Not exact matches
I hoped to combine the two
languages and literatures
within the then - new Master of Arts in Teaching (M.A.T.) Program, designed to bring scholarly and
artistic pursuits into public schools and academies.
Sugimoto's
artistic practice and visual
language also deals with the intrinsic violence
within the natural world.
Firstly, it presents the visual artist through a selection from two of his outstanding bodies of work: those from the late 1990s related to the character Mr DOB and the concept of «Superflat», which placed him
within the legacy of Pop art but with an exceptionally original
artistic language, and works from recent years in which Murakami has developed an intelligent personal dialogue with Japanese historical paintings.
By removing ordinary items from their familiar context, these artists often use humorous presentation and
language to highlight the
artistic potential that lies
within the objects around us.
The exhibition's chronological installation brings to light intriguing parallels between these three time periods, revealing dynamic through - threads
within the
artistic depiction of identity from 1912 to the present, such as the turn to
language, symbolic attributes, and the metaphorical significance of color and form.
The exhibition's chronological installation reveals intriguing parallels between these three time periods, revealing dynamic through - threads
within the
artistic depiction of identity from 1912 to the present, such as the turn to
language, symbolic attributes, and the metaphorical significance of color and form.
Unveiling opens with an arrangement of texts published online on June 16, followed by a weekend of sporadic interventions and intermittent «events», which will unfold as «points of concentration» exploring how
artistic space becomes visible or withdrawn
within the space of
language.
A pioneer of Mail art in Brazil in the 60s, associated with Fluxus in the 70s, and influenced by the work of pioneers of the avant - garde such as Marcel Duchamp and John Cage; Bruscky's practice resists straightforward classifications, boldly combining visual and literary
language to voice his
artistic identity and position
within society.
Menezes writes that «it is rare to find an emerging artist who uses woodcut as his main
artistic language, or attempts to explore new possibilities of
artistic expression
within woodcarving.
With this prologue as a point of departure, The MoUS exhibits a diverse collection of
artistic practice concerning the
language of an exhibition
within an institutional context.
Athr Gallery's «Pen to Paper» group exhibition displayed the artworks of 17 Middle Eastern artists, exploring the value of knowledge and the art of using words and text
within the
artistic language.
Considering that our perception of the world is determined by digital media as a
language that modifies the appearance of forms, she places her
artistic practice
within this conception, penetrating into the digital field, venturing deeply between its pixels and luminous vibrations.