Sentences with phrase «artistic positions in»

The project — conceived in collaboration with Kuwaiti architect and artist Aziz Al Qatami, founder of the architecture firm Atelier Aziz Al Qatami and member of the artist collective GCC, who was commissioned to create the Grand Opening Reception exhibition design — questions the role of «artistic positions in contemporary institutional marketing and the eventisation of cultural production in the form of local identity creation».

Since it was established in 1991, Galerie Thomas Schulte's ongoing focus has been placed on nurturing, supporting, and sustaining outstanding and inspiring artistic positions in international conceptual art spanning from the 1960's to the present.

On the regional level, the institution is unique in conducting with its autumn exhibition, which takes place every two years, a consistent, panoramic survey of the outstanding young artistic positions in Lower Saxony.

They offer an impressive survey of some of the most important international artistic positions in the four decades between 1960 and 2000, but at the same time reflect the history of the Galerie Paul Maenz, whose self - perception as an avant - garde showcase set new standards in West Germany.

Not exact matches

It seems that only secular philologists are in a position to see the literary and artistic value of these prayer formularies, which are certainly among the oldest constituent elements of the liturgical heritage.»

MILAN, Italy — Last Wednesday, when Alessandro Sartori started his new position in Milan as artistic director of the Ermenegildo Zegna Group, it was more sentimental homecoming than first day on the job.

Position away, O ye spinners: The good news for all who are not awards voters is that this newer, shorter World — shorter, anyway, in the category of languid movies over two hours — is that it communicates Malick's luminous artistic vision of innocence and loss, wildness and order, risks taken and chances lost, with more clarity than his first cut.

Battling it out with Winter Sleep in an almost tied position of second and third spot is Andrey Zvyagintsev's artistic magnum opus Leviathan.

Rauschenberg describes in his quotes his search for a fitting position in American painting, moreover he presents an impression of his artistic life with art - mates Jasper Johns, Cunningham and composer John Cage.

- Xudong Zhang, author of The Four Books «Liu Zhenyun's work enjoys a unique position within the Chinese world, in that not only does he have many, many fans, his works have a distinctive artistic quality that has fascinated and entranced scholars for decades.

In 1986, Henning Mankell was offered the position as artistic director at Teatro Avenida in MaputIn 1986, Henning Mankell was offered the position as artistic director at Teatro Avenida in Maputin Maputo.

Today, visitors can explore the fascinating and spooky underground caverns lined with bones and skulls positioned in surprisingly artistic and ordered ways.

Named after the legendary seven hills... Read more on which Rome was founded, our campsite is located in an ideal position for those who want to spend their holidays in the Roman countryside's green and tranquility, while enjoying the Eternal City's historic and artistic beauty at the same time.

on which Rome was founded, our campsite is located in an ideal position for those who want to spend their holidays in the Roman countryside's green and tranquility, while enjoying the Eternal City's historic and artistic beauty at the same time.

- The hotel Rubens boasts an enviable position in the historic centre of Catania, fabulous city providing a wide artistic patrimony, testifying the glorious past of the city.

The presented artistic contexts and conceptual positions in these four female artists» practices include references to mainstream comedy's systems and authors, and some are more explicitly gendered than others with literal and implied connections to the female body.

Considering Moss» artistic relationship with Mondrian is a way of reconsidering her impact, but also the other conversations represented in the & Model exhibition, with British Construction and Systems artists such as Norman Dilworth, Anthony Hill, Peter Lowe, David Saunders, Jeffrey Steele, Gillian Wise and others, form part of a bigger and very necessary exchange artists are making now with modernist positions that are far from redundant.

In addition to her prolific artistic practice, she holds the position of Professor of Contemporary Art at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporaIn addition to her prolific artistic practice, she holds the position of Professor of Contemporary Art at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporain numerous conferences on art of the diasporas.

He positions his artistic practice as a tool for reflection on local realities in crisis, as the contemporary place for critical reflection and creation, and between the edges of progress and dystopia.

Her political position seems clear, but this clarity is only revealed and determined, and each time anew, in the confrontation with what an artistic practice — hers, Steyerl's — finds, seeks, or imagines as social reality at any given moment.

Art critic, Midori Matsui has contributed her essay titled «The Presence of Things, the Position of People: The Interdependence of Mind and Matter in Kishio Suga's Artistic Practice» to this exhibition catalogue.

Therefore we are looking for 3 - 5 distinct artistic positions to present in a 3 - weeks long exhibition at our gallery in July 2018.

On the other hand, however, the dialogue - oriented confrontation allows for the direct comparison of artistic positions and their varying artistic and biographical prerequisites, thereby clearly indicating artistic production in Germany as a stimulating cooperation and interaction of identity and «alterity».

Moore's self - identification (petit or «tit in local parlance) with the mercurial Rockmore as a kind of spiritual protégé positions her within both local history and artistic traditions.

It showcases a variety of artistic practices and positions, brought together in a Read More»

Article by Alison Hugill, Photos by Ériver Hijano in Berlin / / Nov. 24, 2015 Susanna Hertrich's artistic practice occupies a privileged position as both interpreter and active participant in the otherwise largely... [read on]

Susanna Hertrich's artistic practice occupies a privileged position as both interpreter and active participant in the otherwise largely inaccessible world of scientific research.

Her artistic practice and pedagogical bent — she is an esteemed professor of painting at the School of the Art Institute of Chicago, a position from which she weilds considerable influence in the city's art scene — has shaped her presentation on the fourth floor of the Whitney, which she has organized as a sort of visual curriculum on various artistic processes and approaches to materials.

Hiwa K often distances himself from the standard position of the artist, instead appearing in his works as an interviewer, guide, bandleader, or political organizer; many of his artistic projects take shape through self - education, informal collaborations, and exploratory trials.

Her unique position allowed her to engage in artistic discourse that responded directly to her environment in a way that brilliantly merged her perspective as a German woman making art in the «80s, and beyond.

In addition to a wide range of outstanding artistic positions, the fair will supply a supporting programme consisting of artist and curatorial talks, special exhibitions and further events.

Representing no single point of view, and in some cases presenting productively contradictory positions, «Trigger» assembles artists for their singular efforts in considering gender's capacity to represent a more general refusal of stable categorization — a refusal at the heart of today's most compelling artistic practices.

What does it mean to work in the studio now, as it increasingly cedes its privileged position as the exclusive laboratory for contemporary artistic practice to more mobile, itinerant, digital and global networks?

1982 seeks instead to temporarily disrupt such hierarchies by privileging the coexistence of distinct and idiosyncratic artistic positions, through a group of artworks that have little in common apart from the fact that they were produced in close — chronological — proximity to one another.

SHOWS (selection) 2014 still on view: Kunst im Bau 5, installation in the former engineering workshops of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germain the former engineering workshops of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germain Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germain the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germain the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germain my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermaIn Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germany

The various currents and artistic positions of American realism play a part in the development of American art, which is only partly appreciated by the art world.

The Art of the Flower positions floral paintings within a broader art historical and cultural narrative and reveals how the traditional genre was reinvented through artistic experimentation in the 19th and early 20th centuries.

Backstage, in this context, refers to a position that is witness to artistic transformation, experimentation and subversion; a space off - stage or screen where the demands of the centre stage do not apply.

Since taking over the position of artistic director at Dior Homme in 2007, KRIS VAN ASSCHE has taken a consistent approach to men's fashion at a time when the concept of menswear itself has been under siege.

It acquired a position in the field of artistic practice.

A meeting of culture agents who share critical positions regarding the status of artistic labor, the format of this encounter intersects the symposium and the crash course, as a physical symposium that re-thinks the social relations traditionally established in those socio - academic circumstances.

The important groups of work in the Daros Collection offer insight into major artistic trends and positions.

Representing no single point of view, and in some cases presenting productively contradictory positions, «Trigger» will assemble artists for their singular efforts in considering gender's capacity to represent a more general refusal of stable categorization — a refusal at the heart of today's most compelling artistic practices.

Tactile Notation In this interdisciplinary writing workshop, we will explore what it means to be in situ, or «in position» in our artistic practice — to write from, in, and into elemental places, to foreground that which is perceived through touch and sounIn this interdisciplinary writing workshop, we will explore what it means to be in situ, or «in position» in our artistic practice — to write from, in, and into elemental places, to foreground that which is perceived through touch and sounin situ, or «in position» in our artistic practice — to write from, in, and into elemental places, to foreground that which is perceived through touch and sounin position» in our artistic practice — to write from, in, and into elemental places, to foreground that which is perceived through touch and sounin our artistic practice — to write from, in, and into elemental places, to foreground that which is perceived through touch and sounin, and into elemental places, to foreground that which is perceived through touch and sound.

The important groups of work in the Daros Collection afford an insight into major artistic trends and positions.

The works approach and seek to make poriferous, the limitations of ratio through the proposition of non-human subject positions — «natural», technologically and digitally made, ancient and contemporary — produced in human, artistic practice.

Of course there's other esoteric and interesting «hows,» but to have the audacity to put forth a «what» that you have invented is to take a particular position in relation to the wide visibility of methods that, at the very least, conditionalize if not efface artistic agency.

The heightened interest in activist, agenda - driven art, as a response to the current political climate, also helps resurrect important artistic positions of the recent past and it should be applauded that Frieze helps foster that with its thematic and focus driven special presentations.»

Childress lived near Neel, on East 118th Street, and archival materials assembled by Mr. Als position both women's artistic practices in a larger uptown ecosystem — in which Neel, who was white, figures as a full participant.

At the regional level, the Fall Exhibition, which takes place every two years, is the only institution in Lower Saxony that consistently presents an overview of excellent local young artistic positions.