Sentences with phrase «artistic practice centers»

My personal artistic practice centers around the revelation of Diasporic self - discovery, and the magical in urban city centers.

Gao Yuan's artistic practice centers on animation and painting, illustrating the homogeneity and repetitiveness of images and concepts, and the temporality of the two.

Since then, using a wide range of media including video, sculpture, performance, installation, and works on paper, she has generated an artistic practice centered around issues of ritual, race, consumerism, and the politics of identity.

Dylan Gauthier (b. 1979, Santa Monica, CA) is a Brooklyn - based artist, curator, and writer who works through a deeply engaged artistic practice centered around ideas of ecology, architecture, image - objects, and the social.

Not exact matches

Mara Sidmore, artistic director of Applied Theatre Practice at the Bok Center Photograph by Jim Harrison

The four cornerstones of the Hoboken Charter School — academic, artistic, personal, and civic growth — are unified by two basic educational practices: learner - centered education and service learning.

Museums reported increases in audience without compromise to artistic quality, as well as a change in the practices of staff members who took ownership of their institution's new mission and visitor - centered culture.

The program will include a substantial amount of independent studio time for participants to delve into their practice, as well as a combination of professional development opportunities, studio visits and tours to get a sense of the artistic and cultural of community at the Joan Mitchell Center and the city of New Orleans.

1.1 Describe why the training / conference / study trip is right for you and your artistic practice: The opportunity to study with Yoshiko Iwamoto Wada at Arrowmont School of Arts & Crafts is ideal for me as the Director of [an Art Center] and its growing Fiber Arts Program.

In situating the development of his art directly alongside his life experiences, and in expressing doubt and desperation, LaDuke placed painting firmly at the center of a sentient artistic practice.

We are inviting all neighboring artists and friends to come out and learn about the Center, while we learn more about you and your artistic practice.

If you are or were part of an avant - garde center, gallery, non-profit organization, publication, artist group, or other type of artistic initiative that operated according to an alternative or avant - garde mission or practice, we are interested in hearing from you.

The Film Study Center is Harvard's one center devoted to supporting artistic practice and creativeCenter is Harvard's one center devoted to supporting artistic practice and creativecenter devoted to supporting artistic practice and creative work.

Artist Dorit Cypis» FabLab (looking for patterns), is a living laboratory centered around Cypis» research and reflection on her past 30 year artistic practice of exploring the psycho, physical, social and political implications of identity and social relations.

Artist Dorit Cypis» project titled, FabLab (looking for patterns), is a three - month art laboratory centered around Cypis» research and reflection on her past 30 - year artistic practice to actively explore models of personal and social engagement.

These objects served as offerings of inspiration for his artist friends, brought attention to contemporary artists operating outside of Western art centers, and represent collecting as an inherently artistic practice in its own right.

Jan Williamson, Executive Director of 18th Street Arts Center said: ``... Because of Pilar's strong curatorial background, our artists in residence will receive more tailored support in deepening their artistic practice.

And this is why I've devoted my artistic practice entirely to breaking white denial and addressing social justice issues centered on racism.

For Walker, these spontaneous interactions not only inform her interdisciplinary artistic practice, they make the center feel like a home away from home.

The Center is unique within the global landscape of experimental artistic practice and regularly convenes the brightest minds from across disciplines to do, in Wilson's words, «what no one else is doing.»

SEE / SAW ： Collective Practice in China Now was an exhibition held at Ullens Center of Contemporary Art between November and December last year, presenting the collective artistic practice of ChinPractice in China Now was an exhibition held at Ullens Center of Contemporary Art between November and December last year, presenting the collective artistic practice of Chinpractice of China today.

A workshop centered around the mural featured in Philadelphia Assembled, followed by a discussion on the role of community in artistic practice.

Several key elements lie at the center of her artistic practice: an interest in the metaphysical, the representation of feminine memory, and African - American identity which, in her work, takes on takes on evocative and unusual forms.

The Idea Fund provides cash awards to artists at three distinct levels: Spark ($ 1,000), Catalyst ($ 4,000), and Stimulus ($ 7,000) artist - generated, or artist - centered projects that exemplify the unconventional, interventionist, conceptual, entrepreneurial, participatory, or guerrilla artistic practices that occur outside of the traditional frameworks of support.

«In addition to offering artists time and space to develop their practices, the Center emphasizes community - building as an important aspect of fueling artistic endeavor.

On the occasion of this solo exhibition at Providence College Galleries, Amy Beecher delivers a presentation on the trajectory of her artistic practice and participates in a panel discussion centered around the dominant themes of her work.

2014 Ayelet Danielle Aldouby, Curator & Co-Founder, Artea Projects Harutyun Alpetyan, Independent Curator, Armenia Marco Antonini, Executive Director & Curator, NURTUREart Rocio Aranda - Alvarado, Curator, El Museo del Bario Karen Archey, Independent Curator & Critic, NYC and Berlin Nova Benway, Assistant Curator, The Drawing Center Boshko Boskovic, Program Director, Residency Unlimited Marie Burns, Program Manager, apexart Ethan Cohen, President & CEO, Ethan Cohen Fine Arts Irina Danilova, Independent Curator Eva Diaz, Critic & Assistant Professor of Contemporary Art, Pratt Institute Erin Donnelly, Independent Curator & Programs Manager, Smack Mellon Juliana Driever, Independent Curator, Writer, and Educator Shlomit Dror, Independent Curator Jason Duval, Artist & Independent Curator Alessandro Facente, NARS Special Projects Curator Jane Farver, Independent Curator Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Carter Foster, Steven and Ann Ames Curator of Drawing, Whitney Museum of American Art Anna Frost, Independent Curator, Berlin andCopenhagen Asya Geisberg, Owner & Director, Asya Geisberg Gallery Jessica Gildea, Programs Director, CUE Art Foundation Jan Hanvik, Executive Director, Clemete Soto Velez Cultrual Center Larissa Harris, Curator, Queens Museum Eric Heist, Founder & Director, Momenta Naomi Hersson - Ringskog, Executive Director, No Longer Empty Felicity Hogan, Artist, Independent Curator & Senior Program Officer, New York Foundation for the Arts (NYFA) Learning Jin Young Hwang, Co-Founder, K&H Art Advisory Inc Tzu - chieh Jian, Independent Curator & Critic, Taiwan Paddy Johnson, Founding Editor, Art Fag City Rhiannon Kubicka, Co - Owner / Co-Director, Blackston Gallery Omar Lopez - Chahoud, Independent Curator & Artistic Director, UNTITLED Stephen Maine, Artist, Critic & Independent Curator Julie McKim, Director, Kunsthalle Galapagos John Moore, Independent Curator & Critic Isabelle Normand, Independent Curator, Paris & Los Angeles Isin Önol, Independent Curator, Vienna Douglas Paulson, Residency Director, Flux Factory Vittoria Pavesi, Independent Curator, Italy Laurel Ptak, Director, Triangle Arts Association Sara Reisman, Director, Percent for Art, NYC Department of Cultural Affairs David A. Ross, Independent Curator & Chair, MFA Program in Art Practice, School of Visual Arts Cindy Rucker, Owner & Director, Cindy Rucker Gallery Sebastien Sanz Santamaria, Director of Operations, Residency Unlimited Krista Saunders, Curator & Co-Founder, Ground Floor Gallery Keith Schweitzer, Co - Founder / Director, The Lodge Gallery and Director of Public Art, Fourth Arts Block Bernard Schutze, Independent Curator & Critic, Montreal Felipe Scovino, Independent Curator Eric Shiner, Director, Andy Warhol Museum Carolyn Sickles, Director of StudioLab, Abrons Arts Center Sarah Suco Tores, Independent Curator Yulia Tikhonova, Independent Curator Jodi Waynberg, Executive Director, Artists Alliance Inc..

The Center for Contemporary Art was founded in 1998 by Sergio Edelsztein along with a handful of board members to promote time - based contemporary artistic practices in Israel.

The exhibition recalls several threads from Jean Genet's book, which provide a prism for a special reading of Xing's artistic practice; in every image she creates, Xing reconstructs reality, as if driven by a compulsive desire to be at the center of the incident, approaching her characters with a marked sensuality.

It often centers around the empty center, an impossibility that she bravely faces while connecting history, land and personal experience into fluid and surprising actions within her artistic practice.»

The first publication to document the Museum's collection and its connections to dramatic changes in artistic practice over the past 70 years, Unpacking the Collection introduces this vital regional center for craft through photographs of work, essays, texts, archival photographs, decade - by - decade accounts of the institution's links to modern craft history and an abbreviated exhibition chronology.

Since 2011, The Pew Center for Arts & Heritage has provided recent Pew Fellows with opportunities to take sojourns outside of the Philadelphia area, for residencies intended to push their artistic practice and expand their horizons.

Sweet Liberty at Newport Street Gallery, Colen's first major solo exhibition in London, chronicles the past 16 years of his artistic practice, a period bookended by the fall of the World Trade Center and the rise of Donald Trump.

The first Common Practice New York initiative includes a series of three invitational roundtables on contemporary institutional practice organized in collaboration with students and faculty from the Center for Curatorial Studies at Bard College (CCS Bard) in fall 2013; a public conference developed in response to these seminars in spring 2014; and a forthcoming publication that will include transcripts from these events alongside additional contextual and artistic contriPractice New York initiative includes a series of three invitational roundtables on contemporary institutional practice organized in collaboration with students and faculty from the Center for Curatorial Studies at Bard College (CCS Bard) in fall 2013; a public conference developed in response to these seminars in spring 2014; and a forthcoming publication that will include transcripts from these events alongside additional contextual and artistic contripractice organized in collaboration with students and faculty from the Center for Curatorial Studies at Bard College (CCS Bard) in fall 2013; a public conference developed in response to these seminars in spring 2014; and a forthcoming publication that will include transcripts from these events alongside additional contextual and artistic contributions.

Jury Statement Chronus Art Center's fellowship program is conceived to support and advance research based artistic practice,... continue reading CAC 2017 (Fall) Research / Creation fellowship winner announcement

For its Organizations in Residence program, 18th Street Arts Center seeks to work with artistic organizations whose practices relate to our organization's mission statement, which is to «provoke public dialogue through contemporary art making.»

For Alvarez, place is an intersection of disparate stories and ideas, both personal and artistic, as suggested by her recent exhibition Here at the Chicago Cultural Center, guest curated by Terry R. Myers, the first major examination of the artist's practice that spans over forty years.

In her artistic practice, she has shown work at the Whitechapel Gallery, Wysing Arts Center and the ICA.

Watermill Center founder and Artistic Director Robert Wilson had this say about Pelizzi's art: «I find parallels between his practice and my own,» said Wilson.

The Art Center's unique model creates a pathway for artists to progress in their artistic practices and careers.

The Watermill Center's Artist Residency Program invites collectives and individual artists take up residence at The Center to live and develop works that critically investigate, challenge and extend the existing norms of artistic practice.

In 1998, Sherpa moved to California where he worked instructor at several Buddhist centers before moving into contemporary artistic practice.

I suddenly felt very fulfilled making drawings in this way, and with it being the center of my artistic practice, as it were.

a definitive exhibition featuring the Chicago Imagists movement of the late 60s, Hyde Park Art Center has been at the forefront of encouraging Chicago - based artistic practice.

And Island 6 Art Center is a platform that encourages dialogue on multi-disciplined artistic practices.

I understand collaboration, teaching and curating as part of my artistic practice which is centered around performance, mediated performance and installation.

Cai also arrived in Japan at the height of revisionist debates concerning Mono - ha (literally «School of Things»), a movement that had changed the course of Japanese art in the late 1960s by accepting Asia as a center, rather than periphery, of contemporary artistic practice and discourse.

Visionary Africa — Art at Work is an itinerant urban exhibition of contemporary African artistic practices organised jointly by the European Commission and the Palais des Beaux - Arts (Centre for Fine Arts) in Brussels, including artist residencies, showcases of local artists, and workshops on art and development in modern urban centers in Africa.

Assaël — who became intrigued by mathematics, physics, and their relation to art while in high school in Rome in the mid -»90s; who, still a teenager, knocked on arte povera artist Jannis Kounellis's door to discuss tragedy and the notion of necessity; who later studied the philosophies of Kant, Hegel, and Heidegger at university; and who now, an artist in her own right, has particular enthusiasm for the work of Bruce Nauman, Gordon Matta - Clark, and Richard Serra — creates inspiring artworks that re-place the body and authentic experience at the center of artistic practice after

PRAXES Center for Contemporary Art is a not - for - profit venue for international contemporary art and research in Berlin presenting half - year cycles of consecutive exhibition modules, papers, and live activities revolving around two unassociated artistic practices.