Chung Heeseung's
artistic practice focuses on the unstable identity of the photography as a medium.
Rafal Milach's ongoing
artistic practice focuses on applied sociotechnical systems of governmental control and ideological manipulations of belief and consciousness.
Anna Virnich's
artistic practice focuses on textile - based tableaus, incorporating found fabrics as well as new materials, which the artist stretches on wooden frames thus creating organic and almost painterly compositions that oscillate between transparency and density, foreground and background, agility and standstill.
Her artistic practice focuses on text and language, which she explores by aesthetic means in installations and publications.
Cyprien Gaillard's committed
artistic practice focuses on the clash between early and modern civilizations.
Raimo Saarinen is a Helsinki based sculptor whose
artistic practice focuses on the various ideas of nature and people's relationship with plants and ecosystems in the western post-industrial cultures.
Her artistic practice focuses on large scale video and sight specific installations.
Her artistic practice focuses on large - scale video and sight - specific installations.
Her artistic practice focuses on the process between the object and its visual perception, constantly changing because of the way it is influenced by the digital domain.
Lynch's
artistic practice focuses on storytelling, specifically unwritten narratives and almost - forgotten histories.
Qiu Xiaofei's
artistic practice focuses on painting, as well as sculpture and installation related to painting.
His artistic practice focusses on the same principle: the need to combine recognisable objects and, in doing so, creating something unique.
The last five years of
his artistic practice focused on AIDS as a subject matter, drawing on community experience and mixing dreamlike allegory with figurative realism.
Finding his sources in a wide range of books & magazines, Manor developed
an artistic practice focussing on defragmentation of figurative content using processes being linked to printing.
The show offers a view on
artistic practices focusing on the one hand on how those two notions come together, and on the other hand on the tension and opposition within them.
On return to
her artistic practice she focused on reproducing text (characters and symbols) in regular and repetitive patterns.
Not exact matches
Alongside her painting
practice, she teaches online courses
focused on helping others uncover and develop their own unique
artistic self expression.
The conversation will
focus on their individual
artistic practices, the personal and cultural context that led them to their art, how they each express themselves through paint, and how they identify their place within the lineage of Latino painters.
This exhibition at Guggenheim Bilbao
focuses on her work when she was living in North Carolina (from 1925 to the late 1970s) and combining her
artistic practice with educational work.
A former graphic designer, his recent
artistic practice has been
focused on reinterpreting and playing with the language of traditional tile design, and that of the Portuguese tin - glazed ceramic azulejo in particular.
«My
artistic practice is essentially
focused on the photographic medium, photography as the tension between fiction and the real.
One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC
Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse
artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.
This essay will therefore
focus on the codices — a form that Hickson identifies as «the culmination of Chagoya's
artistic practice,» and Robert Storr describes as «a conceptual breakthrough.»
Reinventing the Wheel: the Readymade Century pays tribute to this seminal work and traces the subsequent elaboration of neo-dada
practices, with a particular
focus upon everyday and vernacular contexts; the mysterious and libidinous potential of sculptural objects; institutional critique and nominal modes of
artistic value; pop, minimalism and industrial manufacture.
She will assume the role on July 1, 2017, succeeding current Chair Deborah Bright, who is stepping down to
focus full - time on her
artistic practice and scholarship.
Focused specifically on the processes of making art, and those ideas which feed into contemporary
artistic practice, the gallery seeks to take risks and push the boundaries of how work is traditionally represented within formal institutions.
Since then it has been the main
focus of my
artistic practice.
Particularly important to the new generations of artists in Russia, V - A-C's
focus is on practically supporting and expanding the platform for home - grown talent, challenging artists to experience, engage with and interrogate international cultural
practices whilst developing an authentic and autonomous
artistic language.
A-I-R Laboratory hosts up to 30 international artists a year and
focuses on production and research based
practices within the context of the residency treated as an
artistic medium.
Guest lecturer Catherine Newhart will explore how to effectively use various revenue streams, primarily
focusing on commissions, to make a steady income from
artistic practice.
More recently, his interest in Buddhist meditation has made its way into his
artistic practice, and he
focuses on making «wearable fiber sculptures» that are associated with rituals.
Opening: «Martin Wong: Voices» at P.P.O.W Concurrent with his retrospective «Human Instamatic» on view at The Bronx Museum of the Arts, P.P.O.W presents Voices, an exhibition of more than 100 works
focusing on language as the source of Martin Wong's
artistic practice.
Her process - based
artistic practice could be described as being on the edge of art and design and
focuses on exploring the materiality of her concept and the chosen medium, aiming to observe and articulate aspects of the human condition, identity, and the complexity of patterns that occur naturally in the world around us.
Lipi's
artistic practice spans painting, printmaking, installation, and video art, and her work often
focuses on themes of female identity and gender - specific violence in Bangladesh and around the globe.
The Happenings ultimately gave Samaras the confidence to leave theater and
focus on his
artistic practice, turning himself into the perfect subject and tool.
Our exhibition will
focus on the sweep of her career and
practice, tracing her evolution as she found her mature
artistic voice in the late 1960s and 70s,» said Tang Museum Dayton Director and co-curator of the exhibition, Ian Berry.
Focusing on the period 1964 — 79, the exhibition includes abstract painting, Conceptual art, performative actions, poetry, sculpture, installations and land art, thus demonstrating the diversity of her
artistic practice.
Dead Lands engages with identity conflicts and their manifestation in contemporary work; the exhibition and its public programming will open this conversation to an international audience,
focusing on
artistic practices that uncover identity shaped through land, both concrete and imagined.
Both of these documentary holdings are specialised in contemporary
artistic practices,
focusing on a timeframe that matches that covered by the Museum's exhibitions and activities and by the artworks in the MACBA Collection, with which they are closely linked.
Her
artistic practice has recently
focused on producing works that incorporate found fabrics as well as new textiles, which the artist stretches on wooden frames to create organic and almost painterly compositions that oscillate between transparency and density, foreground and background.
Cantoni's
artistic practice has over the years has
focused on the way our society presents images and how they are consumed, Cantoni's particular interest is in relation to news imagery published in the New York Times.
MAP projects
focus attention on vibrant
artistic practices in each region and foster new relationships among artists, institutions, scholars, and visitors.
It was refreshing to see a pavilion
focused confidently on articulating a vision and giving voice to accomplished and extensive
artistic practice, which poetically traces the history of the country through cinema and music.
Harvard's program
focused on art history rather than
artistic practice, and after graduating, Ossorio sought formal training at the Rhode Island School of Design for a year.
At first thought,
artistic and scientific
practice might seem unrelated: one is
focused on expression, the other on data.
Providence College — Galleries, with the support of the Department of Art & Art History at Providence College, present exhibitions and public programs
focusing on contemporary art, innovative
artistic practice and interdisciplinary cultural activity.
A: Aside from the
focus on
artistic practice and rigor, I also think it is important not to shy away from pertinent political and social topics, but rather find ways to have work that critically embraces the moment.
By opening with a display cabinet containing a number of summary sketches from an album Twombly created in 1951, this
focus on working
practice is emphasized curatorially; a major component of the exhibition's strength is the insight it offers into Twombly's
artistic process.
With a
focus on contextualizing
artistic practice in urban space, District develops a collaborative and a multi-faceted program.
Pop Life, the exhibition at Tate Modern formerly known as Sold Out (until one of the artists featured in the show vetoed the title), is a noisy, rambustious, rhinestones - and - fast - cars kind of a show,
focusing on the Warholian notion of good art as good business and anatomising this tendency in
artistic practice from Warhol and Jeff Koons to Martin Kippenburger and Richard Prince.