Through painting, sculpture, installation, and new media, the works in the show address how the internet has shaped contemporary culture and
artistic production since its inception in 1989.
In the Making is rooted in an interest in the changing conditions of
artistic production since the breakdown of modernist tropes, and in particular the displacement of the
Matter, material and materiality have acted both as points of departure and subjects of
artistic production since the 1960s.
As an internationally recognised platform for exhibition and experimentation for artists from the surrounding region and beyond, the Sharjah Biennial has explored themes as diverse as climate change, agriculture, political conflict and
artistic production since 1993, working with curators from countries and institutions from around the world.
It would seem that Sol LeWitt's proto - Conceptual work of the early 1960s originated in an understanding of the essential dilemma that has haunted
artistic production since 1913, when its basic paradigms of opposition were first formulated — a dilemma that could be described as the conflict between structural specificity and random organization.
Not exact matches
Their
artistic value is very low,
since mass
production of the said monuments required low - cost methods and produced non-unique pieces.
Even back in 1993, by television
production standards, it had been a long time
since the late 1970s, and this series put its then - contemporary
artistic and technical sensibilties to good use, crafting this world with plenty of
artistic grace and style.
Rubins, who has been working with metal trash
since the 1970s, has been a forerunner in the recent
artistic focus on trash — the inevitable third step in the 20th century dialectic of
production and consumption.
Since his recent appearance at the 2nd berlin biennale and his exhibition at the Galerie Johnen & Schöttle and Galerie Micheline Swajczer, Claerbout can be counted among today's most promising talents in the field of
artistic video
production.
She was co-founder and
artistic director of the Cinematexas International Short Film Festival (1997 — 2007) in Austin, Texas and is founder of Haos Film, a filmmaker - run
production and post-
production studio in Athens
since 2004.
Although more than half a century has passed
since the era of Inventing Downtown, many of the issues mined in the exhibition still resonate in today's art world — split as it is between the booming commercial market for contemporary art and ever more pluralistic models of
artistic production, promotion, and display.
Since the late 1990s, Michael Riedel has advanced his own model of a self - sustaining
artistic production, continuously using reproductions as a means to «reintroduce the system of art into the art system.»
Since 2012 she has transformed Liverpool Biennial by expanding its organisational model to include and prioritise ongoing research, education and
production, developing a creative community, and building the city as a place of
artistic experimentation.
Its monthly publication e-flux journal has produced essays commissioned
since 2008 about cultural, political, and structural paradigms that inform contemporary
artistic production.
Taken as a whole, the exhibition is a clean, a strong, and a varied one and of vast
artistic, educational interest and importance, and, if I mistake not, will have as a result, and despite the unquestionably skeptical and even hostile attitude towards the merits of the new foreign movements, or an indisposition to accept them as being worthy of the title of art movements in general — the most marked effect upon the cause of art in America, and upon the coming
production of American painters and sculptors, than anything that has occurred
since the first exhibition of the so - called Munich band of young American painters in the old American art galleries in 1878, and of the work of Monet and his contemporaries and followers held here in 1883.
Since collecting the keys in March, we've drawn together a membership through this continuing dialogue about the presence of artists in the city and ensuring that
artistic production is accessible to the people who visit and live within it.
Since 2012, Tallant has transformed Liverpool Biennial by expanding its organizational model to include and prioritize ongoing research, education and
production, developing a creative community, and building the city as a place of
artistic experimentation.
Since its inception in 2008, the centre has addressed the antinomies of
artistic production and structural development in Africa, while resisting institutionalised cultural schemes that often dampen the political convictions of
artistic practice.
In the century
since,
production, outsourcing, interaction and appropriation have become mainstream modes of
artistic expression; the shared enterprise has become a fragmented contract between the artist and other factors, not simply between the artist and the viewer.
Since 2000, she develops her
artistic production in performance, video, photography and
artistic writing.
Since its inauguration in 2011, the gallery has developed a special programme around the investigation of
artistic productions carried out during the Brazilian military period — more specifically from the 1970s and 1980s.
Since 2011 we have transformed a Victorian school in Nottingham into a centre for
artistic production; with studios for over thirty artists and independent creative businesses, and a unique public programme of free exhibitions and events.
However,
since the beginning of the 20th century, the term has retained a connotation of radicalism, and carries the implication that for artists to be truly avant - garde they must challenge the
artistic status quo - that is, its aesthetics, its intellectual or
artistic conventions, or its methods of
production - to the point of being almost subversive.
Since 1988, Ben Kinmont «s project - based work has demonstrated an interest in archiving and blurring the boundaries between
artistic production, publishing, and curatorial practices.