Sentences with phrase «artistic production by»

Creating a unique community that encourages and supports artistic production by both emerging and established artists.

Mark Amerika pushes the boundaries of his conceptual artistic production by engaging directly with text and images, responding to cultural and socio - economic concerns.

Not Here, Not Anywhere Curator: Teresa Grandas Opening: Wednesday 18 April 2018, 6 pm at the Mies van der Rohe Pavilion and at 7.30 pm at MACBA Exhibition dates: 19 April — 11 September 2018 Organisation and production: MACBA Museu d'Art of Contemporani de Barcelona Not Here, Not Anywhere is a solo exhibition devoted to the last two decades of artistic production by the visual artist Domènec (Mataró, 1962).

Following its debut exhibition in January 2009, it first served as an exhibit venue for artistic productions by the artists within the body of the initiative for a certain period.

Not exact matches

Although both records were very different in sound and vision, they carried the similar sense that the pure artistic vision of Jars of Clay had somehow been compromised by the production influences of the different producers.

As a consequence he would not be able to explain how a man could ever be guilty for something done by him years ago, how there could be an ethics of obligation, political action, artistic production, or an historical process» (RW 331).

This «exhilaratingly daring» (Financial Times) production is directed by Headlong Artistic Director Jeremy Herrin (Wolf Hall / Bring Up The Bodies, This House) and brought to the West End by Sonia Friedman Productions, Headlong and the Royal Court.

Even back in 1993, by television production standards, it had been a long time since the late 1970s, and this series put its then - contemporary artistic and technical sensibilties to good use, crafting this world with plenty of artistic grace and style.

It is worth noting that when Lee Frost, Race With the Devil's original director, was fired early in the production he was replaced by Jack Starrett, a former AIP actor turned director who, with little artistic pretence, was able to sustain a successful career in exploitation filmmaking throughout the 1970s.

Cinematography by Tristan Oliver and all the production and set design are remarkably artistic and enjoyable.

, Syd Garon (CEH15, Outstanding Graphic Design, Jodorowsky's Dune), Eugene Hernandez (Deputy Director, Film Society at Lincoln Center), Eric Hynes (Associate Curator of Film, Museum of the Moving Image), Jason Ishikawa (Head of International Sales, Cinetic Media), Steve James (CEH12 Winner, Outstanding Feature & Direction, The Interrupters), Kirsten Johnson (CEH17 Winner, Outstanding Feature & Cinematography, Cameraperson), John Kusiak (CEH12 Winner, Outstanding Score, Tabloid), Loira Limbal (Vice President, Firelight Media), Elizabeth Lo (CEH16 Winner, Outstanding Nonfiction Short Film, Hotel 22), Michal Marczak (CEH17 Winner, Heterodox Award, All These Sleepless Nights), Marilyn Ness (CEH17 Winner, Outstanding Feature, Cameraperson), Dan Nuxoll (Artistic Director, Rooftop Films), Bill Ross (CEH13 Nominee, Outstanding Direction, Tchoupitoulas; CEH16 Nominee, Cinematography, Western), Kelli Scarr (CEH09 Nominee, Outstanding Score, In a Dream), Mo Scarpelli (CEH16 Nominee, Spotlight Award, Frame by Frame), Jess Search (Chief Executive, The Doc Society), Signe, Byrge Sorensen (CEH16 Winner, Outstanding Feature Film & Production, The Look of Silence), Jean Tsien (Editor of CEH17 Audience Nominee Miss Sharon Jones!)

There's plenty to admire throughout the entire film; Ford's direction is ambitious and, like his work in A Single Man, he has a keen artistic eye with some vibrant and striking imagery captured by Christopher Brown's art direction, Seamus McGarvey's sombre cinematography and the gorgeous production design by Shane Valentino and Meg Everist invites you into the characters» dark, dual existences without ever losing its consistent tone.

Prior to the gala dinner, dancer Daniil Simkin performed an excerpt from his Works & Process at the Guggenheim — commissioned production, Falls the Shadow, featuring costume designs by Maria Grazia Chiuri, Artistic Director of Dior.

This lavish production showcases some of Australia's premier artistic talent including Oscar - winning costume designer Lizzy Gardiner -LRB-» The Adventures of Priscilla, Queen of the Desert»,» Ghost Rider»), production designer Michelle McGahey -LRB-» Killer Elite»,» I, Frankenstein») and Oscar - nominated editor John Gilbert -LRB-» The Lord of the Rings: Fellowship of the Ring»,» The Bank Job»), with VFX work by Jamy Wheless -LRB-» Pirates of the Caribbean: Dead Man's Chest»,» Transformers») and John Helms -LRB-» Star Wars Episode III: Revenge of the Sith»,» Eragon»).

This artist will make a significant contribution to the artistic landscape through creative, skillful collaboration on productions by local arts and cultural agencies.

A O Show by Lune Production is a vibrant artistic performance that features optical illusions and impressive acrobatics.

Furthermore, by creating a dialog between artists who live and work in either São Paulo and New York, the gallery aims to propose a mirroring of sorts between the cities that are home to its two headquarters, promoting encounters between the artistic production from two locations that are far apart from one another, both geographically and culturally.

The objects made by Lins — a Bell telephone, a VKhUTEMAS model, a table built to the specifications set out by Enzo Mari in his open - source manual Autoprogettazione of 1974 — are at the same time models for some other form of artistic production: things beyond the categories of craft, art, design, sculpture, image, capitalist consumerism, or communist nostalgia.

His work is defined by his artistic and sociological investigation of the individual within processes of mass production.

Morell's work also enriches an emerging thematic strength in the collection — the home as a site of artistic production — as evidenced by recently acquired works by LaToya Ruby Frazier and Diane Simpson.

From the seminal performance work by Rachel Rosenthal, the early queer video work of EZTV, boundary breaking art installations by Barbara T. Smith, the pioneering media explorations by Electronic Café International, to the feminist media interventions of Suzanne Lacy and Leslie Labowitz - Starus, these five influential and often overlooked artists and collaborative arts groups were fundamental to charting the course for the artist space movement and its vision of egalitarian artistic production and reception.

Elliott Burns: So I'd like to begin by getting a sense of what makes the correct atmosphere for artistic production; for you.

«We feel that by approaching us in particular, The Armory Show shows a deep sensitivity and understanding toward the complexities of contemporary artistic productions from Africa and the Diaspora.»

Using a process inspired by the renowned feminist art critic, Arlene Raven, students examined the reasons and context of their artistic production in order...

As advancements in 3 - D technologies are demonstrated in new formats of television and film production, the enduring hologram continues to mesmerize by expanding the artistic and visual fields that lay before our eyes.

Led by Mothersbaugh and CSM Director Dean Sobel, the discussion will explore Mothersbaugh's spectral creative production — beginning from his work as a visual artist, while also exploring his new role as a curator as well as other areas of artistic expression.

Meet the artist / curator: Ashley Jude Jonas By Eva Buttacavoli Photo: Ashley Jude Jonas, «Buffalo Husband» As artistic practices have expanded beyond the boundaries of the production of objects, often incorporating historical context, editing and interpretation — work typically associated with the curator — we are seeing a blurring of the boundaries between the artist and -LSB-...]

Olsen & Fischli: Your film Production Line of Happiness shows the class of Christopher Williams at Kunstakademie Düsseldorf poring over the fundamental questions posed by artistic production: What is counteProduction Line of Happiness shows the class of Christopher Williams at Kunstakademie Düsseldorf poring over the fundamental questions posed by artistic production: What is counteproduction: What is counter culture?

Ceysson & Bénétière will present works by Claude Viallat (b. 1936) and Noël Dolla (b. 1945), whose unconventional artistic methods challenged cultural production within the context of political and social unrest in France during the late 1960s.

«A new series of outdoor paintings by Julian Schnabel that will transform the Legion of Honor's courtyard into a temporary gallery, a major film production by DIS commissioned for the de Young's atrium and a new media installation by Lynn Hershman Leeson that reflects the particular history of the museums, put us at the center of artistic production and institutional reflection.»

«It's the perfect moment to revisit Rauschenberg's career, given that his impact continues to gain momentum as more and more contemporary artists pay homage to, and are influenced by, various facets of his creative practice and artistic production — from his technology - based artworks and the reuse of images to international collaborations that demonstrated the power of art to spark dialogues between various cultures,» stated Christy MacLear, CEO of the Rauschenberg Foundation.

As a rigorous ingredient it becomes a remainder that can not be assimilated by taste, yet is vital to the complexity of artistic production.

Mother and Children exhibits Bigger's early style when his artistic production was concerned with figures passed over by the post-war economic recovery.

Curated by Executive Director Fairfax Dorn, the exhibition seeks to examine the metaphysical aspects of artistic production through a selection of artworks that challenge the use of material and space, formalism and abstraction.

The SAF Production Programme furthers this goal by broadening the possibilities for the production of art in the MENASA region through the support of innovation and excellence in artistic practice and the encouragement of risk - taking and experiProduction Programme furthers this goal by broadening the possibilities for the production of art in the MENASA region through the support of innovation and excellence in artistic practice and the encouragement of risk - taking and experiproduction of art in the MENASA region through the support of innovation and excellence in artistic practice and the encouragement of risk - taking and experimentation.

Throughout the exhibition, pieces from decidedly different periods of Du Pasquier's artistic production are experienced in a singular installation created by the artist.

Drawing is central to all aspects of his artistic production, and his illustrations are defined by the expressive nature of their lines and the immediacy of their marks.

By extension, the act of inhabiting or occupying a space functions as a kind of artistic production, serving as the undercurrent of his predominantly site - specific practice.

It posits a transnational generational formation of cultural producers aligned with leftist movements and ideologies — specifically, those whose politics are anti-capitalist, anti-imperialist, and decolonial — and whose artistic production is shaped by social transformations brought about through neoliberalization and the influence of recent subaltern - popular movements.

which explores artistic practices in relationship to immaterial production, political economy and the commons, published by Sternberg Press in 2013.

Inspired by a process originated by the renowned feminist art critic, Arlene Raven, students examined the reasons and context of their artistic production in order to...

Through nearly 50 works by 12 artists, the exhibition documents the activities and artistic production of the Rat Bastard Protective Association (RBPA), an inflammatory, close - knit community of artists who lived and worked together in a building they dubbed «Painterland» in the Fillmore neighborhood of mid-century San Francisco.

Yes, Andy Warhol employed photographic silkscreens to launch a 1960s mass - production painting factory, but to do it he also launched the now - ubiquitous artistic strategy of making paintings by not really painting.

Dating from the 1970s to 2005, the 11 quilts included in the Souls Grown Deep Foundation gift / purchase triple the High's existing holdings of works by these celebrated women artists and demonstrate the incredible legacy of their artistic production, which parallels many of the experiments with color, flatness and abstraction associated with postwar American painting.

It includes a foreword by Serpentine Galleries CEO, Yana Peel and Artistic Director, Hans Ulrich Obrist; as well as two newly commissioned texts: Alex Kitnick has contributed an essay that draws links between the sites of production and exhibition of Guyton's work; and Flame have written about the modes of temporality within Guyton's practice.

From 1939 to 1943, the group held annual exhibitions that showcased the work of its members, a practice which greatly benefited the artists by reducing their individual costs of artistic production and promotion.

The discussion will explore the status of artistic labor in relation to technological developments, and the emancipatory possibilities offered by these technologies — if effectively re-vectored toward the production of new, post-capitalist political horizons.

His work is characterized by site - specific interventions, the re-contextualization of everyday objects and a relational approximation to artistic production as a revealing act of historical, social and political proportions.

By launching Recess in a storefront space in Soho, once a neighborhood amenable to the emerging artist studio but now dominated by a prohibitively established arts community, we began challenging our surroundings to embrace changing modes of artistic production and receptioBy launching Recess in a storefront space in Soho, once a neighborhood amenable to the emerging artist studio but now dominated by a prohibitively established arts community, we began challenging our surroundings to embrace changing modes of artistic production and receptioby a prohibitively established arts community, we began challenging our surroundings to embrace changing modes of artistic production and reception.

Building from the transformation of artistic labor through industrial production initiated by minimalism and conceptual art, the panel will bring together artists, critics, and theorists to consider histories of fabrication up to the present day.