Sentences with phrase «artistic language through»

Not exact matches

The program provides a healthy environment that nourishes the senses through imaginative play, artistic activity, simple crafts, language, verse, song, puppetry, and storytelling.

Generally, through grade 5, the transition goes smoothly with slight adjustments to a new learning environment, artistic activities, and foreign languages.

He explains the artistic stylings behind making Pluto communicate through face and body language.

INFINITI's latest concept confidently articulates the artistic influence of the designer through the brand's «Powerful Elegance» design language.

Fernández will engage in weekly performative lectures on the various subjects that build this archive, expanding her artistic investigations of these stories from objects to oral histories and thereby developing an emerging sphere of its expression through language and performance.

An alum of Duke Ellington, New York - based Thomas has a robust artistic practice that explores language and images, through the lens of race, history, and identity.

Firstly, it presents the visual artist through a selection from two of his outstanding bodies of work: those from the late 1990s related to the character Mr DOB and the concept of «Superflat», which placed him within the legacy of Pop art but with an exceptionally original artistic language, and works from recent years in which Murakami has developed an intelligent personal dialogue with Japanese historical paintings.

Through varied subject matter, the grouped works show the culmination of a long and articulated artistic practice, utilizing an established visual language and unifying approach.

Each artist defines an artistic language and vocabulary that also recalls the role of Madam DeFarge in Dickens» Tale of Two Cities as her encoded knitted subversive stitchery defined a tumultuous period of history through the use of a fiber medium.

He transforms conventional materials and forms through a process of working that mobilizes the languages, logics, and economies of other creative disciplines as raw elements in artistic production.

The exhibition's chronological installation brings to light intriguing parallels between these three time periods, revealing dynamic through - threads within the artistic depiction of identity from 1912 to the present, such as the turn to language, symbolic attributes, and the metaphorical significance of color and form.

The exhibition's chronological installation reveals intriguing parallels between these three time periods, revealing dynamic through - threads within the artistic depiction of identity from 1912 to the present, such as the turn to language, symbolic attributes, and the metaphorical significance of color and form.

Although TPG members were committed to a shared set of philosophical concepts and ideals, each artist developed his or her own artistic language and sought a unique path «to carry painting beyond the appearance of the physical world, through new concepts of space, color, light, and design.»

Through a precise examination of this distinct form of artistic practice in works by artists ranging from John Cage to Sanford Biggers, this exhibition provides a unique perspective on the ways in which modern and contemporary artists have used language, objects, and images to forge social contracts with their publics.

Although TPG members were committed to philosophical concepts and ideals, each artist developed his or her own artistic language and sought «to carry painting beyond the appearance of the physical world, through new concepts of space, color, light and design.»

In the years before the mid-1980s art market boom, Schnabel forged a pictorial language that embraced unconventional methods and materials with a visceral effect; he introduced to the American contemporary art scene a particularly European post-war sensibility through his admiration for Francis Picabia and his personal artistic dialogue with Sigmar Polke and Blinky Palermo; and he broke with the prevailing conceptualism through figuration, personal narratives and references to history and mythology.

Deaf since the age of ten, Joseph Grigely has dedicated his fifteen - year artistic practice to researching the various translations and subsequent shifts in meaning that take place when music, language, and informal talk are communicated through visual form.

As children, the brothers developed a distinct way of playing and communicating through artistic language, but it was with the invasion of hip - hop, and the explosion of Brazilian culture during the 1980s that OSGEMEOS began to use art as a way of sharing their dynamic and magical universe with the public.

Her artistic language has matured through «The Virgin series», «The Body series», and «Naked Beyond Skin series», as manifested in some of her most important works such as Your Body (2005), The Open (2006), and Are a Hundred Playing You?

Following the program of 2017, which investigated language materialized in objects and images, KW Institute for Contemporary Art turns its attention towards the body and its relationships to politics, technology, and architecture, while continuing to think through artistic practices.

He self - consciously immerses us in these visual languages through his artwork»» paying homage to and simultaneously subverting a wide variety of artistic genres.

Vivid free interpretation of situations, objects, figures and a complex sign language in pop culture and extended cultural exchanges as they move through historical motifs and compositions, posing notions of an expressive self, this is the general starting point for the artistic work of Korean artist Sinae Yoo (* 1985).

It is a critical and artistic milestone that has accumulated over the past four years through a search for a personal visual language borne out of lived experiences.

Through their numerous collaborations, and in their life together, these artistic leaders explored the intersections of dance and music; poetry, language, and visual art; and art and life.

Breuning's artworks, in whichever of the plethora of media it emerges in, deals with the «big questions in life» through a language that merges mass - culture and art manifesting a body of ephemeral works made permanent via artistic documentation constituting of humorous art without ridiculing art.

Through these varied artistic languages, varied strategies for communication emerge.

Connected to one another through their contemporary re-examination of traditional artistic languages, the artwork uniquely reveals captivating spins on the context of tradition.

Transiting through multiple languages, such as painting, photography, performative action and video, Desali's work is marked by the subversion of hierarchies, both artistic and social.

As an adolescent and a young adult, Marshall wandered the halls of Los Angeles museums and devoured books in his neighborhood library; through this education, he became acutely aware of the artistic language of the Dutch masters, the French Impressionists and the American Abstract Expressionists, but also the absolute absence of people of African descent in any of these works.

By presenting a psychotherapy salon with African associations, he has tested the idea that this type of therapy is viewed as a purely Western practice, and in doing so he has amalgamated sources and cultural experiences through his own artistic language.

Through numerous exhibitions and public commissions from Seoul to New York, Luxembourg to Zurich, Opie's distinctive formal language is instantly recognisable and reflects his artistic preoccupation with the idea of representation, and the means by which images are perceived and understood.

My artistic practice has been motivated by an urge to account for unreliable visual experiences — measured through photography, interpreted through the language of painting, and formed in mixed media.

Through the use of materials such as water, glass, mirrors, reflections, or books, Jordi Alcaraz explores an artistic language of visual transgression.

From the Automatistes in Montreal to the conceptual art movement in Halifax, to the influence of Clement Greenberg through the Emma Lake workshops on the Prairies in the 1940s, the visual language of shape, form, colour and line that exists for its own sake without reference to external reality, changed the artistic landscape in this country.