Sentences with phrase «artistic identity for»

Two novels, 30 volumes of poetry, 90 albums, 2,000 paintings and one name change later, Billy Childish is still forging a unique artistic identity for himself near the banks of the River Medway in Kent.

This ambitious and long overdue exhibition will bring together some of the finest works associated with the movement from around the world.The exhibition will include works by Kline, Pollock, Rothko, Newman, Still, de Kooning, Smith, Reinhardt and Gorky as well as work by lesser - known — but no less influential — artists to reveal the extraordinary breadth of a movement that gave New York City an artistic identity for the first time.

Not exact matches

The moderately successful artistic pursuits of this sculptor and retired Bard College professor, coupled with the short story structure of the film, lay the foundation for its exploration of the way in which history and perception become intertwined with identity and how people often cling to an idea of themselves, be it objective fact or socially constructed fiction.

Jones, in just two films, has revealed the possibility for a real artistic identity: someone interested in proximate realities and the maybe - arbitrary distinctions we draw between what is «real» and what's a perceptual reproduction of reality.

The progenitor of big money series such as Saw and Insidious has a knack for crafting populist horror that still carries a streak of his own artistic identity, a Spielbergian gift for what speaks to the multiplex audience without entirely sacrificing characterization.

It has been nine years since Martel's last non-documentary feature, and there's no doubting her artistic identity as that of her own devising now, even with an Oscar potentially in sight (Zama is Argentina's official entry for the Best Foreign Language Film category).

Because the Arts are fundamentally vehicles for personal and shared expression and communication, learner agency is critical if genuine artistic learning and identity support is to be achieved.

As the danger to More and his family increases, two men will vie for Meg's affections: John Clement, her former tutor and More's protégé who shares Meg's passion for medicine, but whose true identity will become unclear, and the great Holbein, who's artistic vision will forever alter her understanding of the world.

Fusco's nuanced and considered writing on the topic, as well as her continued artistic practice, will undoubtedly prove a benchmark for moving the needle on discussions of postcolonial identity politics for years to come.

Seung - taek Lee's experimental practice holds an influential place in the history of Korean art; throughout his career, he has challenged traditionally held notions of identity and history, forging a new path for artistic exploration of environment, culture, and philosophy.

Throughout his six - decade career, he has continually challenged traditional notions of identity and history, forging new paths for the artistic expression of nature, philosophy, and spatial experience.

Artist Dorit Cypis» FabLab (looking for patterns), is a living laboratory centered around Cypis» research and reflection on her past 30 year artistic practice of exploring the psycho, physical, social and political implications of identity and social relations.

On the other hand, however, the dialogue - oriented confrontation allows for the direct comparison of artistic positions and their varying artistic and biographical prerequisites, thereby clearly indicating artistic production in Germany as a stimulating cooperation and interaction of identity and «alterity».

Although Downey has become known for his multi-channel video works such as Video Trans Americas (1973 — 1976) and The Thinking Eye (1976 — 1977), which critique Eurocentric perspectives regarding Latin American identity, Juan Downey: Radiant Nature will consider his earlier artistic practice.

Tellingly, Mason is known for her color field abstractions; it would appear that in these portraits of her fellow artists, Marcus captured not only their likenesses, but also something of their artistic identities.

With a particular focus on painting, this exhibition brings together seminal works that provide an overview of the artistic, socio - economic and political concerns of artists in Germany, during a time period when these artists were reconciling with the trauma of war, finding a national identity, struggling for freedom of expression and constantly pushing the limits of modern and contemporary art.

In concersation with internationally acclaimed Ghanaian born, British architect Sir David Adjaye OBE, Professor Paul Goodwin, curato, Director of the resarch centre for Transnational Art, Identity and Nation [TrAIN], and current chair of Contemporary Art and Urbanism at the University of the Arts London, and moderated by Rachel Barrett, writer, curator and lecturer at the Jamaica based Edna Manley College of the Visual & Performing Arts, Thomas will discuss his artistic practice and the series of works in The Beautiful Game as well as the broader concerns of historical perspective and postcolonial, transnational legacies.

Gilmore's current artistic practice includes the orchestration of large - scale installations and live public performances that use the female body as a site for the articulation of identity, labor, and endurance.

Molly Soda was interviewed by Matthew James - Wilson for Forge Art Mag about her artistic practice and identity.

Renowned as an artist, writer, critic, television host, filmmaker and educator, over the past 60 years O'Doherty has invoked various identities in pursuit of his art, most notably Patrick Ireland, the artistic alias he adopted in 1972 and used for 36 years, as a patriotic protest against Bloody Sunday.

«For his hotly anticipated upcoming show at Sundaram Tagore, Barry Freedland will further his use of technology to explore the issues of artistic agency and human identity in our increasingly tech - enhanced world.»

Her surprises may turn to be a part of a longer search for an artistic identity.

The journey towards the mirror matches Pistoletto's search for artistic identity.

Even though expressionist music denies the individual identity of it's characters or performers, rather that they appear as humanist subjects, the similarities between the two women are indeed striking and has served as an inspiration for the set design and my artistic vision for this opera.

In PAFA's installation, the Morse painting is on one side of the gallery with objects that help provide a broader context for the themes of artistic practice and identity, while the other half of the gallery is hung salon - style with paintings from PAFA's collection that highlight the academic genres taught and exhibited at PAFA in the first half of the nineteenth century.

In the context of 2016, (Re) Public celebrates the self - determination and agency of the country while tackling contemporary issues in Ireland which have broader resonance globally, these include: — hidden histories of state institutional abuse (Nolan) community identity in post conflict rural border regions (North 55), issues relating to natural cycles in time, climate change and its global effects (Softday), the individual's struggle for autonomy within the field of mental health (Tighe), the importance of creative autonomy and independence for the right to self - expression in movement and dance (Donnellan) and strategies of resistance that include artistic intervention, self - organization, and collectivism (Morley).

Based in Paris, Esther Shalev - Gerz is internationally recognised for her artistic practice that investigates the construction of knowledge, histories, and cultural identities through the potentialities of unexpurgated expression.

For Broodthaers, artistic identity is less a product of individual agency than that of power negotiations between artists and various institutions.

Platform exhibition runs from 9 October - 10 November SELECTED FOR NEXT STAGE: Hannah Allison - Finucane: Canterbury Christ Church University Hannah Allison - Finucane's artistic practice, emphasises the individual identity of prints.

The cultural identity established by earlier generations of LGBT artists has opened the door for new conversations in artistic practice.

Agnes Martin's now familiar paintings of pencil grids and subtle bands of color are the culmination of a personal search for artistic identity that led her from traditional still lifes and portraits to landscape paintings of the New Mexican desert through variations on Abstract Expressionism.

The confluence of identity issues and contemporary life concerns are what have made performance as an artistic practice immensely relevant for them as they explore the binary complexity of their identity and address new agendas, completely unrestrained by tradition and convention.

Especially as the competition between national schools of abstract painting escalated, breaking out in arguments and even punches in the case of Kline and the French painter Jean Fautrier, it would follow that the internal competition within these national schools also intensified.27 This was certainly true on the French side at the Venice Biennale: in a very unusual move, two artists — Fautrier and Hans Hartung — were awarded Grand Prizes in painting, whereas normally only one was given, because the jury could not decide between the two contenders.28 Within the context of the politics internal to the movement of abstract expressionism, Meryon could thus be seen as a reassertion of Kline's original, breakthrough style as his own and thus a defence of his personal artistic identity, after Kline himself had turned to colour, around 1955, and left it up for grabs.

Born to Mexican immigrants in Walla Walla, WA, Juventino Aranda's search for self - identity informs his artistic practice as it relates to the social, political, and economic struggles of Chicanos.

[4] Reena Spaulings as an alter ego also acts as an avatar, allowing for an expulsion of singular identity within the institutionalized art world, creating an anonymous guise for artistic production.

Our turn is the notion of art as a tool to build identities, to paraphrase Michel Houellebecq, «you can work in isolation for years, and in fact this is the only way to work, but then comes the moment when you have to show your work to the world, not for getting the judgement of the public towards your work but to make sure that your artistic work really exists and indeed to make sure of your own existence as individual.

Known for his subversive sculptural works that question artistic identity and authorship, Turk brings his classic style to the pop up gallery, questioning the very nature of a skip as a place to dispose of rubbish, and our relationship to what we choose to throw away.

Weems and Holzer use text to interrogate power through self - expression, creating new narratives for cultural and political resistance, while Katchadourian voices the frustrations of everyday life while inserting her artistic identity into the male - dominated history of portraiture.

With a world - renowned reputation for showcasing the best emerging local and international artists with up to eight solo shows per year alongside a strong residency program, Red Gate continues to shape the city's artistic identity.

Being based in China for the last 6 years, he studied Sinology, and Chinese has been his primary language on a daily basis for communication, becoming thus a part of his identity, not only when it comes to artistic practice.

A reminder that Britain before the 16th century was not entirely an artistic blank slate would have been useful, but this exhibition reflects the strengths in a collection whose starting - point is 1545, and it should change for ever how people talk about the history and identity of British art.

Although she studied at the Art Students League of New York, Ms. Herrera did not discover her artistic identity until she and her husband settled in Paris for a few years after World War II.

One of the first artists to utilize video and advancing computer technology, she has consistently engaged machines and new technologies as both her artistic medium of choice and as imagery for changing human identity.

Although his quest for personal identity and testing the limits of his body remained central themes during his entire oeuvre, Ulay's main artistic concern has been to explore in many different ways the concept of «the ontology of photography», referring to Andre Bazin's definition of photography as a «preservation of life by representation of life», and as a «mould of reality».

For over four decades, Bacher's practice has subverted artistic and personal identity, playfully and often discomfortingly employing the ephemera of everyday public and personal lives.

Various & Gould is a German artistic duo best known for their mural depiction of serious themes like migration, (sexual) identity, death and financial crisis, doing it in a playful, intuitive way.

In the last five years, a major artistic preoccupation has been identity politics, using hair as a vehicle for this exploration.

Best known for her series of images appropriated from the works of the late painter Gladys M. Johnston, Arlene Stamp continues her examination of «artistic identity» with the works in Acknowledgements.

[72] British people used their art «to illustrate their knowledge and command of the natural world», whilst the permanent settlers in British North America, Australasia, and South Africa «embarked upon a search for distinctive artistic expression appropriate to their sense of national identity».

By bringing their collective work back to its geographic «source,» so to speak, the exhibition hopes to deal with themes of identity for those who have dual cultural allegiances, explore the melding and fusion of artistic influences, and foster the discussion of the work when brought into local context when comparing audiences in the East and West.