Sentences with phrase «artistic nature of the practice»

Not exact matches

His rich artistic practice, encompassing painting, sculpture, drawing, machines and systems, all share a fascination with infinity, the nature of being, and the origins of life.

Navigating through the polarizing dichotomies of presence and absence, visibility and invisibility, and man and nature, Tavares Strachan has engineered a multidisciplinary artistic practice that mobilizes our visual, intellectual, and emotional faculties.

This is the work of Michele Oka Doner (b1945, Miami Beach), who, now in her fifth decade of artistic practice, has a longstanding interest in nature, the elements, ritual and wanting to make people slow down, stop and take a closer look at the world around them.

Highlighting Mariko Mori's artistic and intellectual practice combining science, technology, and nature, this new work features a luminous ring suspended at the peak of a 58 - meter - high cascading waterfall.

Based on the practice of articulation and reinterpretation that has characterised his artistic activity, Add Fuel presents in «Something old, something new, something borrowed» a staging of an intimist nature arranged in a type of idealised and stylised domestic setting — part genuinely cosy, part openly satirical — , that suggests a narrative of decorative contours that aggregates a multiplicity of references, iconographies, and signs which, in one way or another, have contributed towards shaping his personal and artistic identity.

However, for Chimes this flight from reality was achieved, not through abuse of drink or drugs, but through a prolonged engagement with literary and artistic subcultures, whose radical nature deeply enriched his artistic practice.»

Together the selected artworks elicit an exploration of and reconsideration of the varied possibilities that nature and landscape provide in contemporary artistic practice.

The symbolism of water is a leitmotif in his artistic practice as well, both as a purifying and a destructive force of nature.

Her artistic practice surrounds ideas of nature vs. nurture, usually one taking precedent on a 2 - dimensional surfaces overall.

A significant and exemplary contribution to the field of Artist's Books that investigates the nature of documentation, production, aesthetics, disclosure, narrative, education and artistic practice in an authentic exoskeletal publishing project.

This idea of intentionality has a slight link to Existentialist Aesthetics, where it is believed, by some, that the artistic practice reveals the nature of consciousness.

His more recent works, which include print making, painting and installations, still draw on this theme of everyday objects and their changing nature in society and artistic practice, using their pre-defined contextual symbolism as a way to make an audience re-think what we see, and what we know.

In 1974 he founded, together with a group of artists, writers, film - makers, performance artists and musicians, the Laboratoire Agit» Art, whose aim was to transform the nature of artistic practice from a formalist, object - bound sensibility to practices based on experimentation and agitation, process rather than product, ephemerality rather than permanence.

Although most of Tuttle's prolific artistic output since the beginning of his career in the 1960s has taken the form of three - dimensional objects, he commonly refers to his work as drawing rather than sculpture, emphasizing the diminutive scale and idea - based nature of his practice.

In her artistic practice, Parker sets up a scenario but then relinquishes control of the project and lets nature take over.

As a research artist and digital media Ph.D student, I am constantly challenged to reflect critically upon the nature of the various forms which are emerging in contemporary artistic practices.

The Norton Simon Museum presents Taking Shape: Degas as Sculptor, an illuminating exhibition that explores the compulsive nature of Edgar Degas's artistic practice.

This exhibition explores the improvisational nature of Degas's artistic practice through the Norton Simon's collection of modèles, the first and only set of bronzes cast from the original wax and plaster statuettes.

In the recent paintings and photographs that are displayed alongside her sculpture, certain natural motifs recur in different forms, and the interdisciplinary nature of Mary's artistic practice can be seen in the shared monumentality of this broad, yet unified, exhibition.

Analyzing the changing nature of female identity and artistic practice as mediated by digital technology, Meier asks tough questions about the future of the art world and whether or not art will be successful if it does not receive a lot of attention on social media.

Pasadena, CA — The Norton Simon Museum presents Taking Shape: Degas as Sculptor, an illuminating exhibition that explores the improvisational nature of Edgar Degas's artistic practice and considers the affinities between sculpting, painting and drawing in his oeuvre.

Challenging aesthetic norms of what sculpture or painting or installation or plain photographic documentation is, Smit's artistic practice presents a series of new works that are the result of the serendipitous nature of life interpreted as an errare.

The free event and three - day programme, founded and run by artists, features exhibitions, performances, publications, screenings, workshops and seminars — as well as one - day symposium — responds to the increasingly nomadic nature of artists and artistic practice, questioning «how we live together in a global community».

Known for bridging the Neoclassic tradition of allegory set in nature with Realism and plein air practice, Jean - Baptiste - Camille Corot embarked on his artistic career by studying landscape painting.

One of Britain's most original and inventive sculptors, Penelope Curtis, former director of Tate Britain, has described Flanagan as «a maverick figure but a maverick who was absolutely central to the artistic conversation of the 1960s and 70s».2 One of the influential generation of artists studying at St Martin's School of Art in the early to mid-1960s, Flanagan reacted against the formal rigidity of sculpture at that time, challenging the nature of the medium and contributing to a new understanding of the practice.

The dual nature of this approach provides the museum with a diverse range of holdings and opportunities to display histories of recent artistic practice that are disparate, divergent, and reflective of the broader range of identities, disciplines, and forms that give shape to an idea of contemporary life.

When his name came in line for featuring at the 2006 Biennial, the Whitney Museum described Urs Fischer's artistic practices with the following statement: Founded on a consideration of the nature of substances, the act of making and the unpredictable processes that can result from combining the two.

Raimo Saarinen is a Helsinki based sculptor whose artistic practice focuses on the various ideas of nature and people's relationship with plants and ecosystems in the western post-industrial cultures.

Part of Sol LeWitt's «Sentences on Conceptual Art,» this single line encapsulates not only a large portion of contemporary artistic practice, but the inherently contradictory nature of human creativity itself.

The exhibition retraces the collaborative encounter of the two artists and explores the nature of artistic practice, its preservation, and its interpretation, as well as the representation of space, time, and movement.

The exhibition illustrates how the collaborative nature of printmaking may be a catalyst for creativity, and presents a variety of artistic approaches from traditional printmaking techniques to more experimental practices.

This exhibition displays images from Facial Hair Transplant and Facial Cosmetic Variations - both from 1972 - which clearly demonstrate the seminal nature of her artistic practice.

But, even so, despite the limited nature of many of the paintings in the show, there is an ongoing, very high level of artistic practice.

Connolly's artistic practice plays with the visual expectations of geometric forms found within science and nature.

Norton's artistic practice, informed by her 1970's upbringing as a child of New Age homesteaders in West Virginia, reveals her deep connection to the land, plant life and nature.

Developing and refining motifs drawn from nature into the stylized, kaleidoscopic forms that populate her canvases, Coates balances the immediacy of observation with the depth of a sophisticated artistic practice.

The show explores the intersection of nature and machine in artistic practices, including works by artists like Gregor Hildebrandt, Wim Delvoye, Nassos Daphnis, Mark Hagen, Théo Mercier, Mario Merz, and Tom Sachs.

This is something I say to my high school students periodically, as a way of framing the self - driven nature of a thriving contemporary artistic practice.

The path forward in art - historical terms was split between those artistic movements more aligned with deeper investigations into the increasingly essential properties of a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arOf these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof light and sound as well as the interactive qualities of kinetic arof kinetic art.

Is tripping or doing drugs in nature part of your research or artistic practice?

As for the previous editions, also for Conversation Piece Part 3 artists have been asked to reflect on a specific suggestion, linked to the nature of objects and their specific use in the artistic practice.

Cruz - Diez underlines the processual and on - going nature of an artistic practice in this interview: «It requires a great effort of reading, experiments, failures... And accepting those failures.»

This exhibition will explore the nature and implications of definitions as they relate to the artists» practice: do terms such as «painting» or «craft» play a necessary role in artistic production?

For Alma Allen, who works in the desert of California, nature is the core of his artistic practice.

Von Lenkiewicz's deft handling of these seemingly disparate aesthetics form an arresting series of paintings that, in dialogue with the works of Picasso, demonstrate the reconcilable nature of Eastern and Western artistic practices.

The resulting network of textures depicts nature and rethinks several traditional Chinese artistic practices in order to give them a new life and meaning while taking the viewers to a Land of Serenity.

Taking this title as their starting point, the curators will approach the ever - changing nature of an ecosystem and how this is reflected in artistic and institutional practice.

By usage of found photographs, which he has collected over years and that forms part of his artistic practice, Barrios incorporates fragments of human development from the primitive to today's high - tech society, thus reflecting the contrast between nature and human activity.

Her artistic practice features compelling references to what the artist calls «the feral nature of domestic life.»

Foundation for Contemporary Arts (NY), National Call for Applicants: Emergency Grants Deadline: Ongoing In keeping with Foundation for Contemporary Arts (FCA) mission to encourage, sponsor, and promote work of a contemporary, experimental nature, applicants must demonstrate that their artistic practice... Continue reading →