Sentences with phrase «artistic approaches from»

The collection chronicles different photographic processes, techniques, and artistic approaches from an early half - plate ambrotype of Niagara Falls to a Polaroid auto - portrait by a young Robert Mapplethorpe.

The collection chronicles different photographic processes, techniques, and artistic approaches from an early half - plate ambrotype of Niagara Falls to a Polaroid self - portrait by a young Robert Mapplethorpe.

The exhibition illustrates how the collaborative nature of printmaking may be a catalyst for creativity, and presents a variety of artistic approaches from traditional printmaking techniques to more experimental practices.

Not exact matches

The new design distinguishes itself from established brands and mimics the more artistic approaches upstart brands have taken.

A teen does not need to have any artistic talent to benefit from this approach.

«Applying an artistic process to science frees you from the typically reductionist approach of analyzing one particular hypothesis and teaches you a different way of observing things.

The success of the first film evidently went to the head of Steven Soderbergh as he decided to step out from conventional filmmaking to go for a more artistic approach on OCEANS 12.

Riggan's attempt to destroy this critic's approach to art is not far off from Sam's tearing Riggan apart for feigning artistic altruism in staging a Raymond Carver play that will be seen only by «white, old, rich audiences.»

We are providing a 21st century approach to its observance not just by recharging memory, but through an artistic reflection with a balanced affirmation of Hispanic heritage and indigenous traditions for collaborative new routes of expression from ancestral roots focused on the concerns of UNESCO: Cultural Rapprochement, Biodiversity, Ocean Care and Seafaring, Climate Change mitigation through sustainable energy, reforestation, gender equity and health issues.

Since then, she's approached every artistic endeavor — from her romance series to her online book cover design course — with a business mindset.

Taking an extremely hands on approach, I was responsible for overseeing the overall artistic vision and creative direction of all cinematic storytelling (including pre-visualisation, camera work, lighting and storyboard development) and in - game set - pieces from initial concept to shipped title.

Rather than pose a definitive historical trajectory, the exhibition embraces a ruminative and introspective approach, winding through time and place to touch on situations and themes ranging from the sociopolitical to the deeply personal, all through the lens of artistic observation.

As disparate as the artistic approaches appear to be in Rothko to Richter, what united the painters throughout the period was a commitment to process, as artists explored a range of brushwork techniques, from audaciously gestural ribbons of built - up paint to vibrating fields and soft washes of color to hard - edged geometries.

The hyper - realistic nature of the sculptures results directly from Hanson's artistic approach.

His approach to his artistic practice and research stems from observations of his expanded local context.

Active in the Post-Sense Sensation events from the late 1990s, his work has explored a wide range of mediums from painting to film, installation and sculpture as he gradually shaped a unique artistic approach that has garnered increasing acclaim across the world.

To this aim, he employs conceptual and methodological approaches borrowed from artistic and academic practices such as film, poetry, theater, linguistics, and journalism.

«We feel that by approaching us in particular, The Armory Show shows a deep sensitivity and understanding toward the complexities of contemporary artistic productions from Africa and the Diaspora.»

All were unique and distinctly reflecting the wide variety of artistic approaches of the 21stcentury from paintings on canvas & board (Kawaguchi, Sudran, & Dorsey) to the mixed media work of Mielenhausen & Dworin, the installation by Kubo that filled gallery walls, to the photographs of Moody, Smith and Gaynor and the colored pencil drawings of Borkow.

Her artistic practice and pedagogical bent — she is an esteemed professor of painting at the School of the Art Institute of Chicago, a position from which she weilds considerable influence in the city's art scene — has shaped her presentation on the fourth floor of the Whitney, which she has organized as a sort of visual curriculum on various artistic processes and approaches to materials.

Borrowed Light will present a visual history of photography from its inception in the 1840s to the present day, chronicling various photographic processes, techniques, and artistic approaches — from an early half - plate ambrotype of Niagara Falls, to a Polaroid self - portrait by a young Robert Mapplethorpe.

Hansons characteristic work results directly from his artistic approach using polyester resin, casting figures from live models in his studio, paying attention to every detail, from body hair to veins and bruises.

Reflecting the broad range of artistic approaches, the literal positions taken include a range from precarious to stable, and the kind of details varies from carefully detailed to highly abstracted and expressive.

One of Hershberg's artistic aims is to remove «himself» from his work, an approach that mirrors the thinking of Italian Renaissance masters of the 15th century.

This project further investigates the artistic production of those two decades in a location far from the main artistic centers, from Paris to New York, and explores the development of alternative scenes generated in art schools and academies, namely the School of Art Institute of Chicago, which critically competed or opposed Minimal Art's industrial and essential approach.

These may include solo presentations by an individual artist, juxtapositions and thematic exhibits from artists representing a range of cultures, generations and artistic approaches.

Warhol intuitively understood that appearance, glamour and fame were paramount in an era dominated by the media, and his artistic approach sprang from the popular culture that surrounded him.

The first part of the exhibition From a Poem to the Sunset is devoted to conceptual approaches concerned both with the significance of artistic traditions and with the collision of divergent cultural, media and material worlds.

The choice in title also attempts to suggest a conceptual curatorial style on the part of Gouzer, or an experimental irreverence toward his function at the auction house — an approach gleaned, we can imagine, as a winning stance from some of the artistic careers listed above.

The exhibition recalls several threads from Jean Genet's book, which provide a prism for a special reading of Xing's artistic practice; in every image she creates, Xing reconstructs reality, as if driven by a compulsive desire to be at the center of the incident, approaching her characters with a marked sensuality.

Niblock's minimalistic drone approach to composition and music was inspired by the musical and artistic activities of New York in the 1960s (from the art of Mark Rothko, Carl Andre, Sol LeWitt, Donald Judd, Robert Morris to the music of John Cage and Morton Feldman's Durations pieces).

Drawing from a variety of genres, styles and «nostalgic» historical imagery, McKenzie plays with the armature of how an artist is produced, affirming her rebellious approach to artistic self - representation.

Showcasing Mel Chin's malleable and wide - ranging approaches to his artistic practices, the pieces on view were drawn from nearly four decades of his career alongside four newly commissioned projects: «Flint Fit,» «Soundtrack,» «Unmoored» and «Wake.»

From bursting into the artistic limelight as a student in the early 1960s, it takes a chronological approach, charting iconic works throughout the 1970s, to his recent success at the Royal Academy and across the world.

This catalogue of outstanding paintings, sculptures, drawings and prints from Edward R. Broida's recent gift of 175 contemporary works from his collection to The Museum of Modern Art reflects a wide range of artistic approaches.

You don't need to know this — from room to room it's very evident, you can see it with your own eyes in the varied ideas and artistic approaches: Roy deCarava's intoxicating photographs of Malcolm X and Ornette Coleman, or David Hammons's response to Black Panther founder Bobby Seale's trial in 1970, abstract expressionist paintings by William T.Williams and Frank Bowling, or Faith Ringgold's amplified vision of what she witnessed in New York, inspired by Guernica,

Around 1920, however, Hine changed his studio publicity from «Social Photography by Lewis W. Hine» to «Lewis Wickes Hine, Interpretive Photography,» to emphasize a more artistic approach to his image making.

He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.

She graduated from Bennington College, was well - educated and well - supported in her artistic endeavors, and was fearless in experimenting with new techniques and approaches to art - making.

Prior to beginning the Winter Workspace, Nick's artistic approach stemmed from the use of previous observations and experiences within the built and natural world.

As an exhibition and project space the NR Projects presents a platform for artistic examination and development that employs an interdisciplinary approach, from scientific, artistic and philosophical perspectives.

More recently, Günther Förg surprised with brighter and more gestural paintings, resulting from an intuitive approach to colour and composition, renewing again his artistic practice.

With an approach that ranges from the singular to the plural, the exhibition aims to provide a plastic and visual narrative about artistic creation from aspects of thematic, biographical, sociological and anthropological character.

The exhibition allows us to delve into one aspect of Shahzia Sikander's artistic praxis that constitutes a departure from her seminal miniature drawings, and unveils to us the critical rigor of her approach to other media.

She employs conceptual and methodological approaches borrowed from artistic and academic practices such as theater, film, anthropology, linguistics and journalism, to explore new representational strategies that examine and interrogate the allegorical character of the present political moment.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

So, for example, the processual character inherent in many artistic approaches is reflected in projects hosted by the Kunstverein in Hamburg, such as «Mapping a City: Hamburg - Kartierung» (2003), which extended over a period of nine months and to which, besides artists, specialists from various other fields were also invited.

From the digital highly detailed images to a more painterly approach of the brushes on canvas, these artists will present a broad range of artistic mediums and personal styles, highlighting the versatility of the movement.

The exhibition Nasreen Mohamedi — open from March 18 to June 5, 2016 — presents 130 the Whitney works — including drawings, paintings and photographs — by the Indian artist Nasreen Mohamedi (1937 — 1990), the well - known for her minimalistic yet fascinating artistic approach where graphical, often monochrome, signs create rigorous and complex abstract patterns often inspired by poetry, music and architecture.

Syllabus IV aims to reach artists with a range of practices and artistic approaches and bring together individuals from across the UK.