Sentences with phrase «artistic practices from»

Atlanta Contemporary is pleased to announce the return of the Atlanta Biennial — an exhibition that will showcase emerging, established, and forgotten artistic practices from around the region of which Atlanta, the «capital of the New South,» professes to be a cultural node.

The 2015 Armory Show features Armory Focus: Middle East, North Africa, and the Mediterranean (Focus: MENAM), a section curated by Omar Kholeif (curator at the Whitechapel Gallery in London) that examines contemporary cultural and artistic practices from these regions, by hosting gallery presentations, not - for - profit institutions, and site - specific projects.

Frieze showcases artistic practices from many different countries where various views, methods and histories all coexist and butt up against one another, in one home, for five days.

Conceived in the tradition of international biennials, Prospect New Orleans showcases new artistic practices from around the world and contributes to the realization of New Orleans by spurring tourism and bringing international attention to the city's vibrant visual arts community.

They embrace a ranging spectrum of traditional and contemporary artistic practices from painting, sculpture and photography to large - scale installations.

He is Head of Sale for «Tell Me What You Want (What You Really, Really Want),» a new Los Angeles - based contemporary art auction dedicated to innovative artistic practices from the past several decades.

Conceived in the tradition of the great international biennials, such as the Venice Biennale and the Bienal de São Paulo, Prospect New Orleans showcases new artistic practices from around the world in settings that are both historic and culturally exceptional, and contributes to the cultural economy of New Orleans and the Louisiana Gulf region by spurring cultural tourism and bringing international attention to the area's vibrant visual arts community.

About Prospect New Orleans Prospect New Orleans was conceived in the tradition of the great international exhibitions, such as the Venice Biennale and the Bienal de São Paulo, to showcase new artistic practices from around the world in settings that are both historic and culturally exceptional, and contribute to the cultural economy of New Orleans and the Louisiana Gulf region.

Frieze New York features three special platforms that ensure a diverse representation of artistic practices from around the globe:

Using epistemological analysis as her tool, Seikkula's recent PhD research in philosophy discusses the social and cultural sustainability of artistic practices from a process perspective.

AP: We showcase a broad spectrum of artistic practices from both national and international artists.

Alongside its main section, Frieze New York features three special platforms that ensure a diverse representation of artistic practices from around the globe:

At the same time, the arena of contemporary art, with its myriad of artists and artistic practices from all across the globe, has become a more complex terrain to navigate.

The Third Mind: American Artists Contemplate Asia, 1860 - 1989 illuminates the dynamic and complex impact of Asian art, literary texts and philosophical concepts on American artistic practices from the late nineteenth century through the present.

Conceived in the tradition of the great international biennials, such as the Venice Biennale and the Bienal de Sao Paulo, Prospect New Orleans showcases new artistic practices from around the world in settings that are both historic and culturally exceptional, and contributes to the cultural economy of New Orleans and the Louisiana Gulf region by spurring cultural tourism and bringing international attention to the area's vibrant visual arts community.

In organizing and running this residency project, it is the main goal of the members of PILOTENKUECHE to offer a platform that encourages dialogues and exchange about artistic practice from different people, coming from different places, and working in different techniques.

The retrospective at Museo Reina Sofía in Madrid beautifully traces the changes and leit motifs of her short but intense artistic practice from 1961 to 1972.

In 1974 he founded, together with a group of artists, writers, film - makers, performance artists and musicians, the Laboratoire Agit» Art, whose aim was to transform the nature of artistic practice from a formalist, object - bound sensibility to practices based on experimentation and agitation, process rather than product, ephemerality rather than permanence.

The exhibition «A History - Contemporary Art from the Centre Pompidou» raises two questions concerning artistic practice from the 1980s onwards «What factors are relevant for ensuring that art history is written in a specific way?»

Pop Life, the exhibition at Tate Modern formerly known as Sold Out (until one of the artists featured in the show vetoed the title), is a noisy, rambustious, rhinestones - and - fast - cars kind of a show, focusing on the Warholian notion of good art as good business and anatomising this tendency in artistic practice from Warhol and Jeff Koons to Martin Kippenburger and Richard Prince.

Thematic areas The exhibition itinerary is currently articulated in nine different thematic areas, which document some of the most innovative aspects of the artistic practice from the second half of the twentieth century until today, seen through the experience of the former Galleria d'Arte Moderna.

The 2015 Armory Focus examined contemporary cultural and artistic practice from the Middle East, North Africa and the Mediterranean.

Art and Photography is the first book of its kind to survey the major presence of photography at the centre of artistic practice from the 1960s onwards.

«The exhibition is a testimony to Kapoor's unflagging research in the formal and conceptual spheres, which has informed his artistic practice from the start, contrasting the highly engineered and more organic processes of his work.

Ink on Paper represents a temporary shift in Engman's artistic practice from photographic documentation on environmental installation phenomena — records of processes and the passage of time — to -LSB-...]

ArtInfo says the show «suggests both a view of artistic practice from Ono's unique perspective but also the transparent, participatory elements of her work.»

Paradoxically, he too developed a highly personal artistic practice from these large - scale, supposedly objective parameters.

Their artworks reflect the covert origins of current social problems of China at the end of the 1980s and re-examine the way artistic practice from that period changed the language and development of art thereafter.

New York: The exhibition, No Country: Contemporary Art from South and South East Asia represents the diversity of contemporary artistic practice from the region by way of a selection of work by twenty - two cross-generational artists.

Since Carolyn is closely involved in working with artists, she has a grasp on the larger historical understanding of artistic practice from different places.

This exhibition — the largest and most comprehensive ever dedicated to the artist — is an in - depth chronological exploration of Solakov's artistic practice from 1981 to 2011, and has grown out of a partnership between Fondazione Galleria Civica Trento and Ikon Gallery, Birmingham, S.M.A.K., Ghent, and Museu Serralves, Porto.

Terris is a contemporary artist and contractor who draws much of his artistic practice from his understanding of building materials and architecture.

Cecilia de Torres» Survey exhibition will provide a comprehensive view of this still little - known artistic practice from which artists of international stature emerged.

Then an exhibitional derivation where the artistic practice from everyone of the artists is spread at the exhibition space and time at ADN platform.

The challenge can make them into stubborn underdogs who offer examples of real artistic practice from humbler, personal places.

The focus spotlighted artistic practice from Burundi, Kenya, Rwanda, Tanzania and Uganda to Ethiopia, Somalia and Sudan.

Image: Cindy Sherman, Untitled, 2010Courtesy the Artist and Sprüth Magers Berlin London For this show Sherman has assembled a cast of uniquely individual characters on large photographic murals, marking a departure within Cindy Sherman's artistic practice from the format of the framed photograph.

Not exact matches

About The Motion Picture Sound Editors (MPSE) The MPSE is a non-profit organization whose mission is to provide a wealth of knowledge from award - winning professionals to a diverse group of individuals, youth and career professionals alike; mentoring and educating the community about the artistic merit and technical advancements in sound and music editing; providing scholarships and mentorship for the continuing advancement of motion picture sound in education; and helping to enhance the personal and professional lives of the men and women who practice this unique craft.

From the gut - wrenching, step - by - step chronology of the raid on Osama bin Laden's compound in Abbottabad to seafaring cultists practicing Scientology - like rituals in the wake of World War II to the 16th president twisting arms over the passing of the 13th Amendment, the best films of 2012 brought history to life with an extraordinary scrupulousness that still left room for vivid artistic expression.

Reflection Writing is an artistic practice in which the reflective writing help describes a real or a make - believe incident, a true memory or a simple thought from an earlier period.

Moving forward with my artistic practice, I hope to continue to weave together the information from scientific texts with my personal experiences in wild places.

Coming from a background of artistic practice and the history...

CHIMES: In terms of using film stills from the»40s and»50s and film noir, is that something that you grew up with or were interested in the beginning of your artistic practice?

Far from attempting to isolate writing as an autonomous (art) practice, the speakers addressed the linguistic «poiesis» (making) as a model, or common denominator for constructions which may bind artistic practises to other things, places and professions.

At this event, parallels and differences in the artistic practice of these two concept artists — two artists who belong to the same generation, but come from very different cultures and social backgrounds — will be discussed.

For most of the 1950s, Hains's artistic practice consisted of removing torn posters from the streets of Paris and exhibiting them.

Speaking of his early work and artistic concerns at large, Kelley had said, «My entrance into the art world was through the counter-culture, where it was common practice to lift material from mass culture and «pervert» it to reverse or alter its meaning... Mass culture is scrutinized to discover what is hidden, repressed, within it.»

It opens up new perspectives on an artistic practice that is anchored in stories often excluded from history in and out of Thailand: voices of the poor and ill, marginalized beings, and those silenced and censored for personal and political reasons.

Wittingly parodying the uncomplicated jokes from vernacular literature, the artist has found a way of incorporating a difficult subject - matter — humor — into a deeply serious artistic practice.

On the occasion of the presentation of his new wall piece 1661 — 1910 from Nagasaki, Meiji, Setti at Fondation Beyeler, Tobias Rehberger talks to Theodora Vischer (Senior Curator, Fondation Beyeler) about his artistic practice and current projects.