Sentences with phrase «artistic research at»

It is expected that artistic research at the Academy should be groundbreaking, contribute to developments within the various fields, and be rooted in artistic practice.

Not exact matches

The research also offers insights into fashions and artistic methods popular at the time.

The Neotoma Paleoecology Database and Community — which takes its name from one of nature's premier accumulators, the pack rat — is one of many research projects based at the Springfield - based museum, which houses extensive collections showcasing the natural, cultural, and artistic history of the state.

As a research scholar and consultant for arts in education in the past, he has investigated artistic development in children at Harvard Project Zero from 1982 to 1994 and assessment of arts and general education programs from 1985 to 1995.

In fact, Gardner's colleagues at Project Zero at Harvard University spent years researching the habits of artists at work in their studios to discover how artistic processes may inform best practices in teaching and learning.

In addition to her prolific artistic practice, she holds the position of Professor of Contemporary Art at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporas.

Physical and electrical phenomena have been at the heart of Micol Assaël's artistic research since 2001, when she made the first version of Vorkuta, working on her memories of a journey to the Vorkuta gulag in Siberia.

Twice a guest researcher at the Getty Research Institute, he has dedicated a significant part of his scholarly research to the late nineteenth and early twentieth — century literary and artisticResearch Institute, he has dedicated a significant part of his scholarly research to the late nineteenth and early twentieth — century literary and artisticresearch to the late nineteenth and early twentieth — century literary and artistic moment.

For 4 - 6 weeks each artist spent time using the gallery as both a studio and exhibition space, whilst giving the public a behind - the - scenes look at the process of creation along with taking an active role in artistic and creative research.

In 2015, Paul Beumer spent four months in Xiamen in China as a resident at the Chinese European Art Centre (CEAC), where he further researched his sensibility for the country's ancient visual forms and techniques and how to combine these with his own Western artistic background.

I am an Invited Speaker at the PARSE — Platform for Artistic Research Sweden biannual conference at the University of Gothenburg

Recent staff exhibition and research projects include Art and Conflict (led by Michaela Crimmin); No Puppet is dumber than its Puppeteer at the Chinese Academy of Fine Arts Museum Biennale (led by Kit Hammonds); Richard Hamilton: Growth and Form at Tate Modern, Cultural Value and the Digital with Tate Research and Transfigurations: Curatorial and Artistic Research in an Age of Migrations at MACBA (led by Victoriaresearch projects include Art and Conflict (led by Michaela Crimmin); No Puppet is dumber than its Puppeteer at the Chinese Academy of Fine Arts Museum Biennale (led by Kit Hammonds); Richard Hamilton: Growth and Form at Tate Modern, Cultural Value and the Digital with Tate Research and Transfigurations: Curatorial and Artistic Research in an Age of Migrations at MACBA (led by VictoriaResearch and Transfigurations: Curatorial and Artistic Research in an Age of Migrations at MACBA (led by VictoriaResearch in an Age of Migrations at MACBA (led by Victoria Walsh).

She has studied at prestigious academic and artistic institutions includingthe New School for Social Research, the Art Students League, and the Académie de la Grande Chaumière.

She calls the series an artistic work that is «social research» at the same time.

It arrived at a moment when a new interest in evolutionary theory — both in science and philosophy — mixed with a mode of artistic practice favouring ethnographic research, which has now become known as the «anthropological turn».

Dynamo — A century of light and motion in art, 1913 - 2013 is the title of a survey art exhibition at the Grand Palais in Paris, a show that brings together major works that deal with light and motion and includes artists such as Bruce Nauman, Dan Flavin, Hans Haacke, James Turrell, Yayoi Kusama, Jean Tinguely, Alexander Calder, Marcel Duchamp, Bridget Riley, Dan Graham, Anish Kapoor, Jesus Rafael Soto, Conrad Shawcross, François Morellet, Jeppe Hein, Carlos Cruz - Diez, Takis, as well as artistic collectives such as GRAV (Group of visual Arts research), and the Groupe Zéro.

Elizabeth Rooklidge, Associate Curator, Katonah Museum of Art Boshko Boshkovic, Program Director, Residency Unlimited Adele Eisenstein, Independent Curator & Research Assistant, Alma on Dobbin Jovana Stokic, Art Historian, Curator Ming - Jiun Tsai, Independent Curator, Taiwan Lisa Varghese, Senior Director, Luhring Augustine Zuzana Jakalova Artist, Curator, MeetFactory, Prague Jenny Jaskey, Director and Curator, The Artist's Institute Joshua Decter, Independent Curator & Critic Rachel Reese, Associate Curator of Modern and Contemporary Art, Telfair Museums in Savannah GA Zuzanna Foggt, Co-founder & President of the Contemporary Art Foundation In Situ, Sokołowsko, Poland Liz Blum, Artist & Curator Stamatina Gregory, Curator & Associate Dean, School of Art at Cooper Union Alise Tifentale, Art Historian, CUNY Grad Center Leah Dixon, Visual Artist and Co-Owner of Beverly's NYC Julia Geerlings, Independent Curator & Writer, Netherlands Sharon Matt - Atkins, Vice Director, Exhibitions and Collections Management Brooklyn Museum Asya Geisberg, Owner, Asya Geisberg Gallery Sebastian Sans de Santamaria, Director of Operations, Residency Unlimited Gu Chenlin, Director of Artistic Department & Curator, Shanghai Photographers Association, China He Guyian, Deputy Director of Department of Art History & Director of the Contemporary School of Arts, Sichuan Fine Arts Institute, China

The evening with Susanne M. Winterling offers preliminary insights in her fields of artistic research, to be presented more extensively during her upcoming solo exhibition at Ludlow 38 in June 2014.

With its extraordinary collection the MAK serves a dual purpose as a conservator of significant objects and as a laboratory for research and artistic production aiming at creating social awareness for various issues of our time.

Navigating the Unknown is the result of the artistic - research project Dizziness — A Resource, which is being implemented since 2014 by Ruth Anderwald and Leonhard Grond at the Academy of Fine Arts in Vienna, in collaboration with the Institute of Psychology at the University of Graz.

research papers at the International Conference on Artistic Research (Royal Academy of Art, The Hague) and The Posthuman Glossary (Utrecht Univresearch papers at the International Conference on Artistic Research (Royal Academy of Art, The Hague) and The Posthuman Glossary (Utrecht UnivResearch (Royal Academy of Art, The Hague) and The Posthuman Glossary (Utrecht University).

I have presented research papers at the International Conference on Artistic Research (Royal Academy of Art, The Hague) and The Posthuman Glossary (Utrecht Univresearch papers at the International Conference on Artistic Research (Royal Academy of Art, The Hague) and The Posthuman Glossary (Utrecht UnivResearch (Royal Academy of Art, The Hague) and The Posthuman Glossary (Utrecht University).

In addition to her artistic practice, Lubaina Himid is Professor of Contemporary Art at the University of Central Lancashire in Preston, where she leads Making Histories Visible, a Black Art archive and multidisciplinary contemporary arts research project.

With an extensive record of international experience, exhibitions and artistic research, Drew Ippoliti has been asked to share his perspective and discoveries with students at Tyler.

In 2011, five international artists — Ruth Buchanan, Simon Fujiwara, Suchan Kinoshita, Falke Pisano and Ian White — were invited to the KUB Arena at Kunsthaus Bregenz, a space dedicated to artistic research and art production, to create both aesthetic and process - oriented performances.

She has been an artist in residence at BANFF Centre (2013), Carnegie Mellon University's STUDIO for Creative Inquiry (2015), Autodesk Pier9 Workshop in San Francisco (2015), and the Vilém Flusser Residency Program for Artistic Research in association with Transmediale, Berlin - in collaboration with writer / artist Daniel Rourke --(2016).

Between 2004 and 2006, he was artistic director and curator of the 2006 Biennale of Sydney and senior research fellow at the Centre for Cross Cultural Research, Australian National Uniresearch fellow at the Centre for Cross Cultural Research, Australian National UniResearch, Australian National University.

Jeff Robinson: Dummy Vexillography is the second exhibit at STNDRD, a gallery project curated by St. Louis artist Sage Dawson and temporarily located within the entrance of the Luminary, a space that facilitates artistic research, production, and presentation through residencies, studios, and exhibitions.

The catalogue published on the occasion of the first institutional exhibition by Ana Navas at Galerie der Stadt Sindelfingen continues her artistic research, which deals with phenomena such as memory, translation, interpretation and authorship and documents a wide exchange of images and ideas.

At Art League Houston, the pair presented some of their findings in 50 States: Wyoming, including a series of performances and gatherings that reflected aspects of both their research and their artistic practice.

In the final minutes of Viral Representation: On AIDS and Art, a day - long conference held at the University of Chicago's Logan Center that presented research on artistic responses to AIDS as part of the exhibition Art AIDS America, I found the nerve to raise my hand and pose a question to the roundtable that included all twelve speakers who presented or spoke that day.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapseat the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has CollapseAT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Open Studios: Banff Artist in Residence Emerging 2018 - At the end of each residency, participants in Visual + Digital Arts programs at Banff Centre open their studio doors to share the artistic research and art work created, as well as the pertinent conversations generated in the prograAt the end of each residency, participants in Visual + Digital Arts programs at Banff Centre open their studio doors to share the artistic research and art work created, as well as the pertinent conversations generated in the prograat Banff Centre open their studio doors to share the artistic research and art work created, as well as the pertinent conversations generated in the program.

Both view the organisation of a residency as a process of research and experiment in artistic practice, as opposed to aiming at obtaining a finished artistic «product» in exhibition or project form from the venture.

is a multi - media artist whose life spent between the high desert of Colorado and NYC has placed the politics of fragile landscapes at the center of her artistic research.

Continuing her artistic research in the United States, where she emigrated with her husband in 1933, she rapidly became a key player in textile art, and in 1949 she was the first weaver to exhibit at MoMA, New York.

Christine Howard Sandoval is a multi - media artist whose life spent between the high desert of Colorado and NYC has placed the politics of fragile landscapes at the center of her artistic research.

PARSE is an international artistic research platform based at the University of Gothenburg, Sweden.

Aeron Bergman was a head professor at the Oslo National Academy of the Arts 2007 - 2013, professor and advisor in the Nordic Sound Art low residency MA 2007 - 2013, and supervisor of the National Norwegian Artistic Research Fellowship 2007 - 2013.

The exhibition Pressing Matters at Framer Framed started with an artistic research journey into his own past, retracing the steps of his Indonesian grandfather.

From 2013 - 2017 she was artistic research associate at the BA «Dance, Context, Choreography» and MA SoDA at HZT Berlin.

Anja Dreschke is media anthropologist, filmmaker and research fellow at the DFG project Trance Mediums and New Media at the University of Siegen, Regina Barunke is art historian and artistic director of the Temporary Gallery, Cologne.

In summer of 2014, she and artist Mark Clintberg launched a research project entitled Everyday Cooking, Cooking Every Day at the artist - run center Articule in Montréal, which made links between domestic cooking and artistic and curatorial practices.

Specifically trained in hybrid and artistic research methods, he received his MA in Visual and Critical Studies at the School of the Art Institute of Chicago and completed a practice - based, interdisciplinary PhD as an Arts and Sciences Fellow in the Graduate Institute of Liberal Arts at Emory University.

François Bucher started his literary and artistic education at Universidad de los Andes in Colombia, then pursued a Masters in Cinema Studies at e School of the Art Institute of Chicago and a research fellowship at the Whitney Museum Independent Study Program in New York.

It took off at a time of urgency, when Chinese contemporary artistic practices had a short history of structural development and faced contradictions and problems of «translation,» especially in regards to methodologies of research within the Chinese and Asian context at large.

A new ballet produced by Jason Andrew and Norte Maar will feature new choreography by Julia K. Gleich with several new artistic collaborators, and will premiere April 12 at Center for Performance Research.

In conjunction with the exhibition, Main Line Art Center is proud to present the lecture «Happily Ever After and the Female Gaze: Philadelphia Women Artist Trailblazers — Then and Now» led by Cindy Veloric, MA, research assistant at the Philadelphia Museum of Art, Artistic Advisor at Main Line Art Center, and independent art historian.

His research at the Institute looked at overlaps between sculpture and photography - locating sculptors who have used photography as part of their artistic practice and photographers whose work has sculptural characteristics.

The Archive as a Site of Artistic Research (n.b.k. Berlin, before LENTOS, Linz) and a retrospective on Ernst Caramelle at mumok, Vienna.