Do you have any further thoughts on the state of
artistic production today?
The Vanderbilt University Fine Arts Gallery features a series of engaging exhibitions each year that represent the diversity of
artistic production today, as well as throughout the history of Eastern and Western art.
Selected by Haystack Mountain School of Crafts Director and juror Paul Sacaridiz, the 2018 Juried Craft Exhibition will celebrate this long history and one of the most vital modes of
artistic production today.
The exhibition project promotes the critical examination of the conditions for
artistic production today.
IF ONLY IN THE SPIRIT of rhetorical gamesmanship, it seems entirely worthwhile to ask whether the concept of the avant - garde, or neo-avant-garde, is not totally irrelevant when it comes to discussions of
artistic production today — even if considered...
Not exact matches
Presenting Modern Art helps us to better understand our current time, the
artistic production and the way art institutions function
today.
So much writing about contemporary art
today is quick to identify the successes of the age, to establish a new canon of
artistic production, but what would happen if ambivalence became a productive force, if art were no longer judged according to a vague and malleable scale of quality?
The spring semester presents a set of concepts and categories that have become important for the examination of cultural
production during the last two decades, reflecting on their relevance for thinking about
artistic and curatorial practice
today.
This event considers the function of text, artist's writing and
artistic language as departure points to explore the necessity of writing for a wide range of contemporary artists» working
today such as Martha Rosler, Hito Steyerl, Jonas Staal, Cai Gu - Qiang, Miguel A. Lopez, Marion von Osten and the many others who emphasize the act of writing as either a significant part, or as the main site of their
artistic production.
Her curatorial work focuses on
artistic production from the neo avant - garde until
today, particularly rooted in global art histories, the intersections of sound and performance with traditional media, and the function of contemporary art within encyclopedic museums.
The studio is a generative space — part
production site, office, laboratory and situation — and it can be argued that it is more significant
today for
artistic process than ever before.
Since his recent appearance at the 2nd berlin biennale and his exhibition at the Galerie Johnen & Schöttle and Galerie Micheline Swajczer, Claerbout can be counted among
today's most promising talents in the field of
artistic video
production.
More than twenty contemporary artists from home and abroad examine the importance of systems of order such as cartography, archival structures and scientific systematizations for
today's
artistic production.
Although more than half a century has passed since the era of Inventing Downtown, many of the issues mined in the exhibition still resonate in
today's art world — split as it is between the booming commercial market for contemporary art and ever more pluralistic models of
artistic production, promotion, and display.
The studio is a generative space — part
production site, office, laboratory, and situation — and it can be argued that it is as significant
today for
artistic process than ever before.
The Art of Not Making: The New Artist / Artisan Relationship is the first book to tackle these questions head on, exploring the concepts of authorship,
artistic originality, skill, craftsmanship and the creative act, and highlighting the vital role that skills from craft and industrial
production play in creating some of
today's most innovative and highly sought - after works of art.
106 works are showcased, amongst paintings, drawings, sculptures and installations that trace different profiles of the Afro - Brazilian
artistic production from the 18th Century until
today.
surcontexto is a contemporary art platform based in Montevideo, Uruguay, dedicated to generating projects that prioritize the
production of knowledge and experience of curatorial and
artistic practices
today with its focus on South and Latin American art and culture.
TSA New York and NURTUREart will host a dialog on abstract painting's critical reception
today, and Brooklyn's role in its recent importance in contemporary
artistic production.
Today's funding trends such as Creative Place - making, made possible through partnership enterprises among foundation, governmental, and financial - sector support, such as ArtPlace America, are concentrated on giving art and artists opportunities in diverse communities yet also require artists and arts organizations to think through an entrepreneurial frame by integrating their initiatives into their community's economic development and community revitalization strategies and having the potential to attract additional private and public support of the community.3 Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art
production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of
artistic interventions?
The largest show is «Art in the Age of the Internet, 1989 to
Today» at the Institute of Contemporary Art, which will feature work by some 60 artists and explore the Internet's influence on
artistic production.
Studying the initial Westernization of the Ottoman Empire through to the early Republican period, Repertoire reveals the reverberations of historic processes in
today's
artistic productions and provides the historical backdrop to the Modern and contemporary artworks in the exhibition — from the musical tones of the abstract art of the 1950s to the popularized content of the 1980s.
Six Lines of Flight explores the hybrid, changing nature of
today's international
artistic landscape, presenting work from various communities that provide a unique lens through which to examine
artistic production regionally and beyond.
«What is the nature of content or individual style in
today's climate of accelerated
artistic production in a crowded field?»
In dialogue, they touched on a number of topics addressed within the book, including abstract painting's critical reception
today, and Brooklyn's role in its recent importance in contemporary
artistic production.