Each embraced photography as one element of
an artistic practice guided as much by literature, philosophy, and an attention to popular culture as by classical formal concerns of the medium.
Not exact matches
One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse
artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only
guide to what they will encounter in the gallery spaces.
Tuesday, April 26, 2016 11 AM — 1 PM: Lecture DER RISS — DRAWINGS AND CONSEQUENCES by Christian Schwarzwald, artist 1 — 2 PM: Lunch break 2 — 5 PM: Time for
artistic practice and exchange Wednesday, April 27, 2016 11 AM — 1 PM: Lecture CONCEPTUAL DRAWING by Nadine Fecht, artist 1 — 2 PM: Lunch break 2 — 5 PM: Time for
artistic practice and exchange Thursday, April 28, 2016 11 AM — 1 PM: Lecture CAPUT by Ralf Ziervogel, artist 1 — 2 PM: Lunch break 2 — 5 PM: Time for
artistic practice and exchange Friday, April 29, 2016 11 AM:
Guided tour through the exhibition «We're Off Then — Travel Pictures from Albrecht Dürer to Olafur Eliasson» at the Kupferstichkabinett.
Jesse Harrod's
artistic practice is
guided by a fundamental commitment to exploring the dense political entanglements of material history, queer - feminist survival, and craft
practice.
In each
guide a different group of artists and photographers will share their insights, personal experiences and advice with creatives that wish to grow and evolve in their
artistic practice.
Very Historia, as an overarching conceptual idea and as a
guiding principle in my
artistic practice, inserts false histories about Puerto Rico into the World's meta - narrative.
This reading and arts immersion will
guide students to write eloquently, confidently, and with an abundance of passion for their own
artistic practice, as well as that of others.
Within this conceptual and historical framework, the concept of repair has
guided Attia's
artistic practice well over a decade.
Stereotypes, along with tensions between identity and stereotype, authenticity and costume,
guide Shonibare's
artistic practice.»
As a recent immigrant to Canada from China, after having been discouraged from pursuing a career as an artisan, Jingyuan Huang's
artistic practice is
guided by an interest in...