Works by the three artists in the exhibition utilize materials traditionally associated with crafting rather than the traditionally recognized
artistic fields of painting, sculpture etc..
He «explores abstraction and gesture in
the artistic fields of painting and fashion.»
Not exact matches
Especially strong are James Marsden, as a hammy telecaster, and Nathan
Fielder, as the
artistic leader
of the World Anti-Doping Agency («This is what I
painted while I was on amphetamines»).
As disparate as the
artistic approaches appear to be in Rothko to Richter, what united the painters throughout the period was a commitment to process, as artists explored a range
of brushwork techniques, from audaciously gestural ribbons
of built - up
paint to vibrating
fields and soft washes
of color to hard - edged geometries.
Mario Canali — Born in Monza, Milan, Italy — Began his
artistic career in 1975, devoting the first ten years to
painting — In 1985, he turned his attention to electronic and digital art and is considered a pioneer in the
field — Recognized as a forerunner in the development
of interactive installations and his -LSB-...]
Through the incorporation
of materials culled from the everyday, she is able to address numerous
artistic traditions including abstract expressionism, minimalism, and color
field painting.
This documentary explores a critical decade in American life, when an explosion
of artistic energy produced Pop art, Minimalism, Color -
field painting, and hard - edged abstraction.
With deliberate placement and the eye
of a master colorist, she maps out a constructed world informed by numerous
artistic traditions, including Abstract Expressionism, color
field painting, installation, and Minimalism.
A realist who came
of age during an era predominated by abstraction — Abstract Expressionism to be exact — Katz has been linked with a number
of artistic tendencies, such as Color
Field painting, Pop Art, and realism — both «new» and the traditional.
Ten Americans sheds new light on important figures in American Abstract Expressionist and Color
Field painting who adapted aspects
of Klee's art and ideology into their own
artistic development.
Although Blayton employed techniques from Abstract Expressionism and Color
Field painting, she noted that her work did not grow out
of any particular
artistic tradition, but rather the feelings generated by her own thoughts.
At a time
of the thrive
of Abstract Expressionism, Britain turned to create an atmosphere
of new ideas and movements, working with different media and spanning a variety
of artistic fields, from architecture and graphic design to collages and drawings, film, sculptures and
paintings.
They were selected by Dr. Roger Ward, the Museum's Deputy Director and Chief Curator, to illustrate the trajectory
of Wardlaw's
artistic development from his roots in Abstract Expressionism through the era
of Color
Field painting, Pop Art, and Minimalism to the individualistic and personally expressive character
of his contemporary work.
Rauschenberg combine
paintings, Rothko color -
fields and Baldessari text
paintings are all parroted and strung together into one joke that is not only laughing at the unfortunate protagonist
of its internal riddle, but also at the past fifty years
of artistic production.
Working with unconventional materials and techniques, Uklański resuscitates
artistic vernaculars from a number
of various historical movements, adopting the idioms or «dialects»
of Art Informel, Color
Field Painting, Abstract Expressionism and Fiber Art, among others.
But the «Opens» also tended to be more involved with «strictly
artistic problems» than the «Elegies,» problems, as he told Mr. Flam at the time
of the Albright - Knox show, «in the viscosity
of paint,
of color
fields,
of the skin
of the world highly abstracted.»
Heilmann's work falls into line with the
artistic œuvres
of Josef Albers, Ad Reinhardt and Kenneth Noland — all important exponents
of minimal art and colour -
field painting likewise represented in the Städel Museum collection.
In the titular
painting of the exhibition, alphanumeric icons and recognizable symbols are brought together in the
field of the imagined
artistic workspace to construct and define the planar elements that slip between didactic representation and an abstracted composition.
His
artistic practice evolves towards what the critic Clement Greenberg defined as the «Colorfield
Painting», translated as «painting in fields of colors
Painting», translated as «
painting in fields of colors
painting in
fields of colors».
The path forward in art - historical terms was split between those
artistic movements more aligned with deeper investigations into the increasingly essential properties
of a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic ar
of a particular medium or reductive practices (e.g., Abstract Expressionism, Color
Field painting, Minimalism) and those movements that actively sought an expansion
of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic ar
of the arts into a plurality
of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic ar
of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13
Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic ar
Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions
of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic ar
of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work
of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic ar
of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature
of light and sound as well as the interactive qualities of kinetic ar
of light and sound as well as the interactive qualities
of kinetic ar
of kinetic art.
For the purpose
of this list — which includes women from
artistic fields such as photography,
painting, fashion design, illustration, and more —
artistic greatness is defined as possessing a variety
of attributes and experiments that add up to
artistic eminence.
With deliberate placement and the eye
of a master colorist, she maps out a constructed world informed by numerous
artistic traditions, including abstract expressionism, color
field painting, installation, and minimalism.
Will focus on the current international situation
of the non-figurative panel
painting with about sixty
artistic positions and will fan out the wide
field of a still significant painter's practice.
Born in 1922, Fangor studied and taught art during the early years
of his career, producing
paintings inspired by various styles
of the European avant garde before shifting his
artistic output to poster design and eventually works that relate to both Optical Art and Color
Field painting.
Melding the
artistic traditions
of Color
Field and Minimalism, Laura Owens creates a lush landscape, replete with energy and whimsy, that emphasizes the delicacy and precision
of her
painting style.
«After Abstract Expressionism» itself reveals the kind
of gamble inherent in this type
of analysis, as its accuracy, success, and relevance can only be born out with time, and so it is that we can now see that the Color
Field painting Greenberg championed at the end
of «After Abstract Expressionism» did not ultimately prove to be the most fecund avenue
of new
artistic production in the»60s.
Unlike gestural abstraction focused on action and the context
of the
artistic process, most notable in the
painting style
of Jackson Pollock and William de Kooning, color
field painting took a different turn, concentrating on the intricate color interplays and subtle coherence
of forms and colors.
In many ways he fits into a distinct
artistic «type»: a solitary maverick with a love - hate relationship to the Academy; alternately self - deprecating and outrageously boastful; eccentric to the point
of mental instability; a quasi-mystic; a self - proclaimed polymath and prolific dabbler in other
fields alongside his
painting; a shameless self - publicist, self - publisher, self - mythologiser and purveyor
of home - spun theory and philosophy.
• Biography • Youth •
Artistic Training • Introduced to Colour • Abstract Art: Multiform
Paintings • Abstract Expressionism: Colour
Field Painting (c.1948 - 68) • Development
of Rothko's Colour Palette • Recognition From Museum
of Modern Art (MOMA) • Chapel Murals at St Thomas Catholic University in Houston • Reputation and Legacy
Although guided by plain curiosity in the beginning,
painting quickly became an intriguing new
field of artistic possibilities.
The five genres — Still Life, Landscape, Scenes
of Everyday Life, Portraiture, and History
Painting — serve as a productive point of dialogue with contemporary artwork created within an expanded field of artistic practices, including not only painting but also photography, video, and insta
Painting — serve as a productive point
of dialogue with contemporary artwork created within an expanded
field of artistic practices, including not only
painting but also photography, video, and insta
painting but also photography, video, and installation.