: http://www.widewalls.ch/myong-hi-kim-the-new-four-seasons-solo-exhibition-art-projects-international-new-york-2015/

Just as the artist Natalie Frank has begun to attract widespread attention for her expert paintings that collide art history, theater, and dread - inducing violence, she has deked into a new direction with her latest works, which trade her customary canvases for wooden board that she paints with enamel and then overlays with patches of cut - out canvas that she paints with oil.

Some of the Korean artists who work with oil painting, it's amazing what they're displaying — everything is there.

His latest show, «Kindly Bent to Ease Us,» at Mary Boone's gallery on the southern edge of the Upper East Side, is a riot of reproduction, repurposing and appropriation, with oil paintings of a friend's family Christmas card; of a panel discussion («Is the Universe a Simulation, Moderated by Neil deGrasse Tyson»); and of works by Richard Prince, the sculptor Frank Benson and the artist Eric Drooker, who is known for his New Yorker covers.

Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.

While the exhibition emphasizes Hofmann's drawings from the 1930s and»40s, there are a few highly suggestive late works in the exhibition, particularly several untitled pieces from 1961 in which the artist contrasts a few seemingly carefree drips and spatters of richly hued oil paint with delicate felt - marker traceries.

Here is an artist who's making hard - edge paintings with a soft material, oil and wax in an encaustic - like mix, and making it work.

These artists created works on paper with the use of many different mediums to achieve their unique creative goal including, graphite drawing, etching, oil paint, collage, crayon, lithography, and watercolor.

- Peter Doig1 British / Canadian artist Peter Doig stands in a position seemingly riddled with contradictions: straddling national identities; employing a medium (photography) historically thought to lead to the eventual disappearance of his own medium (painting); and working within a continuum of large scale figurative and landscape oil paintings.

Artist: Kelsey Beckett Title: The Girl With the Lamb Earring Medium: oil on panel Dimensions: 18» x 24» This work is featured in «Brides of Summer» a solo show by Kelsey Beckett - on view November 4th - November 18th, 2017 at SPOKE SF.

This body of work can be grouped into two categories: watercolors with web - like black lines interwoven over masses of color suggesting successive layers of depth, and oil paintings of extremely heavy consistency in which controlled randomness allows for the appearance of an unconscious, interior landscape or what the French surrealist artists called an «inscape.»

Hilariously gorgeous, even garish, these colorful, highly tactile works combine oil and enamel, are dense with dots, patterns and sartorial finery and suggest an artist thrilled to be painting again.

For his first LA solo exhibition, Yigal Ozeri furnished us with over a dozen photorealistic oil paintings and one exquisite video — works that captured the eye of Beautiful / Decay Associate Editor Sasha Lee, who interviewed the artist for the publication's preview feature article.

Don Voisine, Poised, 2007 Oil on wood, 20 x 20 inches January 10 — February 9, 2008 Geometric Abstraction examines the variety and multiplicity of sources and expression in the work of six artists, all working with abstract geometric forms: Chris Gallagher, Kim MacConnel, Shari Mendelson, Ann Pibal, Jennifer Riley & Don Voisine.

Back in the 1960s, Ashbery succinctly nailed Bishop's work when he described it as «Post-Painterly Quattrocentro» — «Quattrocentro» because of Bishop's fierce loyalty to oil paint and to the paradoxical possibilities of the painting as window, and «Post-Painterly» because of his immediate struggle with the work of Robert Motherwell, Ellsworth Kelly, and Ad Reinhardt, painters who formed the backdrop of his maturation as an artist.

Approximately thirty original works on paper and eight oil - on - canvas compositions by Clyfford Still comprise the exhibition, along with sketch - oriented materials, related photographs, and examples of the artist's self - described «interpretive studies» executed in the middle and late 1930s in Pullman, Washington.

noon to 1 p.m. Thursday, February 5 FACULTY BIENNIAL ARTIST TALKS: Believable Fictions: Three Ways with Ronald Christ, professor of painting and drawing, and Life Under Pressure: Re-Contextualizing the Print with Monika Meler, assistant professor of printmaking Ronald Christ's studio practice includes work in oil painting, opaque watercolor, and drawing.

The exhibition features more than 100 works in both oil and watercolour, with the fullest survey of the artist's watercolours of Margate yet to be shown at Turner Contemporary.

For it's U.S. premiere at SFMOMA, the video work will be paired with an unprecedented showing of The Deluge (1805), a visceral and ravishing large - scale oil painting by the 19th century English Romantic artist J.M.W. Turner, selected specifically by Akomfrah to be shown alongside his work and on loan from London's Tate.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.

We are pleased to announce that Pace Gallery is now launching in Hong Kong with a new office, bringing one of the most famous Chinese contemporary artist Zhang Xiaogang's latest oil on paper works to constitute its inaugural show.

Among an ever expanding (and as Karen Barad might say, «entangled») list, I am inspired by the complex and contradictory city I live in (the city of Chicago) and the incredible community of hard working, sincere, talented artists who I am surround by and have the privilege of working alongside and in collaboration with every day (too many and to diverse to name individually here) / / by mentors A. Laurie Palmer and Claire Pentecost and Anne Wilson and Ben Nicholson / / by Simon Starling and Andrea Zittel and Mark Dion and Sarah Sze and Phoebe Wasburn and Mierele Laderman Ukeles and Joseph Beuys and Eva Hesse and Hans Haacke and Robert Smithson / / by writers and philosophers Karen Barad and Jane Bennett and Rebecca Solnit and Italo Calvino and Steward Brand and the contributors to The Whole Earth Catalog (of which my father gave me his copies) and Ken Issacs and Carl Sagan and Neil deGrasse Tyson and William Cronon and Bruno Latour and Deluze and Guttari and Jack Burnham / / by ideas of radical intimacy and transformation and ephemerality and experimentation and growth and agency and mobility and nomadicism and balance and maintenance and survival and change and subjectivity and hylozoism and living structures / / by mycelium and soil and terracotta and honey and mead and wild yeast and beeswax and fat and felt and salt and sulfur and bismuth and meteorites and microbes and algae and oil and carbon and tar and water and lightening and electricity and oak and maple / / by exploration and navigation and «the Age of Wonder» and the Mir Space Station and the Deep Tunnel Project / / by Lake Michigan and the Chicago River and waterways and canals and oceans and puddles... to name a few.

Made from oil on plasticine clay on panel, the works are flat near - recognizable shapes that intersect painting and sculpture with holes, which the artist calls «orifices, points, or measures of space.»

Framed raw canvases stained with dripped enamel and oil paintings hang on museum walls, reviving remarkable works of art from one of America's most prominent artists of the past.

Olukman, a young artist, works with silkscreen, oil paint, collage and photography.

I was inspired by the realist works of such artists as Chuck Close, Richard Estes, Alex Colville and Eric Zener but I was also not satisfied working with the mediums of oil, acrylic and watercolours.

Boers works with several artists who are beginning to experience an upsurge in their market, including Qiu Xiaofei, who makes mural - size expressionistic oil paintings based on photographs and memories of his childhood (prices are between $ 50,000 and $ 100,000); Chen Yujun, whose collages reflect the culture of his hometown in Fujian Province (prices range from $ 30,000 to $ 60,000); and Lu Yang, a young woman who conveys science - fiction fantasies in videos and digital prints (selling for $ 4,000 to $ 20,000).

Despite the efforts of the above pioneers, along with those of inter-war artists Marcel Jean (1900 - 93), Joan Miro (1893 - 1983) and Andre Breton (1896 - 1966)- see their respective works Spectre of the Gardenia (1936, plaster head, painted cloth, zippers, film strip, Museum of Modern Art NYC); Object (1936, stuffed parrot, silk stocking remnant, cork ball, engraved map, Museum of Modern Art NYC); and Poem - Object (1941, Museum of Modern Art NYC)- junk art did not coalesce into a movement until the 1950s, when artists like Robert Rauschenberg (1925 - 2008) started to promote his «combines» (a combined form of painting and sculpture), such as Bed (1955, MoMA, New York) and First Landing Jump (1961, combine painting, cloth, metal, leather, electric fixture, cable, oil paint, board, Museum of Modern Art NYC).

To make works such as «Pacific Judson Murphy» (1978), the artist attached Belgian linen directly to the wall and covered the entire surface with black paintstick - an oil - based pigment - to build stark, densely layered forms.

The small, energetic oil on canvas sketches made shortly before the artist's death, are juxtaposed with earlier, large - scale abstract work.

Featuring sculpture, oil paintings, and works on paper from the 1950s to the present, this show presents four artists whose works play with the viewer's experience of form, density, depth and perceptual access.

Although less than 25 percent of the lots are by women artists, some significant works by women are for sale: «Roots,» a poignant color screen print by Catlett that the gallery says has not been seen at auction in 20 years (shown above); «March on Washington,» 1964 (oil on canvas), a beautifully rendered painting by Alma Thomas (1891 - 1978); Faith Ringgold's 1974 «Night: Window of the Wedding 8,» touted as the first of her fabric paintings to be offered at auction (shown below); and «Still Life with Grapefruit,» 1928, described on the frame backing as Lois Mailou Jones's first painting, completed a year after she graduated from the School of the Museum of Fine Arts in Boston.

The artist, whose oil on velvet painting Hamid in Alcheringa (1983) hammered at $ 320,000 at Christie's ($ 391,000 with fees, est. $ 200,000 - $ 300,000), will react to specific sites both inside and outside the building, where three or four bodies of his works will be shown.

In these works, the artist thinned oil paint with turpentine to the consistency of ink and spontaneously let the work, in his words, «pour out.»

Participating artists in the «Mission Blue» exhibition work with various mediums including oil, acrylic, graphite, photography, digital media, ink and watercolor to create marine themed artwork calling attention to the beauty and significance of our oceans.

With this new collection of paintings, which includes some of the artist's first works in oil, viewers may find both reactions conflictingly appropriate.