Sentences with phrase «artistic directors from»

Exclusive interviews with top ballerinas, dancers, choreographers & artistic directors from world's best companies with 145,000 fans across 50 countries.

Exclusive interviews with top ballerinas, dancers, choreographers & artistic directors from world's best companies with 145,000 fans across 50 countries.

Exclusive interviews with top ballerinas, dancers, choreographers & artistic directors from world's best companies with 145,000 fans across 50 countries.

Levine made his Met debut in 1971 and became one of the signature artists in the company's 135 - year history, conducting 2,552 performances and ruling over its repertoire, orchestra and singers as music or artistic director from 1976 until he stepped down two years ago due to Parkinson's disease.

Previously, she established the art organisation Urbane Künste Ruhr, where she was Artistic Director from 2012 - 2017.

Also a committed educator, he cofounded the Communicative Arts Academy in Compton, where he was artistic director from 1969 to 1975, and he was the director of the Watts Towers Art Center from 1975 to 1992.

Also a committed educator and social activist, he cofounded the Communicative Arts Academy in Compton, where he was artistic director from 1969 to 1975 and was director of the Watts Towers Art Center from 1975 to 1992.

Not exact matches

Evolved from a conversation between Evanston playwright Gloria Bond Cunie and CCT's Artistic Director Jacqueline Russell, the play takes themes from Michael Tyler's picture book for children, The Skin You Live In.

Below is the transcript of the keynote address delivered by the Gala's emcee, Melinda Lopez, preceded by opening remarks from Puppet Showplace Artistic Director, Roxie Myhrum.

Artistic Director Roxie Myhrum and Resident Artist Sarah Nolen just returned from a wonderful weekend at the Casteliers Festival in Montreal, Québec, where Sarah performed in the North American Puppet Slam.

Through ballads and swing from the 1940s we are transported to a hotel on the Lincolnshire coast for Trevor Nunn's first production as artistic director of the Theatre Royal Haymarket.

And to try to counteract the accusation from Nigel Farage that In was a «group of yesterday's men and big corporate business», the campaign has also recruited Jude Kelly, the artistic director of the Southbank Centre, and Labour - supporting former T4 presenter June Sarpong.

WAMC's Alan Chartock In Conversation with CEO / Artistic Director Kate Maguire and Managing Director Tony Simotes from the Berkshire Theatre Group.

Here's the FW17 lookbook from Uniqlo «s third «U» collection, designed under the direction of artistic director, Christophe Lemaire.

His appointment to helm one of the most directional and exciting brands in the industry — which came one year after Demna Gvasalia took over from Alexander Wang as artistic director of the house — evidenced a high - level of confidence Kering had in him as the right man to successfully commercialise Gvasalia's talent.

The recipient of a «Design Star» honour from Fashion Group International, Giannini has also been awarded «La Lupa Capitalina» by the mayor of Rome, Gianni Alemanno, and in 2013 was the subject of a documentary film «The Director,» produced by James Franco and Christina Voros, which followed Giannini's artistic process as she prepared for catwalk shows and launches.

But this time, artistic director Nadège Vanhee - Cybulski made certain that every single piece from her debut collection would capture everyone's attention and whet style appetites for this year's fall / winter line.

That's probably not the reaction director Julian Rosefeldt hopes will be stirred by this rigorous series of monologues, stitched together from more than 50 artistic and political manifestos and performed by Blanchett as 13 characters.

Claire (Sarah Hay), a ballerina with a dark history must face a volatile artistic director (Ben Daniels) and her own past as she joins a prestigious New York's ballet company in the limited drama series from Moira Walley - Beckett and Lawrence Bender.

The first feature from Rupert Goold, artistic director of London's Almeida Theatre, the film owes a dramatic and stylistic debt to Capote, another stage veteran's big - screen debut about the complicated relationship between a prisoner facing a murder rap and the writer looking to capitalize on his experiences.

When film director Wong Kar - Wai, who has been hired as the artistic director of the exhibit, points out that placing a gallery focused on the Mao era in a room featuring statues of the Buddha would be offensive, Bolton argues that the publicity from such controversy might be worth it.

The appeal of the film is manifold - its serenity as The American meticulously goes about his craft; the paucity of dialogue that heightens its few action sequences when they do occur; a superb ensemble of actors led by Clooney that also includes Violante Placido (Clara), Thekla Reuten (assassin), Johan Leysen (controller), and Paolo Bonacelli (as a local town priest); the artistic framing of the film by director Anton Corbijn both in its interiors and the long shots of the Italian settings; and simply the story's uncertainty that grips one from its very beginning.

Indeed, seeing how director Alan Taylor (Thor: The Dark World) is the one calling the shots on Terminator: Genesis - drawing from a script written by screenwriter / producer Laeta Kalogridis (Avatar, Shutter Island) and writer / director Patrick Lussier (Dracula 2000, Drive Angry)- it's difficult to gauge just how this film is shaping up, as far as its artistic quality goes.

Director: Noah Baumbach The Meyerowitz Stories — from Frances Ha and Greenberg director Baumbach — is a funny tale of sibling rivalry and daddy issues and the huge letdown that is life, following an estranged family who gathers in New York for an event celebrating the artistic work of theirDirector: Noah Baumbach The Meyerowitz Stories — from Frances Ha and Greenberg director Baumbach — is a funny tale of sibling rivalry and daddy issues and the huge letdown that is life, following an estranged family who gathers in New York for an event celebrating the artistic work of theirdirector Baumbach — is a funny tale of sibling rivalry and daddy issues and the huge letdown that is life, following an estranged family who gathers in New York for an event celebrating the artistic work of their father.

Though the narrative requires much more from the viewer than one would like, I can applaud the artistic and emotional value beset by the writer / director along with outstanding performances from newcomer Hunter McCracken, Brad Pitt, and Jessica Chastain.

With its gorgeous widescreen compositions and sophisticated look at American male obsession, this stripped - down narrative from maverick director Monte Hellman is one of the artistic high points of 1970s cinema, and possibly the greatest road movie ever made.

Following opening remarks from TIFF director / CEO Piers Handling, executive director / COO Michele Maheux and artistic director Cameron Bailey, who coined the term «Jakequake» to describe Gyllenhaal's impressive run of late, an excitable Vallee took the stage to introduce his bearded star and the rest of the cast, including Naomi Watts, Chris Cooper, Heather Lind and gifted newcomer Judah Lewis, who makes a strong first impression on the big screen.

The Red Turtle is animated film from director Michael Dudok de Wit, produced by the legendary Studio Ghibli with Isao Takahata involved as an artistic consultant, even though the animation was finished in France.

An extensive selection of work from across the world is presented including the World Premieres of William English's HEATED GLOVES and THE HOST, in which director Miranda Pennell delves deeper into her past and her late parents» involvement with the Anglo Iranian Oil Company (BP); Ben Rivers» THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS, the feature element of Ben's current Artangel installation at BBC White City; EVENT FOR A STAGE by Tacita Dean, a filmed presentation of her live theatrical happening in collaboration with actor Stephen Dillane at the 2014 Sydney Biennial; the European Premiere of Omer Fast's REMAINDER, a London - set thriller adapted from Tom McCarthy's acclaimed novel of the same name; the European Premiere of INVENTION which highlights the possibilities of camera movement and the development of artistic apparatus and Kevin Jerome Everson's PARK LANES, set in an American bowling alley over the course of a day.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

Prince Avalanche has been preceded in the media by the kind of mood music that suggests that it is the film in which director David Gordon Green retreats / recovers from the commercial, stoner - comedy digressions of Your Highness and Pineapple Express to the artistic purity of his well - reviewed first films, George Washington and All the Real Girls.

Writer - director Paul Dalio devastatingly autobiographical «Touched With Fire» (Lakeshore Records) also shows him sparking with musical talent as his score rises with the chiming, child - like wonder of impossible optimism, then plunges to surreal despair in his score's entrancing mood swings that conveys lives gone askew with mental illness, his haunting, religious - like musical portrait making us understand the price that comes with artistic inspiration born from bipolar enthusiasm.

Beyond that, it may be the case that these directors just don't have much going for them aside from their images: that the texts of their films really are empty and the only way they have of expressing an artistic vision is through their images («form is substituted for theme»), that they are simply not complete auteurs in the sense Ford and Lang were.

Logan's director, James Mangold, does the same with clips from the western Shane (1953), hijacking George Stevens's powerful scenes of cruel violence but imparting no sense of the aesthetic daring and moral revulsion that made that film a moral and artistic landmark.

Prior to the gala dinner, dancer Daniil Simkin performed an excerpt from his Works & Process at the Guggenheim — commissioned production, Falls the Shadow, featuring costume designs by Maria Grazia Chiuri, Artistic Director of Dior.

At the festival's announcement press conference, artistic director Thierry Frémaux hinted that another work from a woman could be added to the lineup in the coming days (the festival will likely announce at least a few more selections; at the very least, Cannes has yet to reveal its closing night film).

Led by Artistic Director Philip Himberg and Producing Director Christopher Hibma, the Sundance Institute Theatre Program emphasizes intensive and limited - time interactions with high - level artistic mentors within the context of retreat settings removed from commercial pressures and other demands of contemporaArtistic Director Philip Himberg and Producing Director Christopher Hibma, the Sundance Institute Theatre Program emphasizes intensive and limited - time interactions with high - level artistic mentors within the context of retreat settings removed from commercial pressures and other demands of contemporaartistic mentors within the context of retreat settings removed from commercial pressures and other demands of contemporary life.

Three renowned directors from Hong Kong (Fruit Chan), Korea (Chan - Wook Park) and Japan (Takashi Miike) team for a trio of artistic, thoughtful, yet profoundly disturbings stories, evidence that «extreme» horror doesn't have to involve backwoods serial killers torturing victims for 90 minutes.

From the acclaimed director Terrence Malick comes The Tree of Life, an artistic and profound film about the...

But we're here not to bury Sandler — he's years, if not decades away from a career - long obituary — but to praise him in writer - director Noah Baumbach's (Mistress America, While We're Young, Frances Ha, The Squid and the Whale) latest exploration of love, life, and failure among New York City's social, cultural, and artistic elites, The Meyerowitz Stories (New and Selected).

The Fellowship honors the memory of the beloved Sundance Institute mentor and prolific editor Sally Menke (Reservoir Dogs, Pulp Fiction, All the Pretty Horses, Kill Bill, Inglourious Basterds, etc.) by supporting an emerging narrative editor's understanding of craft, expanding their artistic community, and providing momentum to their editing career through participation in the June Directors Lab and year - round mentorship from several accomplished editors.

James Faust, Artistic Director of the Dallas Film Society, said, «Our two Dallas Star Award honorees hail back to something this festival has done from its inception — honor cinema legends, icons, and the film artists that made a difference in our film viewing lives.

Each poem has its own unique style given the various artistic backgrounds the directors come from.

From the acclaimed director Terrence Malick comes The Tree of Life, an artistic and profound film about the meaning of life centering on a normal and rather insignificant family of the Midwest.

It's been done a zillion times, but this movie is different from ALL of the other kidnap movies because the director made his kidnap movie so brilliantly artistic, the scriptwriter for this movie gave it nifty diaglogue, the two leading actors and the black wife all gave Oscar - worthy performance, and the cinematography is great too.

Based on the true story of the greatest treasure hunt in history, The Monuments Men is an action drama focusing on seven over-the-hill, out - of - shape museum directors, artists, architects, curators, and art historians who went to the front lines of WWII to rescue the world's artistic masterpieces from Nazi thieves and return them to their rightful owners.

Through its artistic development programs for directors, screenwriters, producers, composers and playwrights, the Institute seeks to discover and support independent film and theatre artists from the United States and around the world, and to introduce audiences to their new work.

Serebrennikov has been accused of masterminding a fraud scheme from his time as artistic director of the avant garde Gogol Centre and has been placed under house arrest until October by the Russian authorities.

John Retallack is a writer and theatre director — he was Artistic Director of Oxford Stage Company from 1989director — he was Artistic Director of Oxford Stage Company from 1989Director of Oxford Stage Company from 1989 - 1999.

Producing the one - of - a-kind Corvette were some big - time folks from General Motors, including Tom Peters, Chevrolet Performance Car Design Director, who oversaw the project and provided artistic direction.