Sentences with phrase «artistic challenge of my life»

Not exact matches

Hauschka artistic therapy helps to build inner soul substance while indirectly digesting traumas and challenges of life.

This very film could be seen as Rock's reinvention and even if he doesn't have one defining role he's trying to live down, he is clearly pursuing artistic relevance, something of a challenge given his track record in film.

Meeting up in Columbia, Missouri, where the Ross's Western screened at the 2015 True / False Film Fest, they discuss the adventurous aspects of their films, the artistic ambitions that can hide behind an unpretentious demeanor, and the challenges of balancing an enjoyable life with the task of documenting the lives of others.

I mean, I've enjoyed some of the things I've done for a living, such as architecture, which still gives me tremendous pleasure for its artistic challenges, but mostly I did things because they made the most possible money with the least expenditure of effort, not because they were particularly redeeming or self - actualizing.

Drawing on the spectacular resources of the Norton Simon collections, the exhibition explores the wealth of aesthetic and conceptual artistic strategies that challenge the shortsighted view of still life as simply an art of imitation.

«Ai Weiwei is one of the top living artists working today, and his artistic output calls attention to the most challenging and divisive issues of our time,» commented Nancy Wilhelms, Executive Director of Anderson Ranch.

As Albright - Knox Chief Curator Emeritus Douglas Dreishpoon notes in his essay in the exhibition catalogue, Frankenthaler instinctively adopted Jackson Pollock's determination to challenge the basic tenets of what painting could be — an ethos that sustained her well beyond her breakout work Mountains and Sea (1952), indeed, for the rest of her artistic life.

At A+P, McMillian, whose artistic practice embodies a wide range of media and techniques, will discuss how he manipulates a multitude of materials, including those found in his everyday life, to create striking sculptural works, paintings, and videos that challenge the relationships between language, aesthetics and content.

Challenging aesthetic norms of what sculpture or painting or installation or plain photographic documentation is, Smit's artistic practice presents a series of new works that are the result of the serendipitous nature of life interpreted as an errare.

Unlike some artists of note he continually challenged himself to reach new areas and artistic achievements based on his profound knowledge of art and art history, use of the human figure, color, and a passion for life.

The Watermill Center's Artist Residency Program invites collectives and individual artists take up residence at The Center to live and develop works that critically investigate, challenge and extend the existing norms of artistic practice.

In addition to these influences, the challenges that came with the ongoing precariousness of academic life — a lack of tools, materials and a quality educational program — led the young creators to meet and exchange their reflections on the artistic production they observed around them, as well as the situations and challenges that emerged from an educational program that took up techniques but that neither made the media needed to master them available nor contemplated the option of the gesture as a solution.

As part of our «Fellows Friday» series, we focus on the artistic lives of our Pew Fellows: their aspirations, influences, and creative challenges.

Each year collectives and individual artists take up residence at The Center to live and develop works that critically investigate, challenge and extend the existing norms of artistic practice.

Made possible by a curatorial fellowship grant from the Andy Warhol Foundation for the Visual Arts, the convening was hosted by the Walker's Artistic Director Fionn Meade and Director and Senior Curator of Performing Arts Philip Bither, who invited a group of curators, programmers, artists, and producers to address the following: new models of performance curating that have arisen within and outside of the museum setting; evolving standards for collecting and archiving performance and live arts; challenges faced and learning opportunities in producing, commissioning, and acquiring performance - based art and its differing approaches to audience; and shared efforts toward artist advocacy and agency in the context of curating performance across stage, gallery, and emerging platforms.

Vox Populi is pleased to announce its annual open call offering artists and curators living outside of Philadelphia the opportunity to extend and challenge their artistic development.

In February, the Museum of Modern Art will screen the new documentary «Without Gorky,» the personal story of Gorky's widow and daughters revisiting his legacy and confronting the challenges of life with an artistic genius.