Though labels like Abstract Expressionism, Pop, modernism, and postmodernism serve as historical markers, providing a way of accounting for the broad range of
artistic practices of the past century, the history of art is constantly changing with the influx of new ideas and scholarship.
The collection will enhance and fundamentally support the research needs of young curators enrolled in CCS Bard's two - year graduate program in curatorial studies by exposing them to primary sources documenting innovative curatorial and institutional models and
artistic practices of the past thirty years.
Sturtevant, whose repetitions of now - iconic Pop and Minimal artworks in the 1960s anticipated the rise of appropriation art more than a decade later and formed the core of one of the most radical and beguiling
artistic practices of the past 50 years, has died in Paris.
Not exact matches
The adoption
of this new material coincided with other changes in
past societies often including differing agricultural
practices, religious beliefs and
artistic styles.
For the
past fifty years, Redstone has maintained a rigorous
artistic practice without the support
of a dealer.
In dialogue with changing
artistic practices over the
past decade, Lerma explores various uses
of materials for his paintings while considering the medium's relationship to history.
Spanning from a drawing from the workshop
of Raphael, to the first - ever watercolor by Winslow Homer to enter a museum collection, to works produced in the
past five years by Natalie Frank, William Kentridge, and Titus Kaphar, the exhibition highlights the role
of draftsmanship in
artistic practice through a diverse selection
of masterworks from artists across a wide range
of art history.
In his
artistic practice, Virtmanis creates visually and metaphorically dense drawing environments that combine relics
of sentimental imagery from
past eras, cryptic texts in the form
of obsessive, undecipherable calligraphy, collections
of found objects, architectural scale models, and the residue that is accumulated in the process
of creation.
The exhibition presents an overview
of Smith's
artistic practice over the
past three decades.
Artist Dorit Cypis» FabLab (looking for patterns), is a living laboratory centered around Cypis» research and reflection on her
past 30 year
artistic practice of exploring the psycho, physical, social and political implications
of identity and social relations.
Artist Dorit Cypis» project titled, FabLab (looking for patterns), is a three - month art laboratory centered around Cypis» research and reflection on her
past 30 - year
artistic practice to actively explore models
of personal and social engagement.
Tracing the influence
of abstraction through society and politics over the
past century, the exhibition stands in ardent defence
of the
artistic practices of Malevich and his contemporaries, an ambitious attempt to corroborate his rebuttal from more than 80 years ago that «the Black Square is real life.»
This was among the many reasons «women pioneered conceptually driven
artistic practices, including text - based work, photography, film, video, and performance,» which were cheaper, more accessible, and «not burdened by the weight
of the
past.»
The exhibition is comprised
of five works, including Trembling Time (2001), Kings
of the Hill (2003), Low Relief II (2004), Wild Seeds (2005), and Summer Camp (2007), which provide an introduction to the
past seven years
of Bartana's
artistic practice.
-LRB-(ANA) chronisms + +) is a
past and present exploration
of Hovagimyan's
artistic practices.
Sabin Bors: How has the use
of video changed in
past years, in terms
of an
artistic practice and the use
of media, from your perspective as curator and collector?
With his striking and original visual language and multifaceted
artistic practice, Israel makes new connections between the city
of Los Angeles, art history and the cultural productions
of LA
of both
past and present.
Wilfredo Prieto's solo exhibition with the title Speaking Badly about Stones at S.M.A.K. in Ghent (Belgium) presents an overview
of Prieto's
artistic practice over the
past fifteen years.
This first major survey dedicated to the collective brings together multipart projects from the
past five years, comprising video, installation, and sculptural works that represent the scope
of the group's
artistic practice.
Past articles and published works touch on a variety
of topics, mostly contained to contemporary
artistic practice, for example, the public - facing sculpture
of Beverly Buchanan and philosophies
of black negativity, or the articulation
of Wu Tsang's Full Body Quotation in relationship to notions
of realness.
The theoretical complexity underpinning Lloyd's
practice finds its material and processual counterpoint in the synthesis
of past and future - combining high and low cultural perspectives, digital and analogue techniques, and traditional and non-traditional
artistic imagery and processes.
Drip Machine continues the main
artistic strategies Jeff Shore and Jon Fisher have employed during the
past 15 years
of practice, the conflation
of DIY aesthetics and visual technologies, the exploration
of the relationship between automated and chaotic movement, and the spectator expectations about the cause - effect relation between image and sound, while moving a step forward in complexity by conflating water and electronic equipment as well as the use multiple sensors and channels.
The first publication to document the Museum's collection and its connections to dramatic changes in
artistic practice over the
past 70 years, Unpacking the Collection introduces this vital regional center for craft through photographs
of work, essays, texts, archival photographs, decade - by - decade accounts
of the institution's links to modern craft history and an abbreviated exhibition chronology.
Over the
past fifty years performance art has shifted from being a fledgling
artistic practice grounded in the immediacy
of the live body, to an increasingly popular medium
of contemporary art, engaging large numbers
of performers, high production values and rising audience numbers.
It is a collaged memory
of actual conversations I had over the
past few weeks, by phone, email and in person, with four artists who inspire me with their creative
practice, their
artistic output and their fundamental ways
of being in the world.
Sweet Liberty at Newport Street Gallery, Colen's first major solo exhibition in London, chronicles the
past 16 years
of his
artistic practice, a period bookended by the fall
of the World Trade Center and the rise
of Donald Trump.
Throughout her
artistic practice, Shahzia Sikander culls and explores elements
of Indo - Persian miniature paintings, interweaving references to the
past with reflections on everyday life and its contemporary forms.
This too leaves her open to accusations
of aesthetic nostalgia, but after nearly two decades
of making films Dean is presumably
past caring; the rhythms
of shooting, processing, laborious sound design and film editing (done by Dean herself on an old Steenbeck at her Berlin studio) are part
of an
artistic practice that has a relentless coherence.
Looking to the
past, present and future
of one
of the cornerstones
of artistic process, we ask what it means to make art from life, and how the
practice is evolving as technology opens up new ways
of making and seeing.
In dialogue with changing
artistic practices over the
past decade, Lerma not only explores various uses
of materials for his paintings but also mulls over the medium's relationship to history with a capital «H.»
Over the course
of the
past decade, FAILE developed an
artistic practice inflected with remixes
of mass culture, and built on careful juxtapositions
of seeming dualities.
Edited by Temporary Art Review founders Sarrita Hunn and James McAnally, To Make A Public offers a singular lens into broader eruptions in artists» publishing and
artistic practice over the
past five years as a primary document
of our moment through the collected writings
of artists, curators, activists and critics.
By looking retrospectively at the extensive collections
of objects that have been central to Krog Møller's
artistic practice over the
past 20 years, the exhibition challenges the public's perception
of what is information and memories worth preserving.
offers a singular lens into broader eruptions in artists» publishing and
artistic practice over the
past five years as a primary document
of our moment through the collected writings
of artists, curators, activists and critics.
«We're delighted to have the opportunity to present a comprehensive survey
of our renowned collection
of drawings, which, through its distinct breadth and depth, provides rewarding insights into the evolving role
of drawing over the
past 500 years
of Western
artistic practice,» said Frank Goodyear, co-director
of the Bowdoin College Museum
of Art.
Despacio's mission is to keep doing what it has been doing for the
past decade: consistently exploring new models
of artistic and curatorial
practice while remaining a driving force in the continued development
of Central America's
artistic voice.
The critique and deconstruction
of the modern canon has shaped both
artistic practice and theory over the
past three decades.
Abrahamik's loosely autobiographical photography
practice speaks to this
past, as artist and sitter embark on a shared use
of illusory substances during
artistic production.
«The significant experiences
of my life, both
past and present, have served as material for these creative explorations, while enhancing my role as a youth educator, which I consider an important part
of my
artistic practice.
Your letter
of application MUST reference
past projects and demonstrate how you see your own art
practices related to the range
of artistic practices that have take place at Koumaria.
He is Head
of Sale for «Tell Me What You Want (What You Really, Really Want),» a new Los Angeles - based contemporary art auction dedicated to innovative
artistic practices from the
past several decades.
Representing a generation
of artists active since the late 1990s, Body Talk foregrounds six African women artists whose
artistic practice is concerned with
past and current iconography
of social protest and resistance.
The history
of art in the Caribbean exists in its fragmented
past, resulting in the rich and culturally diverse
artistic practices present throughout the region.
We challenge conventional ideas
of difference and diversity and for the
past 25 years have shifted the ways in which
artistic practices have been understood within wider British culture.
The exhibition brings together a number
of multi-part projects from the
past five years, comprising video, installation, and sculptural works that represent the scope
of the group's
artistic practice.
The theme «Polyphonic Worlds: Justice as Medium» evolves in drawing relations between contemporary
artistic practice and the course
of social justice against the 400 - year old juridical
past of Mechelen's Great Council, Europe's first courthouse.
To better understand these ghosts that haunt the landscape
of contemporary
artistic practice and politics, I spoke with several young artists to find out whether they felt unencumbered by the prejudices
of the
past, as Isaacs optimistically described, and whether feminism does indeed have something to say today.
For the
past few years, I've defined «artists» for my own purposes with a proxy for
artistic practice: the exhibition
of artworks in public.
Over the
past twenty years, he has translated his
artistic practice as painter and collage artist into the medium at hand, positioning Henzel Studio as one
of the most progressive luxury rug brands in the world.
It is my pleasure to invite you to an open studio showcasing works that span the
past, present and future
of my
artistic practice.