Sentences with phrase «artistic positions by»

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Article by Alison Hugill, Photos by Ériver Hijano in Berlin / / Nov. 24, 2015 Susanna Hertrich's artistic practice occupies a privileged position as both interpreter and active participant in the otherwise largely... [read on]

1982 seeks instead to temporarily disrupt such hierarchies by privileging the coexistence of distinct and idiosyncratic artistic positions, through a group of artworks that have little in common apart from the fact that they were produced in close — chronological — proximity to one another.

The various currents and artistic positions of American realism play a part in the development of American art, which is only partly appreciated by the art world.

Childress lived near Neel, on East 118th Street, and archival materials assembled by Mr. Als position both women's artistic practices in a larger uptown ecosystem — in which Neel, who was white, figures as a full participant.

As a curator, one of my main goals is to encourage a dialogue between different artistic positions from varied backgrounds and younger emerging names and bring them into a dialogue with art works by established artists.

A pioneer of Mail art in Brazil in the 60s, associated with Fluxus in the 70s, and influenced by the work of pioneers of the avant - garde such as Marcel Duchamp and John Cage; Bruscky's practice resists straightforward classifications, boldly combining visual and literary language to voice his artistic identity and position within society.

The catalog contains a foreword by Dean Anthony Vidler that places Slutzky's paintings in dialogue with his seminal essay, Transparency: Literal and Phenonmenal, (written with Colin Rowe in 1955); an interview with Slutzky by Emmanuel J. Petit that discusses the painter's critical strategies of artistic production; an essay by Robert C. Morgan that examines Slutzky's conceptual position in the art historical tradition of Leon Battista Alberti and Josef Albers; and an essay by Robert Slutzky with Joan Ockman on metaphor in his work.

Curated by Matthew Hills, the exhibition seeks to position contemporary urban Indigenous artistic production within the context of the Northwest Coast and Vancouver's contemporary art discourse.

Halter's artistic practice is informed by his position as a white Zimbabwean living in South Africa.

VOLTA NY was conceived in 2008 by Artistic Director Amanda Coulson as a tightly - focused, boutique event that is a place for discovery, a showcase for relevant art contemporary positions regardless of the artist's or gallery's age.

By referring to the most diverse of artists from widely varying eras and styles of the 20th century, he brings out individual positions that were arguably of unparalleled relevance to artistic practice in subsequent decades, while at the same time he links periods and ideologies that were often mutually contradictory.»

Selected objects and documents from the Academy archives of, among others, Walter Benjamin, Valeska Gert, Heinrich Mann and Kurt Tucholsky, find their equivalent in the current experiences of crisis and flight reflected in 35 contemporary artistic positions, including works by Francis Alÿs, Ayşe Erkmen, Mona Hatoum, Isaac Julien and Arkadi Zaides.

The exhibition ARTandPRESS shows over 50 artistic positions on the issue, by Andy Warhol, Robert Rauschenberg and Joseph Beuys, Sigmar Polke, Gerhard Richter and Anselm Kiefer to Ai Weiwei, Julian Schnabel, William Kentridge, Richard Prince, Annette Messager and Rirkrit Tiravanija.

As an artwork, Eichhorn's gesture built upon the traditions of artistic withdrawal of labour established by the Art Workers» Coalition and Art Strikes in New York in the 1970s, which enabled artists to understand and articulate their positions as cultural workers.

British architect David Chipperfield has stepped down from his position as artistic director at Italian furniture brand Driade, and has been replaced by a «creative committee».

It confronts the perceptual discrimination that female artists are often unrepresented by arts institutions, as an optimistic proposition of how such female artists need more visibility, for their artistic endeavours and position under patriarchy.

The Politics of Redistribution (curated by Sabine Winkler) at Magazin4 Bregenzer Kunstverein is an exhibition that shows artistic positions dealing with today's economic situation.

The SCHIRN KUNSTHALLE FRANKFURT has presented major surveys dedicated to radical turn - of - the - century Austrian art, to pioneering artistic positions ranging from Expressionism and Dadaism to the Surrealist object art by Dalí and Man Ray, as well as dealt for the first time with female artists of the Impressionist movement.

Five essays by prominent scholars of American art offer new insights into Chase's multi-faceted artistic practice and his position in the international cultural climate at the turn of the 20th century.

Quarter Note = 160 Rosie Gallagher, Flute Bixby Kennedy, Clarinet Brandon Ilaw, Percussion Han Chen, Piano Rebecca Anderson, Violin Madeline Fayette, Cello Abstract expressionism was the first specifically American artistic movement to achieve international influence, and to establish New York City as the center of the western art world — a position formerly occupied by Paris.

By positioning some of the Sculptures with works by Rodin, the exhibition will allow us to see the influence on Rodin's artistic work by directly comparing the Parthenon Sculptures with Rodin's works for the first timBy positioning some of the Sculptures with works by Rodin, the exhibition will allow us to see the influence on Rodin's artistic work by directly comparing the Parthenon Sculptures with Rodin's works for the first timby Rodin, the exhibition will allow us to see the influence on Rodin's artistic work by directly comparing the Parthenon Sculptures with Rodin's works for the first timby directly comparing the Parthenon Sculptures with Rodin's works for the first time.

Minimalism positioned itself as a reaction to this kind of art, influenced by the abstractions of Bauhaus artists such as Kazimir Malevich and Piet Mondrian, and the use of industrial materials instead of traditional artistic techniques by the early 20th - century Constructivist movement.

Founded by Natalya Andakulova, the mission is to cultivate the dialogue between the Central Asia and the Middle East by positioning the art of Central Asia into the artistic hub of Dubai as well as continuing to build relationships between artists, writers, specialists and collectors.

By positioning these three artists within the context of this essential, yet intangible and problematic subject, «God is Great» begins to explore the way in which artistic enlightenment may persuasively offer another method of considering what is an inherently mysterious, emotional, often inflammatory subject.

By exploring new mediums, like the Internet outside of the traditional mediums like paint, charcoal and woodblock printing and breaking from the history of Resistance Art that formed part of the anti-Apartheid struggle, they have yielded new artistic directions, which has meant their contributions have positioned them as exciting young talents worthy of attention and has added impetus to the importance of understanding the significance of young, emerging artists in South Africa's ever developing discourse.

By juxtaposing five artistic positions as different proposals for a way forward, the show explores attitudes towards cultural histories and monumentality as well as the constant human condition of entropy and re-awakening.

Neto succeeded the generation of Brazilian artists known as Neo Concretists that took a part in the liberation of artistic approach during the 1960's and 1970's, changing the viewer's position in regard to artwork by making him the active part and the one who control the artistic process.

By presenting three artistic positions, approaching three social experiments, this exhibition focuses on the process of democratic construction.

The exhibition curated by Anka Ziefer presents a selection of artistic positions from the Hildebrand collection, which explore individual and collective memory or reflect on the interrelations between remembered places, the human mind and emotional states.

Dan Halter's artistic practice is informed by his position as a Zimbabwean living in South Africa.

Led through New Jersey by a young Dan Graham, they debate their artistic positions with the «non-actors» they encounter at the sites of their work.

The traditional focus on yet widely unknown international positions is unregularly extended by artists of an older generation, who turned out to be highly influential for a younger artistic production (such as Jan Bas Ader, John Baldessari, Trisha Brown, André Cadere, John Stezaker or Matt Mullican).

Where so many other painters seek to convey their artistic ambitions through signs of intensive labor, grand scale, daunting complexity or serious themes, Heilmann, who began as a ceramist, seems to position painting as ceramics by other means.

Titled «Rock, Paper, Scissors: Positions in Play» and curated by Hammad Nasar, a curator and writer, and most recently served as Head of Research and Programmes at Asia Art Archive, Hong Kong (2012 - 2016), this exhibition will explore a strand of artistic practice in the UAE through the analogy of play.

In a broader sense, he's now in the peculiar position of claiming to have been completely «exonerated» by an investigation that concluded his own work was «misleading» - or, as he puts it, «overly simplified» and, um, «artistic», which is one way of putting it.