Sentences with phrase «artistic approaches for»

From urban agriculture to utopian aspirations, and environmentally initiated displacement to artistic approaches for protecting resources, LAND TRUST was an exploration of the multifarious connections between people and the living landscape.

In Conversation Isabel Nolan + Sally O Reilly Wednesday 27 August 6.00 pm, Lecture Room Isabel Nolan discusses her artistic approach for the current exhibition The Weakened Eye of Day with Sally O Reilly (writer for art and culture publications, including Art Monthly, Cabinet and Frieze).

Not exact matches

In the emphasis on a display's context, and the need for a «cultural, artistic, or festive,» as opposed to religious, meaning, the Conseil's rulings closely track the American approach.

Many other Belgian - style beers followed and Arthur gained a reputation in the industry for his interpretation of Belgian brews as well as for his artistic approach to brewing.

... We really look for unique artistic voices, and Ryan has such great vision and such consideration and empathy for how he approaches a tough story.»

For channel - based audio, filmmakers must determine which speakers should reproduce which sounds, an approach that could compromise the artistic intent.

The success of the first film evidently went to the head of Steven Soderbergh as he decided to step out from conventional filmmaking to go for a more artistic approach on OCEANS 12.

Riggan's attempt to destroy this critic's approach to art is not far off from Sam's tearing Riggan apart for feigning artistic altruism in staging a Raymond Carver play that will be seen only by «white, old, rich audiences.»

Nonetheless, The Red Turtle deserves to be seen, not merely to check off a box on your Oscar viewing list, but to appreciate for a different artistic approach to a medium whose vast possibilities are too rarely explored.

In this work, I employed Welty's more activist, artistic approach of «listening for the story»: for its shape, intensity, rhythm, and texture; for its substance and content; for its metaphors and symbolism; for the light and shadows.

We are providing a 21st century approach to its observance not just by recharging memory, but through an artistic reflection with a balanced affirmation of Hispanic heritage and indigenous traditions for collaborative new routes of expression from ancestral roots focused on the concerns of UNESCO: Cultural Rapprochement, Biodiversity, Ocean Care and Seafaring, Climate Change mitigation through sustainable energy, reforestation, gender equity and health issues.

Whether the teacher uses music or some other artistic form, it is important to find a novel, inviting, and meaningful approach to act as a catalyst for open dialogue and discovery.

The school is recognized for innovative educational, technological, and artistic programs including the International Baccalaureate Diploma Programme, the Mid-Pacific Exploratory Program (a project - based approach to learning), the acclaimed Mid-Pacific School of the Arts, an English Language Development program for the international students on campus, and a cutting - edge Immersive Technology Program.

Infusing the artistic approach throughout school provides essential opportunities for students and teachers.

Arts integration took off as an approach to teaching and learning because it taps artistic processes not only as subjects in and of themselves but also as tools for processing knowledge in other subject areas.

Participants will spend the day in a choice art studio learning about TAB, (Teaching for Artistic Behavior) a nationally recognized, choice - based art education approach to teaching visual art.

Lothlorien has made internet headlines for her approaches to digital publishing, notably some harsh criticism in recent months over her practice of responding to both positive and negatives reviews of her books, which she sees as more of a customer service issue than an artistic one.

But as a work of art, it's a modern masterpiece, ready to be experienced and explored by those looking for an adventurous, artistic approach to the medium.

Taking an extremely hands on approach, I was responsible for overseeing the overall artistic vision and creative direction of all cinematic storytelling (including pre-visualisation, camera work, lighting and storyboard development) and in - game set - pieces from initial concept to shipped title.

,» which approached that question with incisive and nuanced analysis, demonstrating how, for centuries, institutional and societal structures had made it «impossible for women to achieve artistic excellence, or success, on the same footing as men, no matter what the potency of their so - called talent, or genius.»

He has been called chameleonic in his approach, never sticking to one artistic style, but rather relishing the experimental process, the unpredictability of various mediums, and the constant search for new modes of expression.

For the interview published in the May / June 2013 issue of Art New England (available online here) Miler depicts Lemieux in the studio preparing an exhibition of works that homage her artistic heroes — artists who share an approach that Lemieux describes as «the conceptual, the playful, the «why not»?»

The exhibition presents around 50 artistic approaches, illustrating the network of links between journalism and art, and the ways in which artists draw on media for their creative production.

The specially commissioned works of art for the exhibitions will have been created via a process where committed research, access to the online UMass Amherst Du Bois Archive, along with collaboration and correspondence with Du Bois scholars inform an innovative approach to artistic expression.

This exhibition, which is on view parallel with the survey of Tino Sehgal, captures another level of what we consider «live» and represents the artistic approach of new director Beatrix Ruf for the Stedelijk to ask questions about contemporaneity through exhibitions and displays of artistic visions.

Since the early 1990s, Paweł Althamer (b. 1967 Warsaw, Poland) has established a unique artistic practice and is admired for his expanded approach to sculptural representation and his experimental models of social collaboration.

Using the physical street as a canvas for expressing their ideas, Faile is part of a global movement that has been embraced by audiences for its popular approach to artistic and creative expression.

Widely known for innovative installations such as Sleepwalkers, presented at the Museum of Modern Art, New York, in 2007, Doug Aitken utilizes a wide array of media and artistic approaches, leading us into a world where time, space, and memory are fluid concepts.

His artistic methods remained unchanged and almost ascetic: working without an assistant (an increasingly rare approach for an internationally - fêted artist) at his warehouse studio in Cologne surrounded by his books and his paintings.

The exhibition investigates this area of artistic practice by considering a variety of linguistic, conceptual, and sculptural approaches that artists have employed for scoring action.

In a groundbreaking approach to avant - garde Chinese art, the Smart Museum of Art's 1999 exhibition Transience established a historical framework for current artistic production in China.

The strategic plan, launched in October 2007, and the subsequent Action Plan released in 2008, outlined five overall directions for the Council over the next three to five years: reinforcing the Council's commitment to individual artists, working alone or collaboratively, as the core of artistic practice in Canada; broadening the Council's commitment to arts organizations to strengthen their capacity to underpin artistic practices in all parts of the country; enhancing the Council's leadership role in promoting equity in fulfilling Canada's artistic aspirations; making partnerships with other organizations, including other funders, a key element in the Council's approach to advancing its mandate; and enhancing the Council's capacity to support the arts and implement change by strengthening its structure, staffing and services.

Studying augmented reality with Digital Arts Professor Carla Gannis last spring, the students explored various approaches for using AR as an artistic and research - based medium.

Rudolph makes classical historical genres available for a contemporary artistic approach.

The exhibition recalls several threads from Jean Genet's book, which provide a prism for a special reading of Xing's artistic practice; in every image she creates, Xing reconstructs reality, as if driven by a compulsive desire to be at the center of the incident, approaching her characters with a marked sensuality.

Barrada, who is Deutsche Bank's Artist of the Year 2011, has developed an artistic practice, which combines the strategies of documentary with a metaphoric approach to imagery, resulting in a body of work lauded for its emblematic power.

Virtual Reality as artistic medium for the 21st century, curator Tina Sauerländer speaks with artists Li Alin, Banz & Bowinkel, Fragment.In, Rindon Johnson, Marc Lee, Mélodie Mousset, and Alfredo Salazar - Caro about their artistic approach and the potentials of the medium of Virtual Reality.

Editor and P.S. 1 / MoMA curator Klaus Biesenbach credits the late Susan Sontag with sparking the idea for this survey of Body and Action art in the course of their conversations about artistic approaches that describe and question the human condition.

The Department of Art and Design Education is distinguished by its interdisciplinary perspective and recognized internationally for its innovative approaches to connecting artistic practice and education.

«Ida is fascinating not only because of the dynamics within her famous artistic family but also for the distinct approach of her work, which reflects a range of contemporary influences, such as American Modernism and Regionalism.»

«Artistic ideas and approaches have always contributed decisively to shaping Murkudis's work,» said Peter Gorschlüter, who worked with architect Aaron Werbick for the design of the exhibition.

The key to the connection between Carol Bove's works and those by the exponents of the ZERO group rests in her artistic approach, in her fascination for the social upheavals of the 1960s and 1970s, the intellectual world into which the artist was born in 1971.

Each essay in the first part of the book maps a possible terrain for approaching the work of a single artist — among them, James Coleman, Jimmie Durham, Susan Hiller, Gabriel Orozco and Adrian Piper — while the texts in the second part reflect upon artistic practice in relation to questions of subjectivity, postcoloniality and multiculturalism.

This approach allows for artistic autonomy and an ongoing openness to current developments in the group activities.

The exhibition illustrates how the collaborative nature of printmaking may be a catalyst for creativity, and presents a variety of artistic approaches from traditional printmaking techniques to more experimental practices.

In her essay for the show's catalogue, E. Carmen Ramos, the Smithsonian's curator of Latin American art, writes, «Tamayo embraced notions of arte puro, or pure art, which circulated in some Mexican avant - garde artistic circles that championed artists» individual, rather than sociopolitical and collective, approaches to modern Mexican art.

This information is linked within the catalogue raisonné, thus offering new possibilities for scholars and collectors to approach Torres - García's expansive career and artistic production.

With their collage of quotidian materials, their vertical orientation reminiscent of skyscrapers (albeit in miniature), and their use of a sculptural idiom, the columns are typical of Genzken's approach, for although her oeuvre is heterogeneous, architecture, sculpture, modernism, and the readymade remain touchstones of her artistic practice.

The Works presents a variety of Chicagoan approaches to this discourse: Marissa Lee Benedict & David Rueter, Theaster Gates, and Dan Peterman contextualize their multidisciplinary practices within a wider scope of research and activism, reflecting first and foremost on artistic production as a vehicle for ecological and social reflection.

The DIWO (Do It With Others) campaign for emancipatory, networked art practices was instigated by Furtherfield in 2006 and it is informing an artistic engagement with new blockchain technologies; to organise, cooperate, p2p and at scale to transform approaches to contemporary economic and social challenges.