Sentences with phrase «artistic language from»

This duality also evokes Drennen's large - scale project of building an original artistic language from an... more»

The constant concern of Radamés «Juni» Figueroa's work has been to investigate the possibilities for creating an artistic language from a Caribbean tropical context.

Not exact matches

You can help them to develop a range of new skills from language expansion, artistic ability, spatial awareness and imagination with the... MORE following top picks for the best gifts for 5 - year - olds.

More restrictively, literature is writing that is considered to be an art form, or any single writing deemed to have artistic or intellectual value, often due to deploying language in ways that differ from ordinary usage.

Free arts training in all disciplines and participation in multi-media presentations that draw meaning and power from the lives and language of our people can fire their imagination, stimulate innovativeness, crystallize the will to overcome difficulties, develop their artistic skills of expression to pursue their dream for a better, healthy, just and peaceful world.

In their sixth - grade social studies and language arts class, while doing a simulation on the Maya, students take breaks for research, close reading of articles (from secondary sources to primary documents written in the 1500s), and analyzing their own artistic replicas of primary documents.

Alabama will have complied with a judicial mandate to reform its education system when its students are able to communicate in a second language, can apply algebraic concepts, are familiar with artistic styles from diverse cultures, and exhibit confidence in their ability to achieve, a state - level panel has suggested.

I have heard from his teachers and principal at Annapolis, Maryland's Wiley H. Bates Middle School about the academic benefits of arts integration, how various forms of artistic expression (PDF) are employed to learn math and science as well as language arts.

OEL manga creators take some of the artistic and storytelling conventions of Japanese comics such as the big eyes, exaggerated action or sensitive romances to create stories from a Western point of view for English - language readers.

Though she did not go as far as Tolkin in developing a «new» language, Collins chose words from real cultures, and with a splash of artistic license, created her magical and mythical world.

Fernández will engage in weekly performative lectures on the various subjects that build this archive, expanding her artistic investigations of these stories from objects to oral histories and thereby developing an emerging sphere of its expression through language and performance.

Moving on from burlap, paint and tattered fabric, in Ferro T's twisted, cut, soldered, nailed, burnt and shorn metal Burri carved out a powerful new artistic language.

Firstly, it presents the visual artist through a selection from two of his outstanding bodies of work: those from the late 1990s related to the character Mr DOB and the concept of «Superflat», which placed him within the legacy of Pop art but with an exceptionally original artistic language, and works from recent years in which Murakami has developed an intelligent personal dialogue with Japanese historical paintings.

By removing ordinary items from their familiar context, these artists often use humorous presentation and language to highlight the artistic potential that lies within the objects around us.

The exhibition's chronological installation brings to light intriguing parallels between these three time periods, revealing dynamic through - threads within the artistic depiction of identity from 1912 to the present, such as the turn to language, symbolic attributes, and the metaphorical significance of color and form.

In celebration of the exhibition, Painter of the Fields is the first major overview of Warren Rohrer's work held in Lancaster County and will examine the various stages of his career; including works from his early days of drawing to his fully realized abstract artistic language based on the fields of Lancaster County where he lived.

The exhibition's chronological installation reveals intriguing parallels between these three time periods, revealing dynamic through - threads within the artistic depiction of identity from 1912 to the present, such as the turn to language, symbolic attributes, and the metaphorical significance of color and form.

Formed in collaboration with Otto Piene, a fellow student at the Kunstakademie Düsseldorf, the ZERO movement departed from the gestural language of European abstract expressionism and sought to reclaim an artistic purity from the ravages of the Second World War.

Through a precise examination of this distinct form of artistic practice in works by artists ranging from John Cage to Sanford Biggers, this exhibition provides a unique perspective on the ways in which modern and contemporary artists have used language, objects, and images to forge social contracts with their publics.

With public commissions from New York to Seoul, London to Zurich, and an uninterrupted flow of international museum exhibitions, Opie's distinctive formal language is instantly recognisable and reflects his artistic preoccupation with the idea of representation and the means by which images are perceived and understood.

From the beginning, his concern had been to develop a visual language that was less complicated and more impartial and rational than the emotionally charged works of Abstract Expressionism, and he did so by prioritizing the artistic process, leaving the endpoint almost an afterthought.

From Brazil's rich and complex artistic landscape, we selected artists who are proposing a new artistic language in order to develop important and urgent subject matter.

Each artistic technique featured in the show takes from the common vocabulary of being, instantiating, nonetheless, a distinct language.

[10] While Lucas continues the artistic legacy of feminist artists such as Hannah Wilke, Cindy Sherman, and Rachel Whiteread, her visual language empties femininity of meaning and thus removes her from such a clear «feminist art» title.

For the first time Europe — still emerging from the shadows of the second World War — had seen a new artistic language emerge from the gestural mark - making of these American artists.

Over the course of three years, the artist and Walker Executive Director Olga Viso delved into Hodges» life, artistic practice, and influences, touching on topics prevalent in his work, from love and politics to language, spirituality, and mortality.

Drawing on multiple artistic languages and media, these works repositioned the black female presence from the margins to the centre of debates about representation and art making.

Divided in 7 sections the exhibition summarizes & documents the Chinese artistic movement from the first decade of this new century, a tradition - breaking language with continuous references to the occidental culture but always maintaining the local tradition in mind.

In order to uphold the principal and constitutional idea of «perception», the visual language used by LeWitt was reduced to a fundamental basis, creating varying sequential structures with basic geometric shapes, thus radically eliminating the uncontrolled variable, namely his personal feelings, from the artistic practice.

The exhibition unfolds chronologically, showcasing the experimentation of each artist as, departing from the work of Lucio Fontana, these new generations developed a personal language at a critical moment of their artistic practice between the 60s and 70s.

After selecting the opera that they were most drawn to from the seven operas that will be presented by the Israeli Opera this upcoming season, delving into its libretto and music, and meeting with the opera's artistic team, each artist set off to formulate and offer his or her personal interpretation to the opera, in their unique artistic practice and language.

Mounted by the New York collective DIS, the exhibition foregrounds a new artistic language taking its inspiration from Internet resources.

This is an exhibition project of authors with a cultural and artistic values built from experience, multidisciplinary research, developments in technology and the study of media and materials to culminate in the conception of a language and own aesthetic.

Their artworks reflect the covert origins of current social problems of China at the end of the 1980s and re-examine the way artistic practice from that period changed the language and development of art thereafter.

It is from these ashes of signification, of meaning making, from whence his innovative artistic language emerges.

The exhibition includes around 400 works and presents the entire range of his work, from his first photographic series in black and white taken in the «60s and «70s up to the work in color and the exploration of new artistic languages of his later years.

Despite being better known as a writer, Kilomba has been exploring experimental and multidisciplinary artistic practices, using and combining different means of expression: from performance and video installation, to stage readings and lectures, enabling an interface between text and image, artistic language and academic language.

Isaac Julien (b. 1960) is a British artist and filmmaker whose work incorporates different artistic disciplines, drawing from and commenting on film, dance, photography, music, theater, painting, and sculpture, and uniting them to create a unique poetic visual language in audio visual film installations.

During the 1960s, Jones developed a stylized visual language for painting the human figure which marked a departure from 19th century artistic precepts.

CIMA's installation focuses on the artist's rarely seen works from the 1930s — the decade when Morandi reached full artistic maturity and developed his distinctive pictorial language.

Isaac Julien is a British artist and filmmaker whose work incorporates different artistic disciplines, drawing from and commenting on film, dance, photography, music, theatre, painting and sculpture, and uniting them to create a unique poetic visual language in audio visual film installations.

Yet his cultish personality only supplemented his singular artistic language, at once unique and patched together from infinite scavenged influences.

Having seemingly recovered from the harsh critical overtones after almost being eliminated from contemporary discourse, in which a retroactive and purely commercial tone took over, the ideas and strategies of the «reductive» and «essential» have slowly found their way back into artistic language and practice.

From this country's earliest years, American artists have used still - life painting to express cultural, political and social values, elevating the subject to a significant artistic language.

Since the 1970s, language has been seen as a means of moving from form and image - based works to a more theoretical and conceptual artistic discourse.

These influences, paired with Chile's distinct history of propaganda art and muralism dating from the 40s, give rise to the myriad of strongly developed personal visual languages and artistic self - expression seen on the streets of Santiago, Valparaiso and other cities in Chile.

Museion's exhibition programme revolves around presenting artists, whose work is emblematic of the contemporary art scene, and bearing witness to the changes in artistic languages, sculpture in particular, from an international perspective.

Rauschenberg's work from the early 1950s does not present an easily quantifiable artistic position; rather, it suggests an openness to the world, to language, to raw material, and to process that remains relevant today.

Far from being guilt - inducing, his artistic language is a noble one: open - ended, capable of abstraction, slightly esoteric and deeply hopeful.

Oppermann's artistic method is seminal in the way that it fuses ideas from process art, concept art, arte povera and issues of participation and performance from the 1960s and»70s to form a distinctively unique artistic language.