Its collection and programme reflect current artistic trends and appreciate the emergence of new
artistic practices on a national and international scale.
The influence of Johanson's diverse
artistic practice on a younger generation can not be overstated.
Rising to prominence in the early 1980s, Julia Wachtel focuses
her artistic practice on the visual language of mass culture.
One of the earliest works in this exhibition is alternate diagonals of March 2, 1964 (to Don Judd), made shortly after Flavin centred his entire
artistic practice on the use of fluorescent light.
Julia Wachtel focuses
her artistic practice on the visual language of mass culture.
By enabling artistic production, critical debate and dissemination of contemporary visual art in the three dimensional form, we help to develop the careers and reputation of artists and an understanding of
their artistic practice on a local, national and international level, making GSS a vital platform for all who wish to understand, participate in and embrace contemporary three - dimensional artistic practice.
One of the earliest works in the exhibition is alternate diagonals of March 2, 1964 (to Don Judd), made shortly after Flavin centred his entire
artistic practice on the use of fluorescent light.
The difference between the «French» approach and the «American» might very well boil down to what degree of ego is allowed in
an artistic practice on either side: evacuated in Minimalism, it is withdrawn only in Supports / Surfaces — a last vestigial remain of the clash between Protestantism and Catholicism?
This form of engagement captures the core of
artistic practice on the Internet, the intervention in existing online spaces.
Not exact matches
LOS ANGELES — Insisting that the legal, centuries - long
practice of slavery in America could never have limited his personal or
artistic ambitions, Kanye West stated Wednesday that if he had been born into captivity, he would have simply escaped the plantation
on his motorcycle «the first chance [he] got.»
Volume XVII, Number 1 (Download) The Task of the College of Teachers: Part 2 — Roberto Trostli «Spirit is Never without Matter, Matter Never without Spirit» — Liz Beaven The
Artistic Meeting: Creating Space for Spirit — Holly Koteen - Soule Contemplative
Practice and Intuition in a Collegial Context — Martyn Rawson Contemplative Work in the College Meeting — Elan Leibner Work of the Research Fellows Review of The Social Animal by David Brooks — Dorit Winter Report
on the Online Waldorf Library — Marianne Alsop
The children participate in music, drama and a variety of other
artistic activities,
practice hands -
on skills such as knitting, gardening and woodworking.
Through my
artistic research and
practice I am investigating light and shadow as stimuli to human emotions and memories as well as the optic science
on colored shadow.
Our mission is to raise the
artistic, storytelling and educational value of
on - location drawing, promoting its
practice and connecting people around the world who draw
on location where they live and travel.
DressfortheDate.com operates
on the idea that daters don't need to shoulder the massive responsibility themselves, and can defer the
artistic aspect of getting gussied up to a
practiced professional.
From the gut - wrenching, step - by - step chronology of the raid
on Osama bin Laden's compound in Abbottabad to seafaring cultists
practicing Scientology - like rituals in the wake of World War II to the 16th president twisting arms over the passing of the 13th Amendment, the best films of 2012 brought history to life with an extraordinary scrupulousness that still left room for vivid
artistic expression.
Students can also apply their knowledge of numbers in a very practical way,
practice their SPANISH spelling, and put their
artistic talents to good use at the same time, by creating their own set of question cards
on the quiz card template.
Nimah loves creating coloring books as a way to involve others in art and her
artistic practice without putting too much pressure
on them to be «artists» themselves.»
Dallas, TX About Blog Studio Outside is a landscape architectural
practice that thrives
on the challenge of projects which demand a comprehensive intellectual,
artistic and collaborative design process.
Our mission is to raise the
artistic, storytelling and educational value of
on - location drawing, promoting its
practice and connecting people around the world who draw
on location where they live and travel.
Alongside her painting
practice, she teaches online courses focused
on helping others uncover and develop their own unique
artistic self expression.
Using only this humble material, which is ubiquitous to the point of invisibility in everyday life, the artists in The Paper Sculpture Show offer a visually stunning, conceptually rich, and playfully hands -
on exploration of
artistic practice today.
Fusco's nuanced and considered writing
on the topic, as well as her continued
artistic practice, will undoubtedly prove a benchmark for moving the needle
on discussions of postcolonial identity politics for years to come.
The conversation will focus
on their individual
artistic practices, the personal and cultural context that led them to their art, how they each express themselves through paint, and how they identify their place within the lineage of Latino painters.
It opens up new perspectives
on an
artistic practice that is anchored in stories often excluded from history in and out of Thailand: voices of the poor and ill, marginalized beings, and those silenced and censored for personal and political reasons.
Curated by Renaud Proch, Executive Director of Independent Curators International (ICI), the 2014 edition of the program is a reflection
on artistic practice in Chicago, and
on the intense exchange of ideas that the city generates.
The Breathe Artist in Residence programme offers artists of Chinese descent an ideal environment to reflect
on their
artistic practice, research and make new work within an international setting.
NOW explores how the diversity of current female
artistic practice transcends notions of gender difference to offer hybrid perspectives
on their socio - political environment.
In 1954, after a stint in Japan during the Korean War, he settled in New York and met artist Robert Rauschenberg, who introduced Johns to John Cage and Merce Cunningham, whose
practices would have a strong impact
on Johns's
artistic development.
In her
artistic practice, the artist makes herself available both as a protagonist and as a projection in regard to her sociocultural analyses, taking
on different roles in the process.
On the occasion of the presentation of his new wall piece 1661 — 1910 from Nagasaki, Meiji, Setti at Fondation Beyeler, Tobias Rehberger talks to Theodora Vischer (Senior Curator, Fondation Beyeler) about his
artistic practice and current projects.
The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive effects of the internet
on artistic practice and contemporary culture.
The program offers youth artists, of all skill levels, a professional space and forum to work
on their portfolio, to gain the skills to get into art school, or take their
artistic practice to the next level.
Southern Exposure's nationally recognized Artists in Education (AIE) program brings together diverse youth, artists, schools and organizations to provide meaningful participation in the visual arts, sparking a dialog
on contemporary
artistic practice and sociopolitical issues.
Tracey Snelling's
artistic practice is based
on a profound interest in sociological, psychological and geographical occurrences.
Click here to read Bergman's thoughts
on her
artistic inspiration, creative transition, collaboration and working process, and confidence and self - consciousness in her
artistic practice.
Magdalen Chua (MC) had a conversation with Punton and Spark, as a second part of a feature
on exhibitions presented during the Glasgow International Festival of Visual Art that place emphasis
on the process of collaboration and the subjective experience within
artistic practice.
Language is an important part of Verbicky's
artistic practice as well, with the positioning of the letters, symbols, and phrases taking
on new life as well, transforming the disparate elements into a continuous story.
Although perfectly relevant today — in that Havard is working now (he will be celebrating his 75th birthday
on June 29th) and still very engaged in his
artistic practice — Havard somehow turns his paintings into self - conscious relics.
In addition to her prolific
artistic practice, she holds the position of Professor of Contemporary Art at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically
on the success and failures of the Black Arts Movement and participating in numerous conferences
on art of the diasporas.
He positions his
artistic practice as a tool for reflection
on local realities in crisis, as the contemporary place for critical reflection and creation, and between the edges of progress and dystopia.
Åsmund Thorkildsen, curator of that exhibition, gives an introduction to Sherman's
artistic practice based
on his in - depth knowledge of the Postmodern period in American art history.
This exhibition at Guggenheim Bilbao focuses
on her work when she was living in North Carolina (from 1925 to the late 1970s) and combining her
artistic practice with educational work.
Qiu Xiaofei's
artistic practice focuses
on painting, as well as sculpture and installation related to painting.
A former graphic designer, his recent
artistic practice has been focused
on reinterpreting and playing with the language of traditional tile design, and that of the Portuguese tin - glazed ceramic azulejo in particular.
«My
artistic practice is essentially focused
on the photographic medium, photography as the tension between fiction and the real.
Juan's
artistic practice is informed by his commitment to community, with an emphasis
on empowering and equipping Detroit youth for extraordinary futures.
foregrounds
artistic processes and personal perceptions of the impact and significance of drawing
on artistic practice through time.
Accompanying the exhibition, Shonibare will discuss his exhibition and
artistic practice in conversation with BBC Broadcaster and historian David Olusoga at Turner Contemporary
on Tuesday 22 March at 6.30 pm.
Even the safest definitions and genres depend
on a settled
artistic practice or corpus.