Sentences with phrase «artistic cultures of the countries»

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Indiepix Festival Favorites, Volume 2 Value - priced, three film set of music documentaries: «Icons Among Us: Jazz In the Present Tense,» about the modern jazz scene, with Terence Blanchard, Ravi Coltrane, Robert Glasper, Nicholas Payton, Brian Blade & the Fellowship Band, the Dirty Dozen Brass Band, Donald Harrison Jr., Anat Cohen and Esperanza Spalding; «Echotone,» a lyrical documentary providing a telescopic view into the lives of Austin's vibrant young musicians as they grapple with questions of artistic integrity, commercialism, experimentation, and the future of their beloved city; and «Roaring Abyss,» a stunning audiovisual poem, the product of filmmaker Quino Piñero's two years of field recording traditional and modern music from around every corner of Ethiopia, a country of eighty different nationalities and cultures spread amongst mountains, deserts and forests.

This March, the Dallas Museum of Art, in collaboration with the Mexican Secretariat of Culture, will open the exclusive U.S. presentation of México 1900 — 1950: Diego Rivera, Frida Kahlo, José Clemente Orozco, and the Avant - Garde, a sweeping survey featuring almost 200 works of painting, sculpture, photography, drawings, and films that document the country's artistic Renaissance during the first half of the 20th century.

The Three Countries Textile Project brought together artists from Mali, Nigeria and Indonesia for an exchange of ideas, culture and artistic practice.

The book — which questions the uncertainties of the art world; offers solutions to the challenges of transmission of Culture at the beginning of the 21st century; and It's a witness of the artistic potential in European, Anglo - American and Latin - American countries — will be presented in September in the context of an individual exhibition, also entitled Hexágonos, at the art gallery Maus Contemporary in the USA.

Born and raised in Larache, Morroco, Hassan Hajjaj moved to London aged twelve and his artistic practice sees him spend much of his life travelling between these two countries and cultures.

Born in a country in the full swing of economic, social, and urban change, and benefiting from global access to information and new technologies, these artists have broken free from any artistic legacy to draw upon a transversal, worldwide culture.

The exhibition reveals the possibilities of merging disparate artistic communities on Manhattan's Lower East Side, a centuries old magnet for cultures around the world, while also offering collectors an opportunity to discover new artists and trends from other parts of the country.

Since his first trip to India in the 1970s, Francesco Clemente immersed himself in the country's rich cultures as well as the everyday life and artistic practices of local people.

This final work exemplifies the way in which music and artistic expression can, and has over centuries, created a universal unity of emotions amongst different peoples, countries and cultures.

Late last week the German Culture Minister, Monika Gütter, announced a plan that would aim to preserve the country's artistic heritage through restricted circulation of German art — requiring that artifacts valued at $ 150,000 ($ 165,900) or more or that are more than 50 years old receive an export license before leaving the country.

The exhibition offers an unexpected insight into the artistic energy of a culture that is constantly evolving as Iranians living both in and out of the country, come of age living and working in contentious societies.

«Having grown up between two countries, I have always felt a sense of un-grounding that has allowed me to operate between cultures and artistic disciplines,» says Aguiñiga.