Since a few years we see a new development of
artistic practice using the aesthetic of artistic and experimental animation for interactive works, games and apps.
LAND supports dynamic and unconventional
artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists
Damian Moppett's
artistic practice uses a wide variety of media to question existing notions of mastery, craftsmanship and value.
For this reason,
any artistic practices using toxic products are strictly forbidden.
Anne Maree Barry's
artistic practice uses film to address connections within contemporary urban space, uniting ideas of memory, narrative, geography, sociology and architecture.
Not exact matches
Students can also apply their knowledge of numbers in a very practical way,
practice their SPANISH spelling, and put their
artistic talents to good
use at the same time, by creating their own set of question cards on the quiz card template.
Therefore, we can sum up it up this way: When eLearning practitioners
use eLearning platforms to build, create, and promote
artistic and creative activities in instructional
practices, one of the benefit of copyright law is that it seeks to secure a fair return for an original author's creative labor and at the same time stimulate
artistic creativity for the general public good.
Using only this humble material, which is ubiquitous to the point of invisibility in everyday life, the artists in The Paper Sculpture Show offer a visually stunning, conceptually rich, and playfully hands - on exploration of
artistic practice today.
CHIMES: In terms of
using film stills from the»40s and»50s and film noir, is that something that you grew up with or were interested in the beginning of your
artistic practice?
In dialogue with changing
artistic practices over the past decade, Lerma explores various
uses of materials for his paintings while considering the medium's relationship to history.
Flavin has been credited with being «one of the first artists to make
use of a basically progressional procedure,» and the systematic arrangement of color and light fixtures was an aspect of his work that not only led to it being characterized as Minimal art but which moreover influenced Conceptual
artistic practices.
First Call for Applications — English Master Visual Arts: Fine Arts — «Art Sense (s) Lab» — the first Official International English Master Visual Arts Programme about the
use of the approximative senses (smell, taste and touch) as part of the
Artistic Practice.
How to Flatten a Mountain is an exciting 12 days residency opportunity presented by PhotoIreland Foundation & Cow House Studios, and with the support of OPW, open to emerging and mid-career visual artists whose
artistic practice in whole or part, makes
use of digital and / or analogue photographic processes.
I am however really interested in how I can
use artistic practice as a means of scholarship and research, in terms of investigating contested ideas.
Trying to accomplish exactly that with his
artistic practice, the French artist going by his initials of JR
uses the biggest museum in the world to carry his ideas across — the streets of the cities across the globe.
Como «s
artistic practice is, as he describes it, «an engagement with and investigation into black... this includes but is not limited to: black as proprietary color / pigment — the mark
used for description or obfuscation, black as darkness — the phenomena or event of light's absence, and black as matter — the physical manifestation of objecthood, including black holes and universal dark matter.»
I
use all these methods in my
artistic practice.
Wenjue Zhang: In my
artistic practice, I make explicit
use of my body as a tool of power, with the idea that the female body, which is objectified by the male gaze, can redirect the domination relationship between man and woman.
In this lecture, Steffen Krüger will
use the works and
artistic practice of Alex Israel as springboards into a discussion on digital media culture, social networking, self - valorisation and identity.
We
use the space to locate shared obsessions and to reveal (and then interrogate) aspects of our
artistic practice.
The historical overview that Crimp developed with curator Lynne Cooke in their co-curated exhibition Mixed
Use Manhattan (Reina Sofia, Madrid, 2010) was dedicated to New York City in the 1970s, the space of Lower Manhattan that was transformed by recession into a stage for the development of new
artistic practices.
In her
artistic practice Fiona Grady often
uses printmaking as a means to test out ideas: such as new drawing techniques, compositions and spatial possibilities.
The exhibition will highlight the emerging role of the smartphone as an
artistic medium for self - expression through the commissioning ten exciting Young British Photographers to create new works
using Huawei's newest dual lens smartphones co-engineered with Leica, as part of their
artistic practice.
Guest lecturer Catherine Newhart will explore how to effectively
use various revenue streams, primarily focusing on commissions, to make a steady income from
artistic practice.
Both artists are no stranger to iconoclasm and have a strong predilection for the application of scientific techniques within their
artistic practice, be it the
use of X-rays on paintings or diamond turning on an antique bronze mirror.
The historical overview that Crimp developed with curator Lynne Cooke in their co-curated exhibition Mixed
Use Manhattan (Reina Sofia, Madrid, 2010) dedicated itself to New York City in the 1970s, the space of Lower Manhattan that was transformed by a recession into a stage for the development of new
artistic practices.
Baskin's own
artistic practice complements the broader themes of his work, as he
uses primarily store bought items in the assemblages, emphasizing his own role as a consumer.
Exhibiting online art is not always a cheap alternative to
using physical space, but rather an
artistic practice in and of itself.
Sabin Bors: How has the
use of video changed in past years, in terms of an
artistic practice and the
use of media, from your perspective as curator and collector?
Bildungsroman, the title of the exhibition, makes
use of the literary term for a coming - of - age novel, thus reflecting how the constellation of works can be read as a journey in the shaping of Barney's
artistic practice.
This catalogue, published in conjunction with an exhibition at The Museum of Modern Art, New York, examines the evolution of
artistic practices related to printmaking, from the resurgence of traditional printing techniques — often
used alongside digital technologies — to the worldwide proliferation of self - published artist's books and ephemera.
His more recent works, which include print making, painting and installations, still draw on this theme of everyday objects and their changing nature in society and
artistic practice,
using their pre-defined contextual symbolism as a way to make an audience re-think what we see, and what we know.
Judd
used materials such as metals, plywood, concrete and color - impregnated Plexiglas, that became staples in his
artistic practice.
White's own
artistic practice, though she was primarily a painter, began
using human hair and wigs to commemorate the dying members of the drag community she loved during this era.
«Daily
use of objects is a key component to my personal
artistic practice,» she said.
Spanning
practice and theory, Hockney's investigation of
artistic techniques has also developed through art - historical research, resulting in Secret Knowledge (2001), his publication on the optical devices
used by the Old Masters, as well as A History of Pictures: From the Cave to the Computer Screen (2016), written in collaboration with art critic Martin Gayford and further exploring the many ways artists have pictured the world.
In the previous [column], we concluded it was a distinct virtue of an
artistic practice if the medium
used could reasonably be seen as «fertile», that is, as offering the sense that the current work or works in that medium are not the end of that medium.
Since then,
using a wide range of media including video, sculpture, performance, installation, and works on paper, she has generated an
artistic practice centered around issues of ritual, race, consumerism, and the politics of identity.
Gilmore's current
artistic practice includes the orchestration of large - scale installations and live public performances that
use the female body as a site for the articulation of identity, labor, and endurance.
«Uneasy Dancer» is an expression Betye Saar has
used to define both herself and her
artistic practice.
Through a precise examination of this distinct form of
artistic practice in works by artists ranging from John Cage to Sanford Biggers, this exhibition provides a unique perspective on the ways in which modern and contemporary artists have
used language, objects, and images to forge social contracts with their publics.
As many commentators have noted, this evolution in Chang's
artistic practice began around the time of her 2005 film, Shangri - La, which
uses documentary and Surrealistic techniques to recreate the eponymous fictional town.
By
using several
artistic practices, Paolo Cavinato creates multisensorial spaces, where images of reality, mental and emotional projections merge.
My interests are varied, and the materials I
use to express my ideas run the full gamut of contemporary
artistic practice.
This approach has honed my
artistic practice, which
uses complex compositions, vivid colors, and contrast to explore the blurred boundaries of realism and abstraction.
Drip Machine continues the main
artistic strategies Jeff Shore and Jon Fisher have employed during the past 15 years of
practice, the conflation of DIY aesthetics and visual technologies, the exploration of the relationship between automated and chaotic movement, and the spectator expectations about the cause - effect relation between image and sound, while moving a step forward in complexity by conflating water and electronic equipment as well as the
use multiple sensors and channels.
expanding upon rhode's recurring
use of visual and verbal puns, the exhibition juxtaposes the heritage of his home country with the ephemerality of his
artistic practice.
Ironically, the same
artistic practice that Kim capitalized on with Selfish — that is, the self - portrait — has, historically, never been
used as a means of garnering attention.
Last week our Arts + Advocacy Blog highlighted the work of three artists who have
used their personal
artistic practice to affect positive change in hearts, minds, and cultural norms.
Meanwhile, Warhol restructured his
artistic practice around the Polaroid Big Shot camera: he produced carefully staged Polaroid portraits of friends and celebrities, many of which he
used as the basis for his iconic prints and silkscreen paintings.