Sentences with phrase «artistic production does»

But artistic production doesn't fit neatly into this equation and it shouldn't, as it exists both outside of societal labour yet uniquely within it.
What ideas about Central American artistic production did it project then?

Not exact matches

In the churches and congregations we find fresh energy and intelligence being devoted to the production of new hymns, music, artistic and liturgical materials, to the creation of fresh categories for doing theology, to the retrieval of threatened cultural resources, to the application of faith to public issues, and to the promotion of ecumenical sharing and partnership.
As a consequence he would not be able to explain how a man could ever be guilty for something done by him years ago, how there could be an ethics of obligation, political action, artistic production, or an historical process» (RW 331).
Independant artistic thinker romantic lover trying to do my best for everyone Work as videographer and teacher of video production, animation and graphic design.
The study also does not evaluate the artistic components of the theatrical productions.
As such, the recommended word counts are largely the result of industrial standards and therefore have more to do with the production requirements of paperback books than they do anything related to storytelling technique, artistic aspirations, or the preferences of readers.
It is actually quite embarrassing when a real friend, someone I often see in the flesh, wants me to buy their artistic product, they need the money to pay for its production, and I don't want it; or I was cornered into buying it and I think it's dreck.
Yes, Andy Warhol employed photographic silkscreens to launch a 1960s mass - production painting factory, but to do it he also launched the now - ubiquitous artistic strategy of making paintings by not really painting.
In a Danish context, Ruth Campau's work is in many ways unique, drawing as it does both on Minimalism's historical focus on industrial form and mass production, and Expressionism's insistence on the physical presence of the artist and the tangible working of the artistic material.
In the spirit of Conceptualist de-skilling of artistic production, Albrectsen re-draws black - and - white photographs found via internet image search, rendering them in a hyper realistic manner on paper — just as Richter once did with his «photo - paintings.»
The majority of her artistic production has been done in close collaboration with other artists, with community organizations and people from all walks of life.
«These artistic creations, which lie in the realm of Generative Art, do not just reinterpret the mechanical processes of traditional engraving, but being reproducible infinite times and anywhere, exemplify the evolution of mass production practices and the inevitable symbiosis between the man and the machine.
(São Paulo, Brazil) Fronteiras Incertas: Arte e Fotografia no Acervo do MAC USP [Uncertain Borders: Art and Photography in the MAC USP Collection] is an exhibition curated by Helouise Costa reveals a historical aspect that exists in the latest artistic production.
Invented in secret in the privacy of Oiticica's New York loft in the early 1970s, they were not shown as works of art until 1992, twelve years after Oiticica's death, when the first and third in the series — CC1 Trashiscapes and CC3 Maileryn — were exhibited as part of the first traveling retrospective of the artist's work.3 Prior to that exhibition, Oiticica's New York sojourn was little analyzed due to the perceived paucity of his artistic production between the years 1970 and 1978.4 The 1992 presentation of the Cosmococas was revelatory in this regard: not only did these quasi-cinemas demonstrate the continuity and conceptual elaboration of key aesthetic concerns within Oiticica's work (the vertiginous passage from painterly to narcotic «pigment» in service of the sensorial is surely the most striking of these animating threads), they indicated the artist's pointed engagement with the avant - garde artistic culture of New York.
Rush has said that much of what he is interested in is «the idea of failure and how it might constitute success, and much of what I do could be characterised as the management of actual or potential disasters -LSB-...]» Through these forms the artist hopes to address the problematics of artistic territory and truth, and the boundaries between the art object, its site of production and eventual arena of display.
I'm really thinking now about the history of the White Gallery at UCLA, and what does it mean that the Hammer Museum is 25 years old, and how can we represent the history of Los Angeles, which still is underrepresented in places like the Museum of Modern Art, when in fact it is the place for artistic production in the country right now.
Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of artistic interventions?
Today's funding trends such as Creative Place - making, made possible through partnership enterprises among foundation, governmental, and financial - sector support, such as ArtPlace America, are concentrated on giving art and artists opportunities in diverse communities yet also require artists and arts organizations to think through an entrepreneurial frame by integrating their initiatives into their community's economic development and community revitalization strategies and having the potential to attract additional private and public support of the community.3 Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of artistic interventions?
This exhibition will explore the nature and implications of definitions as they relate to the artists» practice: do terms such as «painting» or «craft» play a necessary role in artistic production?
Anna K.E.'s work (an installation dealing with feminism, artistic production, and institutions) certainly does that, but also with «Nonstop Metropolis,» [a «creative mapping» project headed by writer and activist Rebecca Solnit], we invited lots of different players to the museum to see what they came up with, and that's a project that can get kind of messy.
The world's most glittery glitter and pinkest pink... Do you see their production and marketing as part of your artistic practice — as a comment on popular and consumer culture, or just a play on Anish Kapoor's Vanta Black?
«After Abstract Expressionism» itself reveals the kind of gamble inherent in this type of analysis, as its accuracy, success, and relevance can only be born out with time, and so it is that we can now see that the Color Field painting Greenberg championed at the end of «After Abstract Expressionism» did not ultimately prove to be the most fecund avenue of new artistic production in the»60s.
With Here Not There, MCASD does not aim to reach definitive conclusions about the nature of artistic production in San Diego County; nor does the Museum expect to draw a single narrative illustrating notions of identity or regionalism.
Often these models do not respond to conditions in Latin America, nor are they consequent with local artistic production circumstances.
The recent anti-cuts campaigns and protests that I have been involved in, have done much to strengthen my interest and a sense of urgency in interrogating the relationship of art and activism and the place of artistic production in the current neoliberalisation of cultural spaces and art education.
FORT WORTH — Fort Worth Opera Festival offers Brief Encounters (April 29 - May 1), three 15 - minute operas, including Avow by Mark Adamo, Again by Jake Heggie and Feel the Tango by Fort Worth Opera's artistic director Joe Illick; Maria de Buenos Aires (April 27 & May 5) by Argentina's tango king Astor Piazzolla; and Gaetano Donizetti's comedy Don Pasquale (April 28 - May 6) in a production that transplants the story to Hollywood, casting Pasquale as a matinee idol who doesn't see that his charms have faded.
We become overly concerned with the question of inclusion, but inclusion doesn't always resolve the issue of how to incorporate different bodies of artistic production within an already deeply sedimented history we see in Western museums.
What influences do global markets have on local conditions and what are the relations between the artistic production and the changing economical, social and political changes.
Hub has also been eager to invest in artistic production, though their funding can be irregular: Serbia's Ministry of Culture, for example, did not make an open call for funding 2015 projects until late February.
Showcasing work from the 1970s to the present day, and spanning over four decades of artistic production, the expansive exhibition includes 60 sculptural pieces accompanied by 140 works on paper, showing the Cragg's emphasis on drawing that, according to the artist «is the basis of everything I do
Inspired by literary precedents such as automatic writing, by the resourcefulness of the bricoleur making do with what is at hand, and by the openness toward chance that all artistic production under severe constraint must necessarily incorporate, Cabinet's series invites a number of distinguished authors and artists to be incarcerated in its gallery space to complete a project from start to finish within 24 hours.
Do you have any further thoughts on the state of artistic production today?
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