Sentences with phrase «artistic practices of the past»

Though labels like Abstract Expressionism, Pop, modernism, and postmodernism serve as historical markers, providing a way of accounting for the broad range of artistic practices of the past century, the history of art is constantly changing with the influx of new ideas and scholarship.

The collection will enhance and fundamentally support the research needs of young curators enrolled in CCS Bard's two - year graduate program in curatorial studies by exposing them to primary sources documenting innovative curatorial and institutional models and artistic practices of the past thirty years.

Sturtevant, whose repetitions of now - iconic Pop and Minimal artworks in the 1960s anticipated the rise of appropriation art more than a decade later and formed the core of one of the most radical and beguiling artistic practices of the past 50 years, has died in Paris.

Not exact matches

The adoption of this new material coincided with other changes in past societies often including differing agricultural practices, religious beliefs and artistic styles.

For the past fifty years, Redstone has maintained a rigorous artistic practice without the support of a dealer.

In dialogue with changing artistic practices over the past decade, Lerma explores various uses of materials for his paintings while considering the medium's relationship to history.

Spanning from a drawing from the workshop of Raphael, to the first - ever watercolor by Winslow Homer to enter a museum collection, to works produced in the past five years by Natalie Frank, William Kentridge, and Titus Kaphar, the exhibition highlights the role of draftsmanship in artistic practice through a diverse selection of masterworks from artists across a wide range of art history.

In his artistic practice, Virtmanis creates visually and metaphorically dense drawing environments that combine relics of sentimental imagery from past eras, cryptic texts in the form of obsessive, undecipherable calligraphy, collections of found objects, architectural scale models, and the residue that is accumulated in the process of creation.

The exhibition presents an overview of Smith's artistic practice over the past three decades.

Artist Dorit Cypis» FabLab (looking for patterns), is a living laboratory centered around Cypis» research and reflection on her past 30 year artistic practice of exploring the psycho, physical, social and political implications of identity and social relations.

Artist Dorit Cypis» project titled, FabLab (looking for patterns), is a three - month art laboratory centered around Cypis» research and reflection on her past 30 - year artistic practice to actively explore models of personal and social engagement.

Tracing the influence of abstraction through society and politics over the past century, the exhibition stands in ardent defence of the artistic practices of Malevich and his contemporaries, an ambitious attempt to corroborate his rebuttal from more than 80 years ago that «the Black Square is real life.»

This was among the many reasons «women pioneered conceptually driven artistic practices, including text - based work, photography, film, video, and performance,» which were cheaper, more accessible, and «not burdened by the weight of the past.»

The exhibition is comprised of five works, including Trembling Time (2001), Kings of the Hill (2003), Low Relief II (2004), Wild Seeds (2005), and Summer Camp (2007), which provide an introduction to the past seven years of Bartana's artistic practice.

-LRB-(ANA) chronisms + +) is a past and present exploration of Hovagimyan's artistic practices.

Sabin Bors: How has the use of video changed in past years, in terms of an artistic practice and the use of media, from your perspective as curator and collector?

With his striking and original visual language and multifaceted artistic practice, Israel makes new connections between the city of Los Angeles, art history and the cultural productions of LA of both past and present.

Wilfredo Prieto's solo exhibition with the title Speaking Badly about Stones at S.M.A.K. in Ghent (Belgium) presents an overview of Prieto's artistic practice over the past fifteen years.

This first major survey dedicated to the collective brings together multipart projects from the past five years, comprising video, installation, and sculptural works that represent the scope of the group's artistic practice.

Past articles and published works touch on a variety of topics, mostly contained to contemporary artistic practice, for example, the public - facing sculpture of Beverly Buchanan and philosophies of black negativity, or the articulation of Wu Tsang's Full Body Quotation in relationship to notions of realness.

The theoretical complexity underpinning Lloyd's practice finds its material and processual counterpoint in the synthesis of past and future - combining high and low cultural perspectives, digital and analogue techniques, and traditional and non-traditional artistic imagery and processes.

Drip Machine continues the main artistic strategies Jeff Shore and Jon Fisher have employed during the past 15 years of practice, the conflation of DIY aesthetics and visual technologies, the exploration of the relationship between automated and chaotic movement, and the spectator expectations about the cause - effect relation between image and sound, while moving a step forward in complexity by conflating water and electronic equipment as well as the use multiple sensors and channels.

The first publication to document the Museum's collection and its connections to dramatic changes in artistic practice over the past 70 years, Unpacking the Collection introduces this vital regional center for craft through photographs of work, essays, texts, archival photographs, decade - by - decade accounts of the institution's links to modern craft history and an abbreviated exhibition chronology.

Over the past fifty years performance art has shifted from being a fledgling artistic practice grounded in the immediacy of the live body, to an increasingly popular medium of contemporary art, engaging large numbers of performers, high production values and rising audience numbers.

It is a collaged memory of actual conversations I had over the past few weeks, by phone, email and in person, with four artists who inspire me with their creative practice, their artistic output and their fundamental ways of being in the world.

Sweet Liberty at Newport Street Gallery, Colen's first major solo exhibition in London, chronicles the past 16 years of his artistic practice, a period bookended by the fall of the World Trade Center and the rise of Donald Trump.

Throughout her artistic practice, Shahzia Sikander culls and explores elements of Indo - Persian miniature paintings, interweaving references to the past with reflections on everyday life and its contemporary forms.

This too leaves her open to accusations of aesthetic nostalgia, but after nearly two decades of making films Dean is presumably past caring; the rhythms of shooting, processing, laborious sound design and film editing (done by Dean herself on an old Steenbeck at her Berlin studio) are part of an artistic practice that has a relentless coherence.

Looking to the past, present and future of one of the cornerstones of artistic process, we ask what it means to make art from life, and how the practice is evolving as technology opens up new ways of making and seeing.

In dialogue with changing artistic practices over the past decade, Lerma not only explores various uses of materials for his paintings but also mulls over the medium's relationship to history with a capital «H.»

Over the course of the past decade, FAILE developed an artistic practice inflected with remixes of mass culture, and built on careful juxtapositions of seeming dualities.

Edited by Temporary Art Review founders Sarrita Hunn and James McAnally, To Make A Public offers a singular lens into broader eruptions in artists» publishing and artistic practice over the past five years as a primary document of our moment through the collected writings of artists, curators, activists and critics.

By looking retrospectively at the extensive collections of objects that have been central to Krog Møller's artistic practice over the past 20 years, the exhibition challenges the public's perception of what is information and memories worth preserving.

offers a singular lens into broader eruptions in artists» publishing and artistic practice over the past five years as a primary document of our moment through the collected writings of artists, curators, activists and critics.

«We're delighted to have the opportunity to present a comprehensive survey of our renowned collection of drawings, which, through its distinct breadth and depth, provides rewarding insights into the evolving role of drawing over the past 500 years of Western artistic practice,» said Frank Goodyear, co-director of the Bowdoin College Museum of Art.

Despacio's mission is to keep doing what it has been doing for the past decade: consistently exploring new models of artistic and curatorial practice while remaining a driving force in the continued development of Central America's artistic voice.

The critique and deconstruction of the modern canon has shaped both artistic practice and theory over the past three decades.

Abrahamik's loosely autobiographical photography practice speaks to this past, as artist and sitter embark on a shared use of illusory substances during artistic production.

«The significant experiences of my life, both past and present, have served as material for these creative explorations, while enhancing my role as a youth educator, which I consider an important part of my artistic practice.

Your letter of application MUST reference past projects and demonstrate how you see your own art practices related to the range of artistic practices that have take place at Koumaria.

He is Head of Sale for «Tell Me What You Want (What You Really, Really Want),» a new Los Angeles - based contemporary art auction dedicated to innovative artistic practices from the past several decades.

Representing a generation of artists active since the late 1990s, Body Talk foregrounds six African women artists whose artistic practice is concerned with past and current iconography of social protest and resistance.

The history of art in the Caribbean exists in its fragmented past, resulting in the rich and culturally diverse artistic practices present throughout the region.

We challenge conventional ideas of difference and diversity and for the past 25 years have shifted the ways in which artistic practices have been understood within wider British culture.

The exhibition brings together a number of multi-part projects from the past five years, comprising video, installation, and sculptural works that represent the scope of the group's artistic practice.

The theme «Polyphonic Worlds: Justice as Medium» evolves in drawing relations between contemporary artistic practice and the course of social justice against the 400 - year old juridical past of Mechelen's Great Council, Europe's first courthouse.

To better understand these ghosts that haunt the landscape of contemporary artistic practice and politics, I spoke with several young artists to find out whether they felt unencumbered by the prejudices of the past, as Isaacs optimistically described, and whether feminism does indeed have something to say today.

For the past few years, I've defined «artists» for my own purposes with a proxy for artistic practice: the exhibition of artworks in public.

Over the past twenty years, he has translated his artistic practice as painter and collage artist into the medium at hand, positioning Henzel Studio as one of the most progressive luxury rug brands in the world.

It is my pleasure to invite you to an open studio showcasing works that span the past, present and future of my artistic practice.