Sentences with phrase «artistic practices which»

A set of artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space.
Italian artists such as Manzoni had to negotiate the new economic and material order of post-war Europe through inventive artistic practices which crossed geographic, artistic, and cultural borders.
Bodil Manz (1943), Leif Kath (1945), Kyle Jenkins (1974) og Michael Boelt Fischer (1975) have individual artistic practices which converge together within a shared methology of deconstructing and reconstructing geometry.
This year's Sonica festival takes place along with the first anniversary of MoTA Point and is again focusing on diverse artistic practices which all involve transitoriness in the medium of...
I therefore know something about the area of contemporary artistic practice which I regard as one of the liveliest, most vigorous and most creative sectors of the contemporary arts anywhere.»
Aceti explained that Kuball had been chosen because of his artistic practice which, spanning over 40 years, has faced up to the challenges of artworks in public spaces and uncomfortable social themes and issues.
I understand collaboration, teaching and curating as part of my artistic practice which is centered around performance, mediated performance and installation.
Marilia Loureiro discusses with Pedro Brandão about his artistic practice which frequently crossroads with politic, economic and social platforms and devices.
In artistic terms he is significant not only because of the works he produced, but because of his determined innovation in developing an artistic practice which was not tied to a larger artistic movement.
[ENG] The third exhibition by Peter Downsbrough at àngels barcelona focuses on the conceptual photographic work that the artist has been consistently producing since 1978 and that has been of major relevance in his multidisciplinary artistic practice which includes sculpture, works on paper, photographs, films and books.
MAHTAB HUSSAIN: GOING BACK HOME TO WHERE I CAME FROM May 25 - Sep 2, 2018 Private view Thu May 24 6 pm - 8 pm Mahtab Hussain has developed an artistic practice which reflects on ideas of homeland, race, identity and cultural difference.
Christopher Hanrahan has a wide - ranging artistic practice which encompasses elements of drawing, printmaking, sculpture and installation.

Not exact matches

Known as the creator and innovator of Modern Warrior Flow, which he originally named Yogic Arts ™ to define the practice as a goal to the artistic expressions and states of yoga, Duncan's unique and fluid practice combines the intelligence of yoga, the intuition of dance, the heart of martial arts, and the healing touch of massage, that has evolved into the name Flow Arts to best define its expansion that reaches far beyond the limits of classical yoga, into the realm of authentic organic self expressed motion.
Reflection Writing is an artistic practice in which the reflective writing help describes a real or a make - believe incident, a true memory or a simple thought from an earlier period.
Lothlorien has made internet headlines for her approaches to digital publishing, notably some harsh criticism in recent months over her practice of responding to both positive and negatives reviews of her books, which she sees as more of a customer service issue than an artistic one.
Canva is a free online tool which allows anyone, even those with little artistic sense and no design skills, to create professional looking graphics with some practice.
Dallas, TX About Blog Studio Outside is a landscape architectural practice that thrives on the challenge of projects which demand a comprehensive intellectual, artistic and collaborative design process.
Collaboration is central to Thomas» artistic practice; works like In Search of the Truth (Truth Booth), which the Museum hosted in 2016, and a new project by Thomas's artist - run political action committee For Freedoms will take his work into direct contact with Portlanders in 2018.
Can you tell us a little of the ways in which both feed your artistic practice with an exhibition such as this?
Collaboration is central to Thomas» artistic practice; works like In Search of the Truth (Truth Booth), which the Museum hosted last summer, and a new project by Thomas's artist - run political action committee For Freedoms will take the exhibition out of the Museum and into direct contact with Portlanders.
This position allowed him to finance his early artistic career while bringing him into dialogue with fabricators and exposing him to material production techniques, which greatly invigorated his artistic practice.
Using only this humble material, which is ubiquitous to the point of invisibility in everyday life, the artists in The Paper Sculpture Show offer a visually stunning, conceptually rich, and playfully hands - on exploration of artistic practice today.
Far from attempting to isolate writing as an autonomous (art) practice, the speakers addressed the linguistic «poiesis» (making) as a model, or common denominator for constructions which may bind artistic practises to other things, places and professions.
The answer, I believe, is agency — the demand for which is feminist artistic practice's perennial cri de coeur.
Sargent's Daughters, which opened in November 2013, has an interest in artists who work in a traditional medium while challenging contemporary artistic practice.
Flavin has been credited with being «one of the first artists to make use of a basically progressional procedure,» and the systematic arrangement of color and light fixtures was an aspect of his work that not only led to it being characterized as Minimal art but which moreover influenced Conceptual artistic practices.
In four summer sketching trips, three of which explored Long Island, Tile Club artists created plein air works of picturesque subjects, exploring the concept of working outdoors that was then transforming artistic practice in Europe.
The «Portal» works, which were made between 1966 and 1969, are the foundation of Redstone's artistic practice.
It encourages and supports designers in their artistic practice and offers them an internationally recognized platform from which to launch their careers.
The Spooling the Ethnographic course will take as a starting point Hal Foster's 1996 essay The Artist as Ethnographer, which looks at a turn to ethnography / anthropology within artistic practice.
Photographs and video - installations are some of the technological mediums that expose Taquini's trajectory, becoming not only a collection of pieces that take part in a visual art exhibition, but also the portrait of a life in the art, in which the curatorial practice that took place during a great part of her professional development converges with her more recent artistic practice.
The first solo show in an Italian museum of Chinese artist Ding Yi will propose a journey of about forty paintings and drawings, a sculpture and an installation that requires the interaction of visitors, which aims to bring the public closer to the man considered to be the most important abstract painter in contemporary China, by presenting his complex artistic practice and evolution from the nineties to the present day to the public.
One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.
Based on the practice of articulation and reinterpretation that has characterised his artistic activity, Add Fuel presents in «Something old, something new, something borrowed» a staging of an intimist nature arranged in a type of idealised and stylised domestic setting — part genuinely cosy, part openly satirical — , that suggests a narrative of decorative contours that aggregates a multiplicity of references, iconographies, and signs which, in one way or another, have contributed towards shaping his personal and artistic identity.
The program's mission, to support artists «to push their artistic practice and expand their horizons,» runs parallel to that of the 18th Street residency program, which provides artists with time and space to explore new approaches to their work in a new and stimulating environment.
But whereas that exhibition consolidated an emergent artistic practice, Other Primary Structures consolidates a highly problematic form of global art history, one that is no less hegemonic than the narrative from which it supposedly departs.
Wenjue Zhang: In my artistic practice, I make explicit use of my body as a tool of power, with the idea that the female body, which is objectified by the male gaze, can redirect the domination relationship between man and woman.
Lee Ufan is recognised internationally as the main exponent of the Japanese art movement, Mono - ha, which at the end of the 1960s proposed an artistic practice dedicated to the exploration of natural and industral materials and their relationshp with their surrounding space.
Object - based art, which grew into a major twentieth - century trend and continues today, took its cue from the ready - made, and Re-Object explores the continuation and transformation of both lines in contemporary artistic practice, via large - format photographs and analytical essays on the artists.
Their artistic practice spans diverse media including film, photography, painting, performance, and site - specific projects.Vătămanu and Tudor's broad - reaching practice has positioned them among the most compelling and literate interpreters of our contemporary post-communist condition, which extends far beyond their native Romania.
Focused specifically on the processes of making art, and those ideas which feed into contemporary artistic practice, the gallery seeks to take risks and push the boundaries of how work is traditionally represented within formal institutions.
In the 1970s Martial Raysse's artistic practice possessed a manual intelligence that manifested itself in his gathered objects and assemblages, which are pervaded by a spirit of psychedelic experimentation.
From 3 pm Bianca Hester, Christopher L G Hill, Anastasia Klose and Kenny Pittock will present live readings of iconic manifestos, which have inspired their own artistic practice.
This was among the many reasons «women pioneered conceptually driven artistic practices, including text - based work, photography, film, video, and performance,» which were cheaper, more accessible, and «not burdened by the weight of the past.»
On display from July 9 through 26, Living Threads highlights the artist - to - artist relationships which foster ideas and energy foundational to a sustained artistic practice.
Departing from Crimp's Memoirs which will be published as Before Pictures in 2015, these events consider artistic, philosophical, queer and subcultural practices from the 1960s to the present.
Although Downey has become known for his multi-channel video works such as Video Trans Americas (1973 — 1976) and The Thinking Eye (1976 — 1977), which critique Eurocentric perspectives regarding Latin American identity, Juan Downey: Radiant Nature will consider his earlier artistic practice.
Such duality was at the heart of his artistic practice, which employed representation and abstraction; geometric and organic forms; somber calligraphic markings and brilliant fields of color.
The exhibition is comprised of five works, including Trembling Time (2001), Kings of the Hill (2003), Low Relief II (2004), Wild Seeds (2005), and Summer Camp (2007), which provide an introduction to the past seven years of Bartana's artistic practice.
The South African Pavilion Without Walls at Performa 17 lets the Institute take a deeper look at the country in order to conduct an in - depth investigation into the artistic practices developing in the post-apartheid era, which represents one of the most dynamic and vigorous spaces of artistic practice in a state of constant invention.
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