Sentences with phrase «artistic practice the processes»

Within de la Mora's artistic practice the processes required to develop each piece are a central element and acquire the same relevance than the finished work.

Not exact matches

In fact, Gardner's colleagues at Project Zero at Harvard University spent years researching the habits of artists at work in their studios to discover how artistic processes may inform best practices in teaching and learning.

Collaborate with colleagues to infuse artistic practice and the creative process into the planning and execution of each lesson

They're framed by a definition of artistic literacy including philosophical foundations, lifelong goals, artistic processes, creative practices, anchor / performance standards.

Dallas, TX About Blog Studio Outside is a landscape architectural practice that thrives on the challenge of projects which demand a comprehensive intellectual, artistic and collaborative design process.

With the rise of 21st century independent game development this impulse is getting pushed back, however even much of this work is unable to imagine itself further incorporating an artistic practice, since game development is long held to be a drawn out and financially draining process that result in this one shot to make it all back.

In an interveiw with Adam Henry, Samuel Jablon discusses his painting process, his poetry, and how the two converge in his current artistic practice.

Photography is a constant and ubiquitous element in Fallen Fruit's artistic practice — utilized both as documentary process and image production — as well as an informal way of establishing trust with a range of citizens, and asking them to lend specific for inclusion in their installations.

Throughout his prolific career, Polke's unorthodox approach to materials, subject matter, and artistic processes was always concerned with the testing of limits and boundaries, and this exhibition will demonstrate the breadth and lasting influence of his radical and innovative practice.

In looking inward at the originating gestures of their process, they blend scientific method with artistic practice and evoke an enthusiasm that has long been dormant.

In her artistic practice, the artist makes herself available both as a protagonist and as a projection in regard to her sociocultural analyses, taking on different roles in the process.

No longer separately relegated to «walking» art or «land» art, but including action - based processes, Wanderlust allows viewers to experience 50 years of artistic practices that are intertwined while highlighting diverse approaches to contemporary art.

Click here to read Bergman's thoughts on her artistic inspiration, creative transition, collaboration and working process, and confidence and self - consciousness in her artistic practice.

Don't Take This the Wrong Way showcases the diversity of our backgrounds, media, and artistic processes, but also highlights the discourses and connections forged through two years of intensive studio practice in close proximity.

Magdalen Chua (MC) had a conversation with Punton and Spark, as a second part of a feature on exhibitions presented during the Glasgow International Festival of Visual Art that place emphasis on the process of collaboration and the subjective experience within artistic practice.

How to Flatten a Mountain is an exciting 12 days residency opportunity presented by PhotoIreland Foundation & Cow House Studios, and with the support of OPW, open to emerging and mid-career visual artists whose artistic practice in whole or part, makes use of digital and / or analogue photographic processes.

Creating a blog and video feed as a tool for the development of his own practice, he will make his artistic processes accessible to a wide audience, alongside conducting workshops and initiating discourse with fellow practitioners.

In his artistic practice, Virtmanis creates visually and metaphorically dense drawing environments that combine relics of sentimental imagery from past eras, cryptic texts in the form of obsessive, undecipherable calligraphy, collections of found objects, architectural scale models, and the residue that is accumulated in the process of creation.

foregrounds artistic processes and personal perceptions of the impact and significance of drawing on artistic practice through time.

What begins as an investigation of these interconnected «diamond communities», soon becomes an inquiry into the processes of documentary writing and artistic practice informed by anthropological fieldwork.

Books and bookmaking are an integral part of this process and a dynamic part of Dayanita Singh's artistic practice as a photographer.

Focused specifically on the processes of making art, and those ideas which feed into contemporary artistic practice, the gallery seeks to take risks and push the boundaries of how work is traditionally represented within formal institutions.

The images, of greatly varied disposition (representation, abstraction, concept, line, photograph, text, repurpose) are either improvisational variants of their ongoing body of work, products of their individual processes, or a visual membrane of sorts between their artistic practice and the world around us.

This year's awards represent a «a wide range of artistic practices and demographics,» according to the statement, which also quotes Travis Laughlin, the Mitchell Foundation's senior director of programs, as echoing important concepts of the City of San Antonio's new equity lens budget process.

Her artistic practice and pedagogical bent — she is an esteemed professor of painting at the School of the Art Institute of Chicago, a position from which she weilds considerable influence in the city's art scene — has shaped her presentation on the fourth floor of the Whitney, which she has organized as a sort of visual curriculum on various artistic processes and approaches to materials.

This will be the artist's first fully bronze solo exhibition within Australia, and the inclusions of process - based skills associated with foundry work compliments the artists twenty - five year practice, broadening his artistic investigations into form and beauty.

In 1974 he founded, together with a group of artists, writers, film - makers, performance artists and musicians, the Laboratoire Agit» Art, whose aim was to transform the nature of artistic practice from a formalist, object - bound sensibility to practices based on experimentation and agitation, process rather than product, ephemerality rather than permanence.

Her process - based artistic practice could be described as being on the edge of art and design and focuses on exploring the materiality of her concept and the chosen medium, aiming to observe and articulate aspects of the human condition, identity, and the complexity of patterns that occur naturally in the world around us.

Their practices are centred on everyday life experience, which they regard as the centre of their artistic process.

This experience is apparent in his interest in alchemy and the diverse material processes embedded in his artistic practice.

The thought process and artistic practice are brilliant and the show should not be missed.

The theoretical complexity underpinning Lloyd's practice finds its material and processual counterpoint in the synthesis of past and future - combining high and low cultural perspectives, digital and analogue techniques, and traditional and non-traditional artistic imagery and processes.

What is the role of documentary photography in the quickly shifting political climate and morphing process of self - identification through artistic practice?

You're invited to a public conversation between Nato Thompson, one of the foremost thought leaders on socially engaged art, and photographer Zoe Strauss, addressing the cultural processes related to community - based artistic practice.

Thursday, November 17 7 pm 192 Books New York, NY The conversation will explore Donald Judd's writing as a process and primary part of his daily life and artistic practice.

Meet the Austrian artist changing the status quo of photography through an experimentation - based artistic practice and digital post-production processes.

Originally published in 1970 and integrated into the design of the Critical Studies curriculum at CalArts, the book was accompanied by large graphic posters that could serve as a portable learning environment for a new process - based model of education, and a bibliography and checklist that map patterns and relationships between radical thought and artistic practices — from the avant - gardes to postmodernism — with Marcuse and McLuhan serving as points of anchorage.

PROGRAM Monday, April 25, 2016 2 PM: Reception at the BAI 3 — 6 PM: «Medium in Permanent Flux» Introduction to the history of recent drawing by Jan - Philipp Fruehsorge M.A. «Since the 1960s until most recently drawing, unlike any other artistic medium, has been continuosly undergoing a transformation process which led to a radically new view and defintion of its functions and practices.

Through her artistic practice, Asawa reconnects with the Buddhist ethos of her parents, transforming the commonplace into metaphors for life processes themselves.

By opening with a display cabinet containing a number of summary sketches from an album Twombly created in 1951, this focus on working practice is emphasized curatorially; a major component of the exhibition's strength is the insight it offers into Twombly's artistic process.

Here is a wonderful example of the nuances of artistic practice and influence, where the innovations of Giotto do not simply succeed the Byzantine tradition, but contribute to a process of dialogue and exchange.

Her artistic practice focuses on the process between the object and its visual perception, constantly changing because of the way it is influenced by the digital domain.

Using digital and wireless platforms, as well as analog printing and traditional casting techniques as a point of departure, each of the artists» creative processes explore the development of artistic practices and visual vernacular in the post-information age.

One of the most unique aspects of studying art history at an art school was that I was required to develop my own artistic practice through hours of drawing classes, performance art classes, photography studios, and so on, which allowed me a much more intimate understanding of the artistic process — but it was also important to be surrounded by other ambitious creators.

(FT) Of Algorithms and Architecture — Esteemed artist Julie Mehrehtu, whose work is currently in solo shows at Marian Goodman Gallery in New York and White Cube in London (not to mention highly coveted by collectors worldwide) shares 500 words with Artforum about her artistic practice and mark - making process.

Disrupting the notion of the discrete art work or object, Mackie's practice proposes a creative process which emphasises an understanding of artistic meaning created by synthesising a string of ideas, associations, sentiments and sensations in a non-hierarchical and open - ended fashion.

Spanning drawing, painting, and printmaking, Ryman's practice engages with aesthetic experience, wherein acts of presenting, perceiving, and contemplating are a part of his work as much as his artistic process.

Originally trained as a scientist, Baker's artistic practice represents an uneasy balance of eager technological optimism, analytical processes, deep - rooted skepticism and intuitive engagement.

When his name came in line for featuring at the 2006 Biennial, the Whitney Museum described Urs Fischer's artistic practices with the following statement: Founded on a consideration of the nature of substances, the act of making and the unpredictable processes that can result from combining the two.

Since 2015, WaveMaker has awarded forty grants through a juried process supporting projects that are non-commercial, non-institutional, stimulate critical thinking and dialogue, and expose audiences to innovative artistic practices typically under - recognized by traditional venues.