Sentences with phrase «artistic leadership of»

Not exact matches

The term «Gifted» is defined by the Elementary and Secondary Education Act as Students, children, or youth who give evidence of high achievement capability in areas such as intellectual, creative, artistic, or leadership capacity, or in specific academic fields, and who need services and activities not ordinarily provided by the school in order to fully develop those capabilities.
Recently the W.T.C. Performing Arts Center took an important step forward by announcing their artistic leadership and releasing a preliminary sketch of the building.
The combination of double - Oscar winner Kevin Spacey and top producer David Liddiment at this 200 - year - old Waterloo theatre continues to be a commercial success — though Spacey's controversial artistic leadership has frequently come under critical fire.
The U.S. Department of Education (1995) defines giftedness as «children or youth who give evidence of high performance capability in areas such as intellectual, creative, artistic, or leadership capacity, or in specific academic fields, and who require services or activities not ordinarily provided by the school in order to fully develop such capabilities.»
The term «gifted and talented», when used with respect to students, children, or youth, means students, children, or youth who give evidence of high achievement capability in areas such as intellectual, creative, artistic, or leadership capacity, or in specific academic fields, and who need services or activities not ordinarily provided by the school in order to fully develop those capabilities.
The Wisconsin proposal, however, is limited to children who are scoring in the top 5 percent of standardized tests or have been identified «by an education official» as being gifted and talented «if a student demonstrates evidence of high - performance capability in intellectual, creative, artistic, leadership or specific academic areas and needs services or activities not ordinarily provided in a regular school program.»
The US government defines «Gifted & Talented» students as those... «who give evidence of high achievement capability in areas such as intellectual, creative, artistic, or leadership capacity, or in specific academic fields, and who need services or activities not ordinarily provided by the school in order to fully develop those capabilities.»
The Javits Act uses the federal definition of «gifted and talented students,» which is located in the definitions section of the Elementary and Secondary Education Act: Students, children, or youth who give evidence of high achievement capability in areas such as intellectual, creative, artistic, or leadership capacity, or in specific academic fields, and who need services and activities not ordinarily provided by the school in order to fully develop those capabilities.
The Board of Trustees, together with Salpeter, simultaneously announced it has put in place a new structure for the museum's senior leadership that expands the roles and responsibilities of its founding management team: Deputy Director and Chief Curator Alex Gartenfeld is being named Artistic Director, leading institutional vision, strategy, and programming as the museum's chief executive officer; and Associate Director Tommy Ralph Pace is being promoted to Deputy Director, overseeing operations, institutional advancement, and external affairs.
Triennial CEO Fred Bidwell's account of the departure seemed to differ — «We've made a change in the artistic leadership», he told Cleveland newspaper The Plain Dealer.
Smith's interests include arts and the economy, arts leadership, audience development, cosmopolitanism, the evolving role of the curator, material culture, public art, visual culture, and African Diasporic continuity in artistic and cultural practices.
The strategic plan, launched in October 2007, and the subsequent Action Plan released in 2008, outlined five overall directions for the Council over the next three to five years: reinforcing the Council's commitment to individual artists, working alone or collaboratively, as the core of artistic practice in Canada; broadening the Council's commitment to arts organizations to strengthen their capacity to underpin artistic practices in all parts of the country; enhancing the Council's leadership role in promoting equity in fulfilling Canada's artistic aspirations; making partnerships with other organizations, including other funders, a key element in the Council's approach to advancing its mandate; and enhancing the Council's capacity to support the arts and implement change by strengthening its structure, staffing and services.
Under the leadership of Mary Ellen Goeke, Executive Director of FotoFocus; Raphaela Platow, Director of Contemporary Arts Center; and curated by Kevin Moore, Artistic Director of FotoFocus, the program will include an international roster of curators, critics, artists, and art world professionals who will meet for a two - day event on October 23 and 24, 2015, at the CAC, to discuss the significance and implications of the exhibition and Mapplethorpe's career and legacy as these have evolved over the past 25 years.
I'm passionately interested in the lives of those who toil in the trenches and the specific nature of arts leadership, so enjoy our Cultural Warrior series, highlighting artistic and executive directors working to put art in our lives.
Under the leadership of Mary Ellen Goeke, Executive Director of FotoFocus, and curated by Kevin Moore, Artistic Director and Curator of FotoFocus, the program will convene leading curators and a legal expert to discuss the significance and implications of this presentation over the past twenty - five years and the various curatorial approaches to engaging with Mapplethorpe's work and legacy.
«Thanks to some of the shortcomings imposed by the political and socioeconomic context here, the art scene has developed its own specific type of artistic production and a wide range of self - managed independent projects,» Converti tells me, before rattling off some of the new leadership moving art forwards at cultural and contemporary arts institutions.
We are enthusiastically looking forward to her leadership of the Foundation as we advance Robert Rauschenberg's artistic legacy together with his deeply democratic values and vision.»
Prior to joining Art Agency, Partners, for more than 12 years, Melissa worked at Lower Manhattan Cultural Council (LMCC), where she played a leadership role in the development, administration, and artistic direction of major initiatives such as LMCC's Arts Center at Governors Island, the River To River Festival, and the organization's Artist Residency programs.
Emphasizing direct engagement with contemporary visual art, VIA Art Fund supports projects that exemplify our core values of artistic production, thought leadership, and public engagement, VIA — by way of — Art.
A Year of Yes: Reimagining Feminism at the Brooklyn Museum presents the history of feminism and feminist art while showcasing contemporary artistic practices and new thought leadership.
When former director Ira Goldberg recently resigned his position to move to Spain and paint full - time, Tim was asked to take over leadership of the institution whose alumni and faculty include artistic giants like Jackson Pollock, Norman Rockwell, Georgia O'Keeffe, Edward Hopper, Will Barnet, James Rosenquist, and Ai Weiwei.
In doing so, he has sought to abandon the rational principle as much as possible and to relinquish leadership to the subconscious in the process of artistic creation.
Munro joins BALTIC with 20 years experience of cultural leadership following a distinguished career in Glasgow as both Artistic Director -LSB-...]
They can include software skills, communication skills, foreign language skills, negotiation and public speaking skills, organization and leadership skills, and even artistic or athletic skills that might give your employer a sense of your determination and well - rounded approach to life.
Extremely High experience level, needs no supervision, canset priority levels, sense of humor, leadership qualities, Team PlayerCreative, Artistic, Dependable, repairs better than original, and best of all no messes left clean ready to go
Professional Duties & Responsibilities Assisted in sales and marketing efforts for a number of companies across varied industries and cultures Marketed company and partner products through print and telephone mediums Successfully planned and executed diverse special events including plays, receptions, and fundraisers Utilized extensive literary background to edit newspaper copy, advertising materials, and related writings Served as the literary assistant and assistant editor to a prominent Israeli author Experienced in artistic and cinematographic material design, creation, and display Developed English and French fluencies and an appreciation for varied cultures Oversaw and maintained client information database ensuring accurate recordkeeping Served as company receptionist performing all duties in a positive and respectful manner Provided exceptional customer service resulting in client satisfaction and repeat business Consistently recognized for excellence in sales, marketing, and team leadership
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