Mounted by the New York collective DIS, the exhibition foregrounds a new
artistic language taking its inspiration from Internet resources.
Not exact matches
In their sixth - grade social studies and
language arts class, while doing a simulation on the Maya, students
take breaks for research, close reading of articles (from secondary sources to primary documents written in the 1500s), and analyzing their own
artistic replicas of primary documents.
OEL manga creators
take some of the
artistic and storytelling conventions of Japanese comics such as the big eyes, exaggerated action or sensitive romances to create stories from a Western point of view for English -
language readers.
Sehgal
takes language, singing, dancing, and other modes of behavior as his
artistic material, often generating immersive artworks that are felt more than they are seen.
Scheduled to
take place in the fall of 2017, we are sure that the 15th Istanbul Biennial will create a space for a universal
language and an everlasting
artistic and intellectual discussion.
The Cinema Effect: Realisms at Caixa Forum Madrid is an exhibition that reflects on the influence and impact of cinema in constructing our visual culture, highlighting how cinematographic
language has
taken on various
artistic forms including video and installation art.
Each
artistic technique featured in the show
takes from the common vocabulary of being, instantiating, nonetheless, a distinct
language.
Deaf since the age of ten, Joseph Grigely has dedicated his fifteen - year
artistic practice to researching the various translations and subsequent shifts in meaning that
take place when music,
language, and informal talk are communicated through visual form.
When the first public exhibition of modern - style woodblock prints
took place in Shanghai in June 1931, it heralded an explosive art movement that helped shape the course of modern Chinese art history in the 20th century and has remained a vital part of contemporary China» s
artistic language.
These shows, which include «Uncertain States of America», «China Power Station», «Indian Highway» and «Imagine Brazil», look at
artistic languages, but also
take into account the social and cultural context, the role of institutions, the critical discourses and the commercial art system in the countries in question.
The exhibition includes around 400 works and presents the entire range of his work, from his first photographic series in black and white
taken in the «60s and «70s up to the work in color and the exploration of new
artistic languages of his later years.
Having seemingly recovered from the harsh critical overtones after almost being eliminated from contemporary discourse, in which a retroactive and purely commercial tone
took over, the ideas and strategies of the «reductive» and «essential» have slowly found their way back into
artistic language and practice.