Sentences with phrase «artistic research from»

Modernikon explores Russia's young and still - evolving art scene of today, presenting the newest artistic research from a country that has only recently presented itself on the international art scene.

Not exact matches

The Neotoma Paleoecology Database and Community — which takes its name from one of nature's premier accumulators, the pack rat — is one of many research projects based at the Springfield - based museum, which houses extensive collections showcasing the natural, cultural, and artistic history of the state.

Now, researchers from the UNLV College of Sciences are showcasing the artistic side of science by featuring their most captivating research images in an exhibit on campus.

In their sixth - grade social studies and language arts class, while doing a simulation on the Maya, students take breaks for research, close reading of articles (from secondary sources to primary documents written in the 1500s), and analyzing their own artistic replicas of primary documents.

As a research scholar and consultant for arts in education in the past, he has investigated artistic development in children at Harvard Project Zero from 1982 to 1994 and assessment of arts and general education programs from 1985 to 1995.

The exhibition investigates the use of color in art through artistic movements and research that stand apart from canonical histories on color and abstraction, with multiple accounts relating to memory, politics, spirituality, storytelling, psychology and synesthesia.

His approach to his artistic practice and research stems from observations of his expanded local context.

With an artistic research process that regularly synthesizes visual and textual information from journals, diaries, and other primary documents, Dion presents us with a keen sense of our contemporary moment.

This polyvalent project space focuses on supporting and exhibiting research projects from different artistic disciplines.

Joined by the neuroscientific study lab, which will interact with visitors during the show, the exhibition investigates the use of color in art through artistic movements and research that stand apart from canonical histories on color and abstraction.

Nigerian - born, Berlin - based Otobong Nkanga's early training in the converging traditions of live arts and performance lend a decidedly wayward, playful charge to her research - heavy artistic practice, steering her work away from the dour academicism that so often cripples art projects invested in the production and dissemination of knowledge.

Spanning practice and theory, Hockney's investigation of artistic techniques has also developed through art - historical research, resulting in Secret Knowledge (2001), his publication on the optical devices used by the Old Masters, as well as A History of Pictures: From the Cave to the Computer Screen (2016), written in collaboration with art critic Martin Gayford and further exploring the many ways artists have pictured the world.

Her artistic research moves from the basics of photographic technique, and develops through various media taking different forms according to the places or the stories in which it develops; from b / w photographic printing to site - specific installation, from video to drawing.

A publication and research program dedicated to investigating Nam June Paik's legacy from alternative perspectives that emphasize and question the political and social significance, potentiality, and complexities of creativity and artistic practice.

«The exhibition is a testimony to Kapoor's unflagging research in the formal and conceptual spheres, which has informed his artistic practice from the start, contrasting the highly engineered and more organic processes of his work.

Uncini's artistic research continued with Ferrocementi [Iron - Concretes], from 1962 to 1965, in which the cement is so smooth it practically loses its material quality.

Autistica, the UK's leading autism research charity and Mehta Bell Projects, are pleased to announce «An Infinitely Beautiful Mind», a charity art sale and exhibition which will present the works of artists ranging from modern masters, contemporary and emerging talents through to outsider art, whose work share the desire to represent the human experience through highly detailed and laborious artistic techniques.

Using epistemological analysis as her tool, Seikkula's recent PhD research in philosophy discusses the social and cultural sustainability of artistic practices from a process perspective.

With a focus upon artistic and curatorial practices from the 1960's to the present day, the expansion creates a unique platform for research, exhibition preparation, and teaching.

This work shows artistic intentionality and process that critical responses from the 1980s neglected, and which new archival research is recovering.

Kurt Mueller's artistic practice is research - driven, his ideas emerging from explorations of various social and political themes.

His artistic research has long been coupled with written statements and reflections collected in artist's books: from Idem, published in 1975 by Einaudi (Turin) with a foreword by Italo Calvino, to Quattro passi.

Recently, he received a grant from the DC Commission of Arts and Humanities to travel to France for an artistic research trip sponsored by Transformer gallery.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has CollapFrom Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapfrom the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Drawn from private collections and archives as well as public sources, Ruins in Process brings together the research of many artists, curators and writers in an exploration of the diverse artistic practices of Vancouver art in the 1960s and early 1970s.

Both view the organisation of a residency as a process of research and experiment in artistic practice, as opposed to aiming at obtaining a finished artistic «product» in exhibition or project form from the venture.

The artists created these artworks after artistic and field - research, using a range of technologies drawn from scientific, digital, and indigenous knowledges.

This is an exhibition project of authors with a cultural and artistic values built from experience, multidisciplinary research, developments in technology and the study of media and materials to culminate in the conception of a language and own aesthetic.

From 2013 - 2017 she was artistic research associate at the BA «Dance, Context, Choreography» and MA SoDA at HZT Berlin.

The exhibition took shape in the context of Markus» artistic research project Markus & I, which departed from her own family history.

Some Things Hidden departed from an artistic research project by Markus that goes under the working title Markus & I, and which took its starting point in Markus» own family history.

In the work in progress installations the displayed books, objects, performance documentation and visual materials from their recent artistic research related to the history of closed - systems experiments and the visualisation of systems thinking.

During these years, artists from Argentina, Brazil, Chile, Colombia, Mexico, and beyond confronted repression that squashed all matter of artistic expression and restricted critical questioning and research.

Just as we come from across national, cultural, material and conceptual boundaries our student body includes recent graduates, mid-career artists, writers, teachers and thinkers who come to Transart Institute to expand their points of view and invigorate their practice by participating in intensive immersive residencies including workshops and seminars, presentation and critique, peer dialogue and debate and becoming part of an international artistic research community.

In the former times presenting research as a strategy for artistic practice, had remained the sole domain of research funding from higher education institutions, as it is often a precarious and beguiling balance based on strategic re-formulation; Slavs» and Tartars» regional linguistic web - like encasing or Simon Fujiwara's intriguing journeys involving gumshoe archeology, travel and sexuality are dependent on revealing specific correlations; their instigations have won over funders willing to stay the course, a condition that allows a great deal of curatorial independence.

Residents were invited to research, create new work, meet and collaborate, share skills, and reflect on the performative aspect of their artistic practice, which could range from «fine art» or live art.

Traversing theoretical and practice - based inquiry in my artistic research, I use theories from the transdisciplinary WGS field to examine hidden dynamics informing relationships between individuals, as well as between the individual and society, exploring how cultural pillars of identity are activated.

As the newly created BALTIC Professor, she will provide world class learning and mentorship in Contemporary Art PhD research and will work with BALTIC's Learning and Engagement Team to offer a richer, and more diverse, artistic events programme and encourage participation in visual art from pre-school to PhD.

Taking inspiration from an EU edict proposing open access to publicly funded research, The Utopia of Access analyzed the implications of liberal policies on artistic practice.

«Freedom Village» is Moon & Jeon's new series under the umbrella of their ongoing project «News from Nowhere», and is based on their artistic research on the small farming community of Tae Sung Dong, otherwise known as Freedom Village.

The mission of the Latin American Art Department and the International Center for the Arts of the Americas (ICAA) is to collect, exhibit, research, and educate audiences on the diverse artistic production of Latin Americans and Latinos, which includes artists from Mexico, Central and South America, and the Caribbean, as well as from the United States.

The show proposes an interlocution stablished from the research contemplated by the XIII Premio Marc Ferrez de Fotografia (Funarte), which possibilited the contact with different faces of the artistic production networks in ten cities, from North to South in Brazil.

An Imagined Museum: works from the Centre Pompidou, Tate and MMK collections is curated by Francesco Manacorda, Artistic Director, Darren Pih, Exhibitions and Displays Curator and Lauren Barnes, Assistant Curator, Tate Liverpool; Peter Gorschlüter, Deputy Director, MMK Museum für Moderne Kunst Frankfurt am Main; Hélène Guenin, Head of Programming Department and Alexandra Müller, Research and Exhibitions Officer, Centre Pompidou - Metz.

This unique collaboration brings together expertise and resources from arts organisations in the UAE and the UK to support international exchange through artistic research, production and residencies.

(São Paulo, Brazil) In a total of over 70 artworks, the curatorial concept of «Contínuo», as well as bringing together varied languages and artists from different artistic periods, is to insert the possibility of learning about the unfoldings of the recent researches carried out by the 27 names integrating the show.

Artists - in - Residence (A.i.R) Dubai brings together expertise and resources from arts organisations in the UAE and the UK to support international exchange through artistic research, production and residencies.

His work distinguishes itself by drawing from scientific, artistic, social, and cosmological thought, gleaning the potentials for music to apply and advance interdisciplinary organizing principles and research in revealing the collective knowledge that connects us to our universe.

In a total of over 70 artworks, the curatorial concept of «Contínuo», as well as bringing together varied languages and artists from different artistic periods, is to insert the possibility of learning about the unfoldings of the recent researches carried out by the 27 names integrating the show.

He researches the field of artistic signs and speech by decoding verbal and visual clichés in order to separate language from the common or daily political ideas and connotations.

The class action, which was filed in Quebec City and authorized on February 8, 2017 by the Quebec Court of Appeal, is intended to establish that Université Laval and its employees, as part of their teaching and research activities, infringed the patrimonial and moral rights recognized under the Copyright Act by reproducing copyrighted literary, dramatic and artistic works, making them available and communicating them to the public without permission from the copyright owners or their representatives, by failing to identify the creators of the work and by infringing the integrity of the work.