Sentences with phrase «artistic languages which»

Besides an aesthetic artistic language which has its roots in certain reductive styles developed over last century, his work offers a far - reaching construct of possibilities to participate in the process of perception.

Not exact matches

I would love to hear your thoughts on any other ways in which these artistic programs can be incorporated into more modern, standardized curriculums for language arts and math.

Opie's distinctive formal language is instantly recognisable and reflects his artistic preoccupation with the idea of representation, and the means by which images are perceived and understood.

Firstly, it presents the visual artist through a selection from two of his outstanding bodies of work: those from the late 1990s related to the character Mr DOB and the concept of «Superflat», which placed him within the legacy of Pop art but with an exceptionally original artistic language, and works from recent years in which Murakami has developed an intelligent personal dialogue with Japanese historical paintings.

Yet one can also find a wide specter of themes and artistic «languages» in the exhibition, which, in addition to extensive multi-media installations, includes a video - and sculpture exhibition, together with a program of performances, a lecture series and an extensive catalogue.

The exhibition intends to feature both artists who clearly use traditional drawing methods to forge their artistic language, and artists — who although not traditional draughtsmen, have produced works which can be closely related to a vision of what does, in fact, constitute a drawing.

Ilaria Marotta's lecture titled «The Italian Identity» aims to focus on a new generation of Italian artists who create works which, even in the variety of their artistic languages and expressions, have focused on some of the key aspects of the Italian history and identity.

Through a precise examination of this distinct form of artistic practice in works by artists ranging from John Cage to Sanford Biggers, this exhibition provides a unique perspective on the ways in which modern and contemporary artists have used language, objects, and images to forge social contracts with their publics.

Celebrated for his performance - based works that circle around language and the human body, this exhibition of some 30 prints spanning the years 1970 — 2006 reveals the extent to which printmaking links to Nauman's wider artistic practice.

With public commissions from New York to Seoul, London to Zurich, and an uninterrupted flow of international museum exhibitions, Opie's distinctive formal language is instantly recognisable and reflects his artistic preoccupation with the idea of representation and the means by which images are perceived and understood.

His work — which uses studies of architecture, city planning, the writing of history, and the tradition of aesthetic forms as a language — articulates a cultural criticism that debates the function of the artistic act and of intellectuals and artists as social agents in the public sphere.

Unveiling opens with an arrangement of texts published online on June 16, followed by a weekend of sporadic interventions and intermittent «events», which will unfold as «points of concentration» exploring how artistic space becomes visible or withdrawn within the space of language.

Following the program of 2017, which investigated language materialized in objects and images, KW Institute for Contemporary Art turns its attention towards the body and its relationships to politics, technology, and architecture, while continuing to think through artistic practices.

These shows, which include «Uncertain States of America», «China Power Station», «Indian Highway» and «Imagine Brazil», look at artistic languages, but also take into account the social and cultural context, the role of institutions, the critical discourses and the commercial art system in the countries in question.

Lydia Gifford's artistic research is an enquiry of the language and possibilities of painting, of painterly thought, which are subsequently allocated and transposed by means of subtle actions, gestures, ideas and processes into a physical space.

I have looked for individual artistic language, and masterful technique which in the service of this clear, specific vision.

Bil's has begun to use a series of Kayan's videos and photographs which feature her signature artistic language that intertwines image and performance, in its shops and promotional material.

This has to do with a common aesthetic and artistic language, which tends to be highly narrative, and the postmodern use of the readymade and strategies of appropriation.

Building an artistic language, which includes altered forms of familiar animated characters, such as Mickey Mouse, the Michelin Man, and SpongeBob SquarePants, his cartoonlike hybrids are often depicted in various states of the human condition.

Stieglitz's initial support of the young artist Georgia O'Keeffe resulted in their marriage and then eventual separation as O'Keeffe found a new passion in her life, which dominated her time and influenced her artistic language for decades: the light and landscape of the American Southwest.

Snap Judgments explores African photography in terms of content and style, organized into four main thematic groups that reflect the issues addressed by African artists today — landscape; urban formations; the body and identity; and history and representation — around which Africa's experimental artists have articulated individual artistic styles and languages.

The exhibition series The Neighbors investigates artistic concerns and visual languages dealing with identity, an issue tackled less as a personal exploration of ethnicity alone than as an examination of the ways in which social classes are constructed and their divisions purportedly manifested.

John Clement's artistic language, which entails a spirited geometry of curving forms and gaping voids, embodies an evolving interest in capturing and interacting with both viewers and the environment which has been a cornerstone of the artist's work since the 1990s.

He studied landscape painting in Germany at the Dusseldorf Academy and then travelled widely around the world, which shaped his specific artistic language.

Her artistic practice focuses on text and language, which she explores by aesthetic means in installations and publications.

Mining a visual aesthetic reminiscent of German Expressionist film, with Three Sisters Bock develops his own language and artistic vocabulary to create an emotional and highly idiosyncratic world in which connections are made between language, the built environment, and the individuals who inhabit it.

During the 1960s, Jones developed a stylized visual language for painting the human figure which marked a departure from 19th century artistic precepts.

The examination of time, language, and history is central to the artistic work of the Raqs Media Collective, which was established in New Delhi in 1992.

Having seemingly recovered from the harsh critical overtones after almost being eliminated from contemporary discourse, in which a retroactive and purely commercial tone took over, the ideas and strategies of the «reductive» and «essential» have slowly found their way back into artistic language and practice.

For the installation work, he also arranges ceramic pieces on the surface, which reveals Takekawa's playful artistic language.

Some of them, such as the handling of paint - brusque, clotted, ejaculatory - come straight out of the language of abstract expressionism, and in particular of Willem de Kooning's pictorial lingo, which was the nursery talk of Rauschenberg's artistic childhood - the parental language he both loved and rebelled against.

Karla Black's artistic practice is primarily driven by an exploration into the abstract qualities of materials and form, which she prioritises over language as a way of understanding our place in the world.

Through numerous exhibitions and public commissions from Seoul to New York, Luxembourg to Zurich, Opie's distinctive formal language is instantly recognisable and reflects his artistic preoccupation with the idea of representation, and the means by which images are perceived and understood.

This follows her participation in the gallery's fifth themed group exhibition «Around Drawing», which gathered artists who clearly use traditional drawing methods to forge their artistic language, and artists — who although not traditional draughtsmen, have produced works which can be closely related to a vision of what does, in fact, constitute a drawing.

«Pathways and Parallels» presents the Abstract Expressionist ethos by turning to its origins and sources to reveal the variety of ways in which artists adopted an abstract language to express their relationship to the outside world, to the artistic past, and often to their own inner psyches.

Central to The Neighbors is an investigation of the artistic concerns and visual languages dealing with identity, an issue tackled less as a personal exploration of ethnicity alone than as an examination of the ways in which social classes are constructed and their divisions purportedly manifested.

Integrated in the artistic language of the non-objective and embedded in its discourse this «offering» could give us the opportunity to initiate a dialogue beyond the intrinsically concrete, extending out the tight margin of reading an artwork to a more personalized universe of thought with all its edges, detours, obstacles, traces and marks, to perception and reflection, and to the creation of associations which go beyond the concreteness of things per se and the formal language of non-objective, reductive or concrete art.