Sentences with phrase «artistic labor in»

«Even these remarks are specific to the working practice of the sculptor Rebecca Warren, they can be applied to the artistic labor in general.

The discussion will explore the status of artistic labor in relation to technological developments, and the emancipatory possibilities offered by these technologies — if effectively re-vectored toward the production of new, post-capitalist political horizons.

From 2000 - 2002 she was the Curator of Contemporary Art at The Baltimore Museum of Art, where she organized Work Ethic, which traced the problem of artistic labor in post-1960s art.

While Curator of Contemporary Art at The Baltimore Museum of Art from 2000 — 2002, she arranged Work Ethic, which traced the problem of artistic labor in post-1960s art.

Not exact matches

When we of the so - called better classes are scared as men were never scared in history at material ugliness and hardship; when we put off marriage until our house can be artistic, and quake at the thought of having a child without a bank - account and doomed to manual labor, it is time for thinking men to protest against so unmanly and irreligious a state of opinion.

Therefore, we can sum up it up this way: When eLearning practitioners use eLearning platforms to build, create, and promote artistic and creative activities in instructional practices, one of the benefit of copyright law is that it seeks to secure a fair return for an original author's creative labor and at the same time stimulate artistic creativity for the general public good.

In the 1920s, the golden age of rationalized labor and assembly lines, abstract models of all types suffused artistic and architectural culture.

In his work, Gilewicz touches upon the value of labor, both artistic and physical, fulfillment as it relates to the production and over-production of art in a global economic slowdown and the roles of critics and art institutionIn his work, Gilewicz touches upon the value of labor, both artistic and physical, fulfillment as it relates to the production and over-production of art in a global economic slowdown and the roles of critics and art institutionin a global economic slowdown and the roles of critics and art institutions.

Nearly four decades after Lonidier exhibited his 1977 installation «The Health and Safety Game» at the Whitney, the artist continues to base his artistic practice in community organizing, and to reflect on the relevance of activism and the labor movement to the creation of art.

Working in multiple media, from works on paper to performance, Stark examines what she describes as «the conditions of creative labor,» highlighting the aspects of artistic production that are less frequently acknowledged.

's repetitious technique of mark - making visualizes the labor inherent in his artistic practice.

Lynx Nguyen's repetitious technique of mark - making visualizes the labor inherent in his artistic practice.

The bringing to light of a processual artistic activity, such as Morris called for in his theoretical texts Notes on Sculpture, Part 1 - 4 (1966 - 69) and Anti-Form (1968), likewise addresses the social context of production and labor, a perspective which is also to be seen against the background of the institutional criticism of Concept Art as well as the social expectations during the 1970s with regard to art production.

She places the photographer in an active role, taking time to make these labor - intensive cyanotypes, exquisite in their technical acumen and artistic intent.

A meeting of culture agents who share critical positions regarding the status of artistic labor, the format of this encounter intersects the symposium and the crash course, as a physical symposium that re-thinks the social relations traditionally established in those socio - academic circumstances.

Her ambition is not to represent empowerment, but to actually alter how art is distributed, how we see artistic labor, and to cause a shift in attitude that can maintain itself until change takes root.

That benefit came in the form of artistic freedom: painters like Jay DeFeo, Ruth Armer, and Claire Falkenstein labored according to their own creative impulses, unhindered by the pressures of or competition for commercial success.

The eighty works in the exhibition by artists such as Paul Gauguin, Camille Pissarro, and Jean - François Millet, represent both a celebration of the pre-industrial conditions of rural life, labor and landscape, and an artistic primitivism of deliberately crude print - making techniques and styles.

In addition to her professional organizational development experience, Ms. Corrigan is a Carnegie Mellon University trained visual artist who began her artistic career as a filmmaker at the U. S. Department of Labor's Media Resource Center.

Themes that were central to Guerrero's artistic practice and life's work, including labor rights, displacement and gentrification, immigrant's rights and social equality, are expressed in the collection.

The works on view in this exhibition evidence both the artistic process and the labor of the artworks» making.

The connection between manual labor and artistic practice recovers his legacy of growing up in rural Mississippi, one of eleven children, and starting to pick cotton at the age of four.

Her thesis explores the role of relation in the emergence of particular socially - engaged artistic production that has created critical new forms of arts infrastructure in China and Vietnam - further proposing that such expanded artistic practice calls for a re-determination and re-evaluation of artistic and curatorial labor.

New York - based artist Wilson's Clocked Out When I Punched In is not fully revealed yet, but features, as Rachel Valinsky describes in the press release, «an array of works that relate to the life of the studio and the valuation of artistic labor.&raquIn is not fully revealed yet, but features, as Rachel Valinsky describes in the press release, «an array of works that relate to the life of the studio and the valuation of artistic labor.&raquin the press release, «an array of works that relate to the life of the studio and the valuation of artistic labor.»

In the titles of these and the other works on display, Binion instrumentalizes the colon symbol as a passageway that embodies a logic of correspondence, thus pointing to the paradoxical structures underlying his work: Binion's fusion of artistic gesture and iterative labor, equivalence and difference, aligns his practice with that of post-Minimal and Conceptual artists, but the intimacy of his surfaces» construction, their unfolding into multiple levels of trace and duration, gives the paintings a haunted sense of historical revisitation.

Working in multiple media, from works on paper to performance, Stark examines what she describes as «the conditions of creative labor,» highlighting the aspects of artistic production that are less...

Concerned with artistic labor, technologies of vision, and nostalgia for the avant - garde, previous iterations of the work took place in different forms at the Hammer Museum, Los Angeles and Vilma Gold, London in 2012.

Session I, 5 — 7 pm Discussant: Tom McDonough Associate Professor and Chair of Art History, Binghamton University Nicolas Linnert «All Access Politics: Reality and Spectatorship in Two Film Installations by Jean - Luc Godard & Hito Steyerl» Hammam Aldouri «Sortir du Champ: Toward the Readymade as Artistic Practice» Benedikt Reichenbach «Materialism of Form: Binary Images as Models of Representation» Session II, 7:30 — 9:30 pm Discussant: Soyoung Yoon Assistant Professor of Art History & Visual Studies, The New School Kim Bobier «Mine the Gaps: Subliminal Civil Rights Struggle in Lorraine O'Grady's Art Is...» Kaegan Sparks «Routine Performance: Self - Management and Affective Labor in Martha Wilson's Early Works» Harold Batista «Immediate Peers for the Generations: Intergenerational Cooperation and Mutual Dependence» Admission is free.

These time consuming and labor demanding installations represent artist's visual commentary of consumerist culture and mass production, and show his careful artistic observation of the sunlight in nature.

These performances show Pope.L working in a space between community organization and an artistic practice — mobilizing individuals while attempting to address societal concerns through an abstraction of imposing themes such as labor, identity politics, and basic civil and fundamental rights.

At least since Georges Braque first plied a house painter's comb to create faux bois (fake wood grain) in his Homage to J. S. Bach, 1911, artists» applications of decorative and artisanal painting techniques have introduced a level of self - reflexivity to our received notions of artistic labor and medium - specificity.